Frankenstein by Mary Shelley Summary and Analysis in Urdu/Hindi| Characters| Themes in Urdu/Hindi.
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- čas přidán 26. 03. 2022
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This video is about;
Embark on a literary exploration with our CZcams video as we dissect Mary Shelley's classic "Frankenstein" in Urdu/Hindi. Uncover the riveting plot, delve into the intricate characters, and explore the profound themes that make this tale a timeless masterpiece. Join us for a detailed summary and analysis, unraveling the depths of Shelley's gothic and philosophical narrative in Urdu/Hindi.
1) Key Facts of the novel
2) Setting
3) Characters
4) Summary
5) Theme
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@@AribaSanam-lj4gh focus on characters
Summary
Themes
And there are chances of this question too;
What kind of theory can we apply to this novel for example feminist theory, Postcolonial Theory, etc...
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Very well explained it helped me alot
Thank you ☺️
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Harry Potter and the Philosopher stone by J.K Rowling
The diary of a Social Butterfly by Moni Mohsin
And other novels
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Characters are important
Summary is important
Themes are important
Setting has less chances to come in paper
Bakii summary pa zaida focus krr because summary kii samjh ayii means you got the whole novel with each and everything .
Themes explain plz
Themes of Frankenstein
1:Dangerous Knowledge
The pursuit of knowledge is at the heart of Frankenstein, as Victor attempts to surge beyond accepted human limits and access the secret of life. Likewise, Robert Walton attempts to surpass previous human explorations by endeavoring to reach the North Pole. This ruthless pursuit of knowledge, of the light (see “Light and Fire”), proves dangerous, as Victor’s act of creation eventually results in the destruction of everyone dear to him, and Walton finds himself perilously trapped between sheets of ice. Whereas Victor’s obsessive hatred of the monster drives him to his death, Walton ultimately pulls back from his treacherous mission, having learned from Victor’s example how destructive the thirst for knowledge can be.
2:Sublime Nature
The sublime natural world, embraced by Romanticism (late eighteenth century to mid-nineteenth century) as a source of unrestrained emotional experience for the individual, initially offers characters the possibility of spiritual renewal. Mired in depression and remorse after the deaths of William and Justine, for which he feels responsible, Victor heads to the mountains to lift his spirits. Likewise, after a hellish winter of cold and abandonment, the monster feels his heart lighten as spring arrives. The influence of nature on mood is evident throughout the novel, but for Victor, the natural world’s power to console him wanes when he realizes that the monster will haunt him no matter where he goes. By the end, as Victor chases the monster obsessively, nature, in the form of the Arctic desert, functions simply as the symbolic backdrop for his primal struggle against the monster.
3:Monstrosity
Obviously, this theme pervades the entire novel, as the monster lies at the center of the action. Eight feet tall and hideously ugly, the monster is rejected by society. However, his monstrosity results not only from his grotesque appearance but also from the unnatural manner of his creation, which involves the secretive animation of a mix of stolen body parts and strange chemicals. He is a product not of collaborative scientific effort but of dark, supernatural workings. The monster is only the most literal of a number of monstrous entities in the novel, including the knowledge that Victor used to create the monster (see “Dangerous Knowledge”). One can argue that Victor himself is a kind of monster, as his ambition, secrecy, and selfishness alienate him from human society. Ordinary on the outside, he may be the true “monster” inside, as he is eventually consumed by an obsessive hatred of his creation.
4:Ambition
Frankenstein suggests that ambition is dangerous because it has the potential to become evil. Frankenstein’s ambition motivates him to create the Monster, and he compares his own ambition to a list of other destructive ambitions: “If no man allowed any pursuit whatsoever to interfere with the tranquility of his domestic affections, Greece had not been enslaved; Caesar would have spared his country; America would have been discovered more gradually; and the empires of Mexico and Peru had not been destroyed.” The fact that Frankenstein compares his own work to the destruction of entire civilizations underscores just how huge his ambition is. His suggestion that his ambition makes him like Satan, “the archangel who aspired to omnipotence,” also points to the grandiosity of Frankenstein’s ideas. Frankenstein imagines himself as nothing less than the devil incarnate. However, the novel also suggests that ambition alone is not enough to cause evil and suffering. Walton is introduced as a character every bit as ambitious as Frankenstein, but Walton chooses to abandon his ambition out of duty to his crew.
5:Family
Frankenstein presents family relationships as central to human life. Most of the families that appear in the novel-the Frankensteins and the DeLaceys-are perfect to the point of idealization. Meanwhile, most of the book’s horror and suffering is caused by characters losing their connection to their families, or not having a family in the first place. Frankenstein blames his isolation from his family for his disastrous decision to create the Monster: “If the study to which you apply yourself has a tendency to weaken your affections[…]then that study is certainly unlawful.” The Monster, too, blames his suffering on the fact that he has no family: “I was dependent on none and related to none.” When the Monster is trying to persuade Frankenstein to create a companion for him, he argues that his lack of family relationships is what has caused him to become a murderer. On the other hand, the Monster does have a family, in that Frankenstein is his father. Before creating the Monster, Frankenstein imagines that “No father could claim the gratitude of his child so completely as I should deserve” the Monster’s. Instead, the Monster and Frankenstein spend the novel trying to destroy each other....
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Sir how it's a gothic novel please paper m question hy hmra
"Frankenstein" by Mary Shelley is considered a Gothic novel due to its incorporation of key Gothic elements. It features eerie settings, emotional intensity, and supernatural occurrences. The isolated and gloomy settings, such as Frankenstein's laboratory and the desolate landscapes, contribute to the Gothic atmosphere.
One example of Gothic elements is the use of grotesque imagery, particularly in the creation of the creature. Shelley describes its appearance in unsettling terms, creating a sense of horror and fascination. Additionally, the novel explores themes of forbidden knowledge, as Victor Frankenstein delves into the unnatural realm of reanimating life, reflecting the Gothic fascination with the unknown and the consequences of tampering with it.
The emotional intensity in the novel is heightened by the isolation and torment experienced by both Victor and the creature, adding to the Gothic theme of psychological horror. The supernatural aspect is evident in the creation of the monster itself and its pursuit of revenge, injecting an element of the supernatural into an otherwise realistic world. These elements collectively establish "Frankenstein" as a Gothic novel.
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