Claudio Monteverdi - Il combattimento di Tancredi e Clorinda
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- čas přidán 11. 09. 2024
- Le Concert d'Astrée, Emmanuelle Haïm (harpsichord, organ and art direction). Rolando Villazón (testo), Patrizia Ciofi (Clorinda), Topi Lehtipuu (Tancredi). Abbaye de Saint-Denis, 2008.
- Hudba
Just a wonderful piece of music, very well done. Villazon was terrific. Thanks to the Artists.
Magnifique prestation.! Emmanuelle Haîm toujours aussi charmante !
Terrific villazon. Intensité dramatique immense , énorme, merci et clorinda aussi impressionnante
Mi sono emozionato, la musica è belissima e ci lascia la vera emozione dell'episodio. Bravissimo il compositore per aver fatto una musica cosi travvolgente, e complimenti all'orchestra, per aver suonato cosi bene.
Villazon en immense performance et un ensemble qui travaille avec force immersive , nous apportent une version bien fiévreuse aux tessitures accrocheuses . Vocalement , nous sommes plus proches de chants opéras , que la façon plus contenue à l’expression baroque plus habituelle , mais tout aussi vivante. Une façon singulière de l’œuvre
Absolutely electrifying music - such inventive, emotionally precise, incredibly large and alive performance by such a spare orchestra with gorgeous singing, particularly that of Rolando Villazon, so well sustained, and how entertaining to see Emmanuelle Haim conducting with her swinging body while playing both harpsichord and organ ! The best Monteverdi ever, more expressively complex and subtle than the other Verdi, the one that's just green one without the mountain !
He gives life to Monteverdi, bravo.
The best version ever!
La musica è travolgente, Villazon ha una voce bellissima e l'interpretazione è appassionata e vigorosa. Tutti hanno una dizione perfetta. Grazie, è stato emozionante.
I had always avoided the Villazon version, thinking no! But he is actually superb here! Sings in a truly dramatic style! Happy to have clicked on it without realising the singer!
I thought always that this is Villazon’s best performance. A veritable masterpiece. Congratulations to Emmanuelle Haim!
I appreciate and respect the refinement of your taste. See my long answer to your question over on the version that has a realistic battle scene.
Indeed. I've never quite been able to [believe] him before this. AND he is not-at-all exceptional in this regard: too many worthy singers are being forced to choose between livelihood or life--coerced by cash to sing shit (1) that does not fit their voice, (2) that does not SERVE their capability, (3) that ain't currying no interest or favor--anyway--outside a few ignorant donors & fearful fundraisers...
Sublime version de ce chef d'oeuvre que j'aime tant!! Bravo Emmanuelle et Rolando V.Ponnelle
This is a true masterpiece. I wonder how Monteverdi could compose such a marvelous work of art which sounds incredibly modern after almost 400 years. And the singers perform with such commitment that more than compensates for the lack of prebaroque style.
i wonder how they all compose something back in the days
How is a pre-baroque style?
Quelle merveille! Claudio vous écoute avec beaucup plaisir.
Finalmente un interpretazione che fa onore all'immensità di Monteverdi!
E alla grandezza poetica di Torquato Tasso, il testo è tratto da un passo della Gerusalemme liberata.
Gosh 😍 some people were lucky enough to experience this live.
With this work Monteverdi perfects the Baroque orchestra of the time, which already sounds with many effects like pzzicatos, stacato, accelerating, ritardando and tremolos. In addition, it uses an instrumental combination for each moment of the drama.
Großartig, einfach mitreißend
This incredible music is absolutely timeless wow!
What an inspired choice of an operatic tenor for the narrator. Finally an interpretation full of the passion that I believe is in Monteverdi’s music but is so often treated with kid cloves. Fab!
That's exacly what I don't like. The narrator is just that: a narrator (like the poet, Torquato Tasso, is). In my opinion he must not feel or express any passion. The passion is in the music. I don't think Monteverdi would recongnize his work in this verismo-like performance.
@@marinamalia Tout à fait d'accord avec vous ! La prestation de Villazon est un contre-sens. Il faut un peu plus de sensibilité et de finesse pour ce rôle. Patrizia Ciofi (Clorinda) est aussi complètement à côté de la question. Cette interprétation est une vraie catastrophe !
How beautiful! R.V. dramatic interpretation brings this masterpece to modern level. Magnifique!
Magnifica interpretazione, incisiva e appassionata di un'opera impareggiabile di Monteverdi.
Monteverdi e Tasso due geni italiani ❤❤❤❤
just so beautiful
BEAUTIFUL!!!!!!!!
Es un madrigal muy operístico, como muchos de los del Libro 8°. Le sienta muy bien esta interpretación operística.
Wonderschoon.
Il Galoppo cadenzato e corto dell equitazione Classica , scandito dal tempo...e l incedere sempre più grave e premonitore di morte. E la richiesta "Cortese " di avere l onore di conoscere il cavaliere cui si darà morte. Da brividi. Magnifica la voce vibrante di pathos. Che dire di più. La più BELLA interpretazione mai udita.... Pare gli abbia tolto tutta la polvere per rendercela di nuovo ViVA E SCINTILLANTE DEI GUIZZI E SCINTILLE DELLE SPADE. Tremenda la scoperta, che Guinge , assieme allo sfinimento . Forse qua la voce dovrebbe tenerne conto ed essere meno potente e meno vibrante. Per non distrarre dal dialogo serrato. Non amo invece la voce di Clorinda.
absolutely great
PER SEMPRE CLAUDIO MONTEVERDI !!!!!!!
Курносое кудрявое мексиканское чудо,талант во всех ипостасях !Тембр завораживает...Gracias,Rolando,tenor de Dios!Bravo,Maestro!👏👏👏💐
UNA MERAVIGLIA
Une “dramaturgie
de choc. A commencer par le récitatif du Récitant (ou Testo), débité d’un
ton naturel, ennemi de l’emphase, mais qui est gagné par la mobilité du style
concitato pour s’exalter furieusement, à l’évocation des phases cruciales du
combat ou, en revanche, s’infléchir dans les séquences méditatives, ou
lorsque l’émotion et la douleur brisent le mouvement mélodique de la
musique… “. Roger Tellart
Exquisite. Perfection.
10:24 Nostra sventura
Waw il mio nome è un mito. La guerriera! Come. Me!!!
👏🏻👏🏻👏🏻 BRAVI 👏🏻👏🏻👏🏻
Também ótimo pra aprender a identificar os valores
Gran cantata! Heredera del madrigal italiano
3:48
Topi Lehtipuu 👌
18:26 Fine
👏
really great and amazing performance! just the lady somehow does not fit...
100% agree. Not a fan at all of Ciofi here
She sticks out like a sore thumb for me. There is far too much wobble in her voice.
Villazon is the true revelation. I would never have thought him as a natural singer for this repertoire but he excels. His lower register is shown off to great effect. It is very dark and well suited to the piece. Tenors should be prized for their full range, not just the more heroic upper octave.
Yep. Villazon and Lehtipuu right at home, Ciofi is just screechy.
que instrumentos hay?
What is a dramatic madrigal?
A miniature opera, complete. Monteverdi was a true original.
14:42 amico
11:23 indarno
Concordo con lamari
Guerra e morte avrai 1:17
L'interpretazione è anacronistica. Musicisti e cantanti sono sublimi, ma non mi spiego come possa piacere un'interpretazione così romantica di una musica che risale a due secoli prima.
Sono assolutamente d'accordo
10:15
Lehtipuu and Villazon are great. Shame about the soprano.
Villazón is flattening all the instruments. Go nuclear. And then that bird like creature jerkily "conducting". I'm afraid it's a No from me.
Oh, come on, is this a Baroque or an almost Verist composition? They destroyed a masterpiece. And that shrieking soprano...
Semplicemente meraviglioso
@@sergiofalsfein4734 orrendo, non si può sentire.
La pieza tiene algo de operístico. El narrador actúa el texto.