Purcell - Rejoyce in the Lord alway / Collegium Vocale Gent / Capriccio Stravagante / Sempé
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- čas přidán 28. 08. 2024
- Henry Purcell - Rejoyce in the Lord alway
Capriccio Stravagante / Collegium Vocale Gent / Skip Sempé
Capriccio Stravagante
Sophie Gent, Jacek Kurzydlo, Louis Creac’h, Leonor de Lera, Tuomo Suni, Yannis Roger, Charles-Antoine Marchand - violon
Kathleen Kajioka, Martha Moore, Nick Milne - alto / ténor de viole
Josh Cheatham, Mélisande Corriveau, Julien Léonard, Andreas Linos, Benoit Vanden Bemden - basse de viole / violone
Julien Martin - flûte à bec
Jasu Moisio, Lidewei de Sterck - hautbois
Evolène Kiener - basson
Olivier Fortin - orgue
Collegium Vocale Gent
Magdalena Podkościelna*, Dominique Verkinderen, Chiyuki Okamura*, Kristen Witmer - soprano
Marnix De Cat*, Alexander Schneider, Cécile Pilorger, Bart Uvyn* - alto
Thomas Hobbs*, Vincent Lesage, Malcolm Bennett, Johannes Gaubitz* - ténor
Stephan Mac Leod*, Robert van der Vinne, Matthias Lutze*, Bart Vandewege - basse
(soliste*)
Capriccio Stravagante - Concerts du 30ème anniversaire
Terpsichore 2016 - Église Saint-Louis-en-l'Île, Paris - 26 septembre 2016
It just doesn't get any better than this - the music, the corruscatingly brilliant performance, the beauty of the English text
in a word . . . sublime
Waking up listeners - Capriccio Stravagante is world-renowned for their memorable interpretations of Renaissance and Baroque music. Founded in 1986 by Skip Sempé, the ensemble of three to seventy performers incorporates Capriccio Stravagante, the Capriccio Stravagante Renaissance Orchestra and Capriccio Stravagante Les 24 Violons. By the mid 1990s, the ensemble had built up an extensive discography for which they received international acclaim and had performed in major concert halls and festivals worldwide.
Nonchalance & Power - The ensembles seek a musical aesthetic whose values have been nearly lost to contemporary musical life. Unlike many other early music ensembles, they adhere to traditional principles of articulation, rhetoric, scholarship, imagination and talent to break down conventions that have little to do with historical practice, particularly those originating in twentieth-century ‘Baroque’ performance practices. Capriccio Stravagante has recorded extensively for the Paradizo, Deutsche Harmonia Mundi, Astrée, Alpha and Teldec labels.
Man-made beauty - The Capriccio Stravagante Renaissance Orchestra offers virtuoso performers on a highly distinctive musical instrumentarium that includes violins, viols, recorders, cornetti, sackbuts, krummhorns, shawms, lutes, harps, harpsichords, virginals, organs, and percussion. Derived from the instrumental virtuosity that sixteenth-century music demanded, their playing techniques are completely unknown to classically trained instrumentalists and mainstream audiences today. The ensemble is the largest and most luxurious gathering yet assembled for the performance of masterpieces from this Golden Age of musical creativity.
Awards & Rewards - Capriccio Stravagante’s exceptional chamber ensemble playing has inspired three generations of musicians, many of whom have gone on to enjoy international careers. The Capriccio Stravagante Prize was created by Skip Sempé in 1997, and served to encourage numerous musicians in their early careers. It is particularly touching that many of those musicians have now become an integral part of Capriccio Stravagante’s activities. Sempé receives lasting inspiration from the key members of these renewed generations.
I can listen to this a 1 million times without getting bored 😘. I really love the whole team :)
Encore un petit chef d'oeuvre ciselé par notre merveilleux Skip et les non moins merveilleux artistes du collégium Vocale de Gent et du Capriccio Stravagante.. Merci infiniment.
TO GOD ALONE BE ALL THE GLORY. HALLELUJAH. AMEN.
My favourite Purcell anthem superbly & beautifully performed.
Excellent, comme de coutume ! Purcell : l'un de mes compositeurs préférés. Le Collegium Vocale de Gent : le must !
"Rejoice in the Lord always: and again I say, Rejoice.
Let your moderation be known unto all men. The Lord is at hand.
Be careful for nothing; but in every thing by prayer and supplication with thanksgiving let your requests be made known unto God.
And the peace of God, which passeth all understanding, shall keep your hearts and minds through Jesus Christ, our Lord."
Beautifully done! Thanks.
Toda musica magnifica y sutil no tiene propiedad ni pais. Es musica de todos los hombres y mujeres amantes de la belleza !
I really don't understand the conductors counting / conducting
Great performance. Thanks.
Wonderfull to hear this…..So proud to be a Flemish woman living in France!
Beautiful music, beautifully and sensitively performed. Thank you
Magnífica versión. "Alegraos en el Señor". Desde Argentina gracias por compartir
Another flawless offering from the artists of the CSRO and CGV. Thank you so much.
Yeah, the audience was almost kinda bitchy. Fuck them.
It's so neat to see all the antique instruments!
Rejoice in the Lord alway,
and again I say rejoice.
Let your moderation be known unto all men.
The Lord is at hand.
Be careful for nothing;
but in every thing
by prayer and supplication
with thanksgiving,
let your requests be made known unto God.
And the peace of God,
which passeth all understanding,
shall keep your hearts and minds
through Jesus Christ our Lord.
oh! Philippians. I just read it 2hours back.
Good to hear Purcell being performed outside the Anglophone world. Is this a recent phenomenon I wonder? I remember some long time ago, possibly the early 1970s, leafing through a German-language dictionary of composers. Purcell was among them and I think most of the article concerned itself with why they should dare to include an English composer. Yet on my last visit to Germany, way back in 1980, my hosts lent me their radio briefly and what should I hear but Purcell's "Remember not Lord our offences". When I hear English-language pop music I sigh. When I hear English classical music abroad, however, I feel pride in my country
A 1960s edition of Pears Encyclopedia of Music, article Purcell, final sentence ... "His early death must be regarded as a national calamity." I couldn't say better.
Purcell seems to be quite popular in Ghana, Russia & elsewhere in distant parts. Sound the Trumpet is a very frequently performed piece.
Amazing!
Even after watching it several times and being a musician myself I still can't understand how the musicians managed to get the speed from that first cue.
He has a strange, nonchalant-looking style of conducting.
The tempo, I imagine, is well set in everyone's mind already, and everyone is feeling everything together, phrase by phrase.
Loving it when the woodwind come in...
Purcell's wonderful "Bell Anthem". It would be difficult to imagine a better rendition outside of England.
Or indeed inside.
A thorough pleasure to hear.
Beautiful!
👏🏽👏🏽👏🏽👏🏽❤️
Belíssimo! ❤️❤️
😢interrompre de si belles oeuvres.. avec de la publicité... 😢