Mahler: Symphony No. 5, Part III - Adagietto, Rondo-Finale (Benjamin Zander, Boston Philharmonic)

Sdílet
Vložit
  • čas přidán 28. 08. 2024
  • Mahler: Symphony No. 5
    Part III
    4. Adagietto. Sehr langsam (Very slow)
    5. Rondo-Finale. Allegro - Allegro giocoso. Frisch (Fresh)
    Boston Philharmonic Orchestra
    Benjamin Zander, conductor
    Recorded live in concert April 26, 2019

Komentáře • 15

  • @tombruges1557
    @tombruges1557 Před 3 lety +5

    You can definitely hear why we need that faster tempo in the modern day. Obviously it’s notated to be felt slower but, after the countless times it’s been used for sadness, this faster tempo helps the modern listener to hear the love letter written deep into it

    • @jessemoog5310
      @jessemoog5310 Před 2 lety +1

      Mahlers own performance was sad to be around 9 minutes. So i dont think it should be played any slower.

    • @markjennings4079
      @markjennings4079 Před 2 lety

      @@jessemoog5310 I agree. It is written Adagietto, not Adagio - so should not be played too slowly. This performance sounds achingly beautiful

  • @curtisunit
    @curtisunit Před 2 lety +3

    Ben thanks for gifting me a love for this 4th movement through your readings. It made no sense to me as a heavy handed funeral piece. It does as a love song that sounds like it could’ve almost been sung as a lullaby. Man, fantastic.

  • @javadkhakbaz8016
    @javadkhakbaz8016 Před 3 lety +1

    So great to watch it live, and see the drama in the faces of the players. Thank you for making it available.

  • @jkgou1
    @jkgou1 Před 3 lety +3

    Thank you very much for your great performance
    What a string team
    You have a great conductor
    Hope to attend your concert someday

  • @TroubledHat
    @TroubledHat Před 3 lety

    Absolutely magnificent

  • @joyce_rx
    @joyce_rx Před 2 lety +1

    11:28 it happens to the best of us

  • @gieripaucar9454
    @gieripaucar9454 Před 3 lety

    This is deep deep deep deep.

  • @jamessalepe
    @jamessalepe Před 3 lety

    Excelente.

  • @MrHackJuff
    @MrHackJuff Před 3 lety

    I have never heard the gliss transition at 6:45 in any other recording of this piece? I'm very curious as to why that is! It was somewhat shocking, in a good way. I really loved the interpretation that was voiced in this performance. Beautiful!

    • @Balfour.
      @Balfour. Před 3 lety +2

      That particular glissando is a very characteristic nuance in the Adagietto. I'm sure that since you've discovered it you can hear it pretty much in all recordings and performances of the piece.

  • @jkgou1
    @jkgou1 Před 3 lety +1

    Zander like Karajan, hear only what he wants to hear.
    He taught us canned music can not replace live performance.

  • @creamcheese3596
    @creamcheese3596 Před rokem

    quite

  • @CalBruin
    @CalBruin Před 3 lety

    I was at the concert.
    instagram.com/p/BwvOxqHhCcc/?igshid=g3xi8ynm4b5p
    The harpist's playing was bellissimo.