Great what you are doing. I think that the guitar deserves a second label inside. Of you /your company and when you have restored it. Because the next 120 years everyone should know, that you have given her a new life with your dedication without looking at cost or time. Thank you.
@@AnjudaGuitars You should at least put your label inside the top so that future repairmen will see the efort you have made to restore this fine guitar, or even make note in pencil on the incide of the top.
Thanks to share this videos, is not easy to go through all this conflict feelings you have to face in order to repair those guitars,it requires a lot of determination patience and love for what you do, is an inspiration for us who love Guitars and fix things, I am learning to play and I already made some modifications on my guitars, I wish one day I could do what you do, I really like it, your videos give me a hope, please keep doing what you love, forgive me if I spell something wrong , I speak Spanish, take care.
Pues si hablas español estamos tardando en usarlo! Gracias por tus bonitas palabras. Haré todo lo que pueda para conseguirlo, pero tampoco descarto que no lo consiga.
What a mind blower ! What ingenuity, patience and endurance ! And a craftsman of the highest quality ! I couldn't quite catch the word you are looking for at 01:43 - solera ? soleda ? It looks like you made a jig (a device that holds a piece of work and guides the tools operating on it), but the spanish word for jig is plantilla. Another possibility would be template - spanish: el modelo - or mold - spanish: el molde - would this be the word you are looking for ?
Using modern auto-cad and CNC technology to restore a 120 year old guitar. That is amazing, you brought the past into the future to restore what was created in the past. Great work!!
I;ve watched many many luthier video's ,,,,, Many,,,, A lot ! And I have to say , I'm enjoying the tedious restoration and respect that your giving this piece of History !
I absolutely love this series. I have seen some "guitar restoration" video on CZcams, and they will get the whole guitar in one video. Maybe some people like that, but looking at your video compared to these... it is obvious that they haphazardly do things that will fix the guitar in the short term, but do nothing to make it last as long as it was intended to. Great job. Thanks for taking your time and getting it right.
[If I understand this correctly] What makes this series even more interesting is that this guitar was in for repairs to begin with. AND then during midstream of those repairs Adjula Guitars caused additional, and even MORE/greater damage! The owner of the guitar gave their blessing to Adjula Gutairs to do the full and complete restoration to this instrument - AND record the process of both sets of repairs. Adjula is very, very, very fortunate to have a customer who trusts their instrument at this level of restoration. The final tuning will be the ultimate test if this work is successful.
Please keep doing videos! I'm just starting as a builder/luthier and this project in particular is very inspiring. I'm currently refurbishing a 1940 acoustic and started watching this project while I'm working. When you opened the humidifier I got sick to my stomach immediately. God bless you for continuing with the repair. Every instrument deserves to be rescued!
incredible work sir. your patience and perseverance is outstanding. I sure hope you scanned & or took detailed measurements of all the parts. you can at least then build replica guitars of that model. could be something folks are interested in.
I love your work. I made a replica Martin D 28 in 2004 and have made many since ( electrics etc.) I really like your method of getting curve in the back. I have a Taylor with a great amount of curve in Indian Rosewood. Thank you- I admire your work. Terry from Australia.
Restauro é assim, um passo para frente, dois passos para trás, às vezes dá vontade de sair correndo para longe… obrigado por partilhar suas experiências conosco. Que venham mais guitarras e que você consiga restaurar todas! Parabéns!
A true labor of love. Your doing it incredible justice. The story will only continue once your finished. Fantastic work. I can't wait for the next video. That label is incredible.
Just following along. Not a luthier by any means. There must be times where you feel like some kind of wizard reaching into the past to recreate techniques and skills that have been totally lost between tradesmen over the decades. You must have some level of pride as you take technology of the 2020's and compel it to work for you in this restoration. I am silently proud of what your doing. May the final restoration sound as good as you envision this to be.
Maestro, you could make a really good use of the Baumgartner's heating table, for flattening and heating,with temperature settings and also with vacuum pressure possibilities. if you want to prevent the wood from reacting to lack or excess of humidity, you wrap it in the foil on the table and seal it and suck the air from it. Check his table out, he's using it in every single restoration he's working on. ''Baumgartner restoration'' channel.
hi I watched all parts of this restoration with great curiosity and interest, I really admire your work. I am really looking forward to the next episodes and the progress of the work, and of course I want to hear how this guitar will play but it doesn't have to play great important that you bring it back to life :) . Best Regards Suavic
Awsome work, your videos are really well made and this restoration is pretty much interesting. I can't stop watching it. Congratulations the back and label are back to life 👍
With the amount of work your doing on this; will you be adding your own label or Luthier's mark? What is the etiquette for this type of work. Could you discuss this in the next video?
@@peterkelley6344 I don´t think I can do that. I´d like to make a dossier with all the information, but, aren´t these vídeos the best source of information?
The Go Bars were not always used.The cross braces were fitted first .Then glue was slapped on the edges and braces and the back was wrapped in place with rope. Runny glue would dribble down the sides of the braces and leave blobs of glue all over the inside of the top . That`s what I saw on a Tatay with 9 fan braces on the top . When did Go Bars come into use ? Valencia guitars were strapped together with rope so no Go Bars were used . The braces across the backs were not very completely glued if you see the traces of glue on the back surface . The glue was applied to the braces and not the back .
Hey there, following up again. Did you ever finish this guitar? It drives me crazy not knowing. You put so much love and care back into this guitar. Have you finished?
Why did You not glued the label all the way around? Was this just to keep it in an old state, that it has been around for many years without any restoration?
Here's another video where the luthier uses fibreglass rods. It's a full hand made build. 10 minutes in is when he starts working on the bracing. He mentions a name at about 12 minutes in but I'm not sure how to spell it. It may be a Chinese word that he uses. czcams.com/video/sAeXskZHC2o/video.html Unfortunately, no mention of the word you were looking for.
As a guitarist and a wood worker by trade I can totally appreciate and respect all of the meticulous methods and techniques being utilized here. But ultimately after being disassembled and reassembled the guitar will never remotely sound like it once did. Of course it will have a new voice, but I feel like having a new voice completely defeats the purpose of having a vintage instrument..
I see your point and I agree. When the accident happen I made myself these questions. If per chance you find an Stradivarius completely peel off and broken, what would you do? Throw it away? There is a new voice indeed, but a lot to learn, to investigate... There is a lot from the Casasnovas masters here that is worth to be saved.
i am glad to have found this superb series
I'm not a luthier, but I really enjoy watching you work on this guitar.
Thanks Muhammas! More is on it´s way!
Great what you are doing.
I think that the guitar deserves a second label inside.
Of you /your company and when you have restored it.
Because the next 120 years everyone should know, that you have given her a new life with your dedication without looking at cost or time.
Thank you.
Thanks for your care. I don´t know if I´ll be able to do that, or to be ready to. Anyway, these videos for me are enough at the moment.
@@AnjudaGuitars You should at least put your label inside the top so that future repairmen will see the efort you have made to restore this fine guitar, or even make note in pencil on the incide of the top.
I salute your Patience ! Well done .
Thanks to share this videos, is not easy to go through all this conflict feelings you have to face in order to repair those guitars,it requires a lot of determination patience and love for what you do, is an inspiration for us who love Guitars and fix things, I am learning to play and I already made some modifications on my guitars, I wish one day I could do what you do, I really like it, your videos give me a hope, please keep doing what you love, forgive me if I spell something wrong , I speak Spanish, take care.
Pues si hablas español estamos tardando en usarlo! Gracias por tus bonitas palabras. Haré todo lo que pueda para conseguirlo, pero tampoco descarto que no lo consiga.
Watching this series as the night ticks away and I strum my baritone Ukulele has been an experience. Thank you.
Acá le dejo mis diesels maehtro!! Menudo trabajazo, ganas mil de verla terminada ❤
What a mind blower ! What ingenuity, patience and endurance ! And a craftsman of the highest quality !
I couldn't quite catch the word you are looking for at 01:43 - solera ? soleda ? It looks like you made a jig (a device that holds a piece of work and guides the tools operating on it), but the spanish word for jig is plantilla. Another possibility would be template - spanish: el modelo - or mold - spanish: el molde - would this be the word you are looking for ?
凄い、素晴らしい修復。完成まで応援しています。
ありがとう、この旅を一緒にできることを嬉しく思います。
I never realised this process was so complicated. I gather you're using hide glue to match the original.
A true labour of love. Bravo!
Great to see you back!
Using modern auto-cad and CNC technology to restore a 120 year old guitar. That is amazing, you brought the past into the future to restore what was created in the past. Great work!!
The respect that you are giving this instrument is amazing! It's been a pleasure to watch the journey so far. Looking forward to seeing more updates
I;ve watched many many luthier video's ,,,,, Many,,,, A lot ! And I have to say , I'm enjoying the tedious restoration and respect that your giving this piece of History !
Que grande eres Carlos!!!!
Awesome work! Don't give up 😀
I do not what more nerve wrecking...cleaning the label or gluing the bars back in place. Excellent work!!
I absolutely love this series. I have seen some "guitar restoration" video on CZcams, and they will get the whole guitar in one video. Maybe some people like that, but looking at your video compared to these... it is obvious that they haphazardly do things that will fix the guitar in the short term, but do nothing to make it last as long as it was intended to. Great job. Thanks for taking your time and getting it right.
[If I understand this correctly] What makes this series even more interesting is that this guitar was in for repairs to begin with. AND then during midstream of those repairs Adjula Guitars caused additional, and even MORE/greater damage! The owner of the guitar gave their blessing to Adjula Gutairs to do the full and complete restoration to this instrument - AND record the process of both sets of repairs. Adjula is very, very, very fortunate to have a customer who trusts their instrument at this level of restoration. The final tuning will be the ultimate test if this work is successful.
The goal is to tell a story, Jared. Make you feel as close as possible to the process. Thanks for being there.
@@AnjudaGuitars how you getting on with this?
@@keithmarshall7715 It's moving, Keith. I hope to upload a new video this month.
@@AnjudaGuitars Good! I can't wait to see the finished job
Please keep doing videos! I'm just starting as a builder/luthier and this project in particular is very inspiring. I'm currently refurbishing a 1940 acoustic and started watching this project while I'm working. When you opened the humidifier I got sick to my stomach immediately. God bless you for continuing with the repair. Every instrument deserves to be rescued!
incredible work sir. your patience and perseverance is outstanding. I sure hope you scanned & or took detailed measurements of all the parts. you can at least then build replica guitars of that model. could be something folks are interested in.
Actually, I´m scanning it! Though the scanning is fight... More in the next video!
i respect what you do
Thanks! Somebody has to do it!
I love your work. I made a replica Martin D 28 in 2004 and have made many since ( electrics etc.) I really like your method of getting curve in the back. I have a Taylor with a great amount of curve in Indian Rosewood. Thank you- I admire your work. Terry from Australia.
Restauro é assim, um passo para frente, dois passos para trás, às vezes dá vontade de sair correndo para longe… obrigado por partilhar suas experiências conosco. Que venham mais guitarras e que você consiga restaurar todas! Parabéns!
Amazing
A true labor of love. Your doing it incredible justice. The story will only continue once your finished. Fantastic work. I can't wait for the next video. That label is incredible.
It went back in time, didn´t it? Thanks for your comment Jyerem
I don't want it to end because it's so fascinating but I want it to be finished to see the result.
Keep it up, this is great!
¡Qué trabajo tan maravilloso! No puedo esperarar a alguien tocando esa guitarra...
Yo tampoco!
What a beautiful craft you’re doing, and a very great respect to the instrument and original luthier. Bravo!
Thanks a lot Joe! Too much respect sometimes!
Esperando ansioso para ver o resultado!!! Parabéns até aqui!!!
Just following along. Not a luthier by any means. There must be times where you feel like some kind of wizard reaching into the past to recreate techniques and skills that have been totally lost between tradesmen over the decades. You must have some level of pride as you take technology of the 2020's and compel it to work for you in this restoration. I am silently proud of what your doing. May the final restoration sound as good as you envision this to be.
Thanks a lot Peter. I use the better tool for the job, sometimes that is from 18th century, sometimes 21th.
Maestro, you could make a really good use of the Baumgartner's heating table, for flattening and heating,with temperature settings and also with vacuum pressure possibilities. if you want to prevent the wood from reacting to lack or excess of humidity, you wrap it in the foil on the table and seal it and suck the air from it. Check his table out, he's using it in every single restoration he's working on. ''Baumgartner restoration'' channel.
I love Baumgartner! That table... yes, it should be very helpful in this type of restorations. I have that in mind for years now.
hi I watched all parts of this restoration with great curiosity and interest, I really admire your work. I am really looking forward to the next episodes and the progress of the work, and of course I want to hear how this guitar will play but it doesn't have to play great important that you bring it back to life :) . Best Regards Suavic
good job!
When's the next video, this repair is fascinating.
Awsome work, your videos are really well made and this restoration is pretty much interesting. I can't stop watching it. Congratulations the back and label are back to life 👍
With the amount of work your doing on this; will you be adding your own label or Luthier's mark? What is the etiquette for this type of work. Could you discuss this in the next video?
It is indeed!
@@peterkelley6344 I don´t think I can do that. I´d like to make a dossier with all the information, but, aren´t these vídeos the best source of information?
You can't imagine the sympathy with which I follow this work.....
Looks like you have been in a similar situation?
@@AnjudaGuitars No no. I'm a photographer - but I love it when people really get into something.
Paciencia infinita, maestría absoluta, bravo!
Carlos. Mis respetos hombre.
The Go Bars were not always used.The cross braces were fitted first .Then glue was slapped on the edges and braces and the back was wrapped in place with rope. Runny glue would dribble down the sides of the braces and leave blobs of glue all over the inside of the top . That`s what I saw on a Tatay with 9 fan braces on the top . When did Go Bars come into use ? Valencia guitars were strapped together with rope so no Go Bars were used . The braces across the backs were not very completely glued if you see the traces of glue on the back surface . The glue was applied to the braces and not the back .
Hey John! Thans for sharing your knowledge!
Please keep what you are doing
I am very interested with what you do
I will Haider, Glad to see you are interested.
You have my respect !!!! Sensei #odacorpjapan
hahahaha! Thanks!
Very interesting video Carlos ! By the way, your english is excellent.
Thanks! Not as good as I like to, though!
Hey there, following up again. Did you ever finish this guitar? It drives me crazy not knowing. You put so much love and care back into this guitar. Have you finished?
Hi! Still on it, next episode is on it's way. But no happy ending, though
Eres un crack ! A propósito , solera , no tiene traducción en ese sentido que la aplicas , Lo más parecido seria un jig, template of form !
Gracias Rubén! Pues ya tienen palabra nueva 👍
Nice work, I think the label looks bad with glue all over the font. Oh well…very interesting overall. Good luck!
I thought the same, so glue was removed. Good point Oscar!
How come there's no finished guitar.
Why did You not glued the label all the way around? Was this just to keep it in an old state, that it has been around for many years without any restoration?
I noticed that too. But, at the end, does it look like he put glue over the top surface of the label? It's shiny so was wondering what it was.
I have never seen your method of clamping before. Can you explain why you did it that way? Was it to get even pressure over all the points?
Found this video where they say they do vacuum clamping for the bracing. czcams.com/video/96z3AczckBc/video.html
Here's another video where the luthier uses fibreglass rods. It's a full hand made build. 10 minutes in is when he starts working on the bracing.
He mentions a name at about 12 minutes in but I'm not sure how to spell it. It may be a Chinese word that he uses.
czcams.com/video/sAeXskZHC2o/video.html
Unfortunately, no mention of the word you were looking for.
@@two_tier_gary_rumain In the US we call them go-bars
Please upload a new video please I’m waiting🥺🌹
sell of smoke
As a guitarist and a wood worker by trade I can totally appreciate and respect all of the meticulous methods and techniques being utilized here. But ultimately after being disassembled and reassembled the guitar will never remotely sound like it once did. Of course it will have a new voice, but I feel like having a new voice completely defeats the purpose of having a vintage instrument..
I see your point and I agree. When the accident happen I made myself these questions. If per chance you find an Stradivarius completely peel off and broken, what would you do? Throw it away? There is a new voice indeed, but a lot to learn, to investigate... There is a lot from the Casasnovas masters here that is worth to be saved.
Please upload a new video 🥺
I will! But in the next one there's no happy ending, I'm afraid...
Oh no🙁