Fela Kuti - Fela & Roy Ayers (LP) "Music Of Many Colours"
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- čas přidán 14. 01. 2016
- Fela & Roy Ayers "Music Of Many Colours" LP (2000) Fela Kuti
Songs - 2,000 Blacks Got To Be Free / Africa - Centre Of The World
fela.net/discography/
This video is part of a series of songs being posted on Fela's official CZcams channel ( / fela ) each featuring, alongside the music, an informative commentary by Afrobeat Historian, Chris May.
The entire catalogue, released on Kntting Factory Records, is available on the Fela website (fela.net/), along with documentaries and recorded concerts, CDs and vinyl, tee shirts, posters and many other items. - Hudba
Perfect example of pan-africanism. Unite, My People!🎶🌍🎶❣🎶🔆
2021: Coming through the Grand Conjunction into the Age of Aquarius...We’re on our way!! Happy New Year!!!!
Black poetry for the listening ears...it’s in the soul..🎺🪘🎷global vibez
I can't to see Roy Ayers to come to Philly in June of 2023
long long time ago, Fela that was in 1950s London. We love Fela Kuti and what he has done for music
And black political culture
Before you know it your six minutes deep into a groove with Fela and it felt like six seconds.
Are we ever going back to Africa
What a pair !! Wonderful !!
The year 2000 has gone, however we still have time to get it done!!!?❤ Forward!
Never heard of this before, incredible!
I am very thankful I was introduced to this song on SiriusXM's Tom Morello Show! Thank you both!
A true master! ❤️
Fela's music is like a potluck of modern music 💯♥️🎶🎵
J feel like crying this is so fucking spiritual
Play this over and over would of loved to have seen Fela live, but have seen Roy Ayers. Two legends making legendary music! Still sounds great in 2020
Are we ever going to be free
Mindopener. First thing I heard from Fela Kuti. Music and lyrics have the power to turn your skin from white to black.
Hahaha I feel u
Good things always happen wen Africans both
in Motherland n d diaspora work 2geda.
Dis solidify's n proves d sayings right,
t4 we must unite
Right on fam
Yeah yeah
Long live FELA and I love Ayers!!!!!
Africa Centre of the World...Beautiful!!!
A BATIDA DO ACID JAZZ
Um vibrafonistas de jazz reconhecido nos anos 1960, atravessou os anos 60/70’s liderando uma banda de R&B um cara décadas à frente do seu tempo. A batida forte apresentada em 72 em "Move to Groove”, serviu de modelo para o groove no hip-hop e dominou os discos de ácido jazz.
Sua maneira de tocar: definida, melódica e com continuidade rítmica foi influenciada no hard bop. Sem nunca se vangloriar pelo reconhecimento que recebido, sempre manteve a humildade, dizia que fazia isso por divertimento, mas, se considerava um sobrevivente no difícil negócio de fazer música, os títulos não passavam de propaganda na indústria da música e ele se mantinha distante das vaidades
Seu pai tocava trombone, sua mãe lhe ensinou piano e aos 17 começou a tocar as marretas vibrantes que ganhara de Lionel Hampton quando tinha 5 anos. Aos 20, já fazia parte dos 20 anos, gravando com Curtis Amy, Jack Wilson e a Orquestra Gerald Wilson. Tocou com Teddy Edwards, Chico Hamilton, Hampton Hawes e Phineas Newborn. Entre 66 e 70 manteve parceria com o flautista Herbie Mann que, além de ter lhe tornado mais conhecido do público lhe mostrou um universo musical diferentes do bebop que ele conhecia desde criança
Nos anos 70 formou a Roy Ayers Ubiquity, uma banda de R & B-jazz-rock influenciada inicialmente por Miles Davis elétrico e Herbie Hancock Sextet e lançou músicos como Sonny Fortune e Billy Cobham, Omar Hakim e Alphonse Mouzon. Com o passar do tempo, a banda evoluiu do jazz e do R & B para o funk e a disco.
Nos anos 80, além da sua banda, Ayers colaborou com o Fela Kut
Yeah Fela RIP love Africa
Thank you. I have just ordered the vinyl.
I can feel it in my soul
THE ACID JAZZ BEAT
A jazz vibraphonist recognized in the 1960s, he crossed the 60s / 70s leading a R&B band a few decades ahead of his time. The strong beat presented in 72 in "Move to Groove”, served as a model for groove in hip-hop and dominated jazz acid records.
His way of playing: defined, melodic and with rhythmic continuity was influenced by hard bop. Never boasting about the recognition he received, he always kept his humility, said he did it for fun, but if he considered himself a survivor in the difficult business of making music, the titles were just propaganda in the music industry and he kept himself away from vanities
His father played the trombone, his mother taught him the piano and at 17 he started playing the vibrant mallets he had received from Lionel Hampton when he was 5 years old. At 20, he was already in his 20s, recording with Curtis Amy, Jack Wilson and the Gerald Wilson Orchestra. He played with Teddy Edwards, Chico Hamilton, Hampton Hawes and Phineas Newborn. Between 66 and 70 he maintained a partnership with the flutist Herbie Mann who, in addition to making him better known to the public, showed him a musical universe different from the bebop he had known since he was a child
In the 1970s, he formed Roy Ayers Ubiquity, an R & B-jazz-rock band influenced initially by Miles Davis electric and Herbie Hancock Sextet and launched musicians such as Sonny Fortune and Billy Cobham, Omar Hakim and Alphonse Mouzon. Over time, the band evolved from jazz and R & B to funk and disco.
In the 1980s, in addition to his band, Ayers collaborated with Fela Kut
This is so great!
I still remember Roy Ayers and Africa 70 concert at Olubadan Stadium in Ibadan and the crowd; l was unable to get in because it was a sold out one - off affair!
love love love
Black music is in the heart! Thank you so much for this publishing!
Thank you Betania,.We hope you have subscribed to the Fela channel for more text commentaries every Friday. Yeah Yeah
Life is harder than being a brother
Smoother than silk pajamas ! Ayers on the vibes, the funky percussion / timbalitos keeping the beat and ofcourse the "steady horns" keeping the hook strong. Awesome on every level -Charlie
One love
Magic pairing! Thanks for postong this!
this is amazing!!!!!!! back to africa yes!!!!
I can't stop listening. I'm so happy that this channel exists! RIP Fela!
AFRICA
Fela is the greatest
❤❤❤❤❤❤❤❤❤
Fela talent. 🎺🎷🎵
Hello Sahra and thank you for your kind words. We would love you to continue the Fela Express on this channel by subscribing here ► bit.ly/1XsVy99 Take care and everybody say "Yeah Yeah" (y)
Nothing like this sounds nothing ever
Evergreen.
❤️
Heaven Yes
Tune
Heavyvweight Material
Hayley Cantrill heavyweight indeed
Got to be real bushido.
Anyone else notice that the bass player seems to re-use the bassline from Roy's other song "Freaky Deaky" on the first track?
impressive
Afrika and the World in general Will never know another Musical Artist like Baba Fela Anikulapo Kuti. He created his own Original Sound and Beats and Used IT to Project Black Afrikan Originality. Fought against Corruption and Stod up for the Downpressed! He CANNOT DIE! FELA LIVES ON! BLACKPOWER!
@@kaluikeogu7103 Agreed. RIP Fela!🌍
quem pode ter dado negativo a uma coisa dessas ????
Alguém que não entenda de boa música. 😉😂
I thought he was saying "don't forget your pass"...
Don't forget your past & think for the future
My people stuck on curdroy jeans n fucking Killa weapon bricklaying high heels smoke ifawunmis tongue tied up with you kkk hear that drum congas roll PATA PATA de Vaca Lola Perfect BLACK Creator GBAM continue to bless You PATAPATA All day n night Humm kombucha what is the best thing to make sure You respond to the Utmost Blessings Peace Love JOY happiness and Power straight up business streets gapve me military training for suicidal mission kamakatzee style block Parties All Day All over CZcams tee hee haw ing black is King BEYONCE 👑 BEYONCE IFAWUNMIII Giselle Knowles KHUTTIII Khunefa AUSSET RA AMEN Amen Amen Ra Ptah what is the problem now SASHA FIERCE 1 I woke up weak but still managed to clean myself up with your help but just allow me to go into trance especially if it's All bout the same thing fk you up for brown skin girl off your rocker switch to the next one