Did Apocalyptica Help Solve This Metallica Bass Mystery?
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- čas přidán 9. 06. 2024
- The Call of Ktulu bass isolated (Metallica) • Metallica - The Call o...
The Call of Ktulu bass isolated (Apocalyptica) • Apocalyptica feat. Cli...
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#metallica #apocalyptica #cliffburton - Hudba
Please, take this video easy and watch til the end for a happy end :) Again, all the important links are in the description. Thank you and see you soon \m/
Us mere mortals are not ready to hear such power as Kliff layed down on this song
I hope that Metallica eventually releases the isolated bass track, now that we know for sure that they have it. At least we got most of it during this track 🙏🙏
We will never have the whole isolated bass track from "the call of Ktulu" because it's the thing that should not be
😂
Absolutely love this album. I think they nailed Cliff's bass lines there. Remember out collective effort to mix the bass up and do the tabs? ^_^
I suspect Metallica will always hold some things back for future releases. They need to give the die hard fans a reason to buy the 40th anniversary reissues, then ones after that.
Maybe the 50th anniversary will be the big dump of all the cool sh*t unreleased
I know Lars can't get enough gold plated fish tanks.
I really want to hear To Live Is to Die's bass isolated, I can just barely hear it in the interlude.
Thankfully, the rough mix from the reissue delivers that :)
@@AndriyVasylenko Yeah it is a little louder in the rough mix but its still really only audible during the interlude because James' distorted rhythm tone is more bassy than the bass itself.
Two other okay live performances of Ktulu (albeit somewhat less clear than Lyceum '84) are Palo Alto and Cleveland from 1983. It was still called "When Hell Freezes Over" then.
Alto features the leads better, while Cleveland features a loud wah scream throughout the song.
Also, check out Four Horsemen at the Hollywood Palladium in '85 for a good live rendition of Cliffs "mini-solo", and Bell Tolls at Kabuki Theater in '85 to hear Cliffs live bass fills rather clearly.
If you listen to day on the green you can hear the call of ktulu mini bass solo outro while he is shredding
Ktulu Demanders, unite!!
Edit: Ride the Lightning turns 40 years old this year. Let us hope
I Highly recommend The bass track by Echo Bass With help from Ian Rushforth (I Get if a lot of people are getting sick of me recommending those 2 I just want to show them my support)
Suomi mainittu
Vittu satana perkele :-DDD
That painting is awesome! Great news about Ktulu also!
Saw Metallica live yesterday and now this, must be my lucky few days :) Thanks for doing great work man! As someone who also has tried isolating and dissecting many Metallica songs I really appreciate even the half a track that we now have.
Are you going to get called up anytime soon? Been watching you for years. Really hope you're safe.
All’s possible. That’s why I’m on this big tab project now, while there’s still time
Your deep dive on this one is excellent
For anyone intrested, I put the reversed "Blackened" intro on my channel the right way round. It's quite epic.
i bet when Lars "retires" there will reissues with all the bass raised up :P
There was an interview with apocalyptica about the track, and they asked Lars for it and he loved the idea and said yes
Which AI program do you use, Andriy?
I posted a short on my channel with the first few seconds of Ktulu’s bass in standard tuning
I’m a contributor and this is what I’m happy to pay for !!! …. Frrrrrrrrrrriend
Bittersweet Symphony~~~~😂
I did a cover about 2,5 years ago for call of ktuku😂
For the record, they are not symphonic metal, but cello metal. Which has been a thing since… apocalyptica plays Metallica vol.1.
Other bands worked with the idea like Primitivity and Angher, which are interesting acts in their own right. I personally have a stake in this genre too, but never finished anything to release.
I mentioned the “cello metal” later in the video, and actually thought I’d just come up with such a term 😆
if you practise a wah for like a month you can easily match these wah accents very very closely, its really not hard but it is telling its him
You have to have a wah with a strong enough midrange to scream through the overdrive after it tho.
@@Farewelltokingz actually no, mfs dont know i invented a morley power wah boost on the cheap, a fuzz/dist into any wah ever into a distortion again after the wah and there you go
@@bane9832 it’s not the same at all. The sound of the wah is decent but the distortion becomes muffled until you put your foot all the way down.
@@Farewelltokingz well yeah but you wanna buy a 800usd pedal just to do one thing?
@@bane9832 My Morley bass wah I bought for 50 dollars does it 99% of the way there. Look at Marijan Barac’s videos from recent. He uses one too.
Now I just need an official, indisputable answer on how Orion's intro was recorded
I asked Flemming Rassmusen, he said he didn’t remember. And other band members could have not been present at the moment of Orion bass recording. So we may be kinda fukd.
@AndriyVasylenko Are you in possession of the booklet from the MOP deluxe box set? I'm not, but I saw a reply to a comment on an Orion - bass only video which was talking about how "Cliff made his bass sound like a church organ".
The reply said something like 'distorted bass underneath a Hammond b3 organ, you can see it on the session tracking sheets in the MOP deluxe box set book."
After digging through a couple unboxing videos of the box set myself, I was able to pause at just the right moment to read the session track sheet for Orion. Underneath the 'bass' section there is something that clearly looks like 'leslie' written under it. I'm sure it said "hammond" somewhere next to it as well, with numbers and letters which I don't really understand as I'm not really sure how you're normally supposed to read these tracking sheets.
But, we may finally have our answer, that is was recorded on BOTH bass with a leslie and a Hammond B3, though we still don't really know for certain what notes were played.
Hello👻
It never ceases to amaze me that we're blessed with the unbelievable Cliff Burton, but he got shackled to a horrible human being who hates bass. lars
Not suprising that it is hard to pull the bass out with cello all around it, though good to hear more of the actual bass from the song. Personally not really sold on the spoken word stuff on One feels almost out of time with the music like that. Hell of a clip they put out with it. Stay safe.
I'm pretty sure there was this guy named Adam :) has a video of the entirety of RTL but bass only. I'm not sure if Escape is a mix of AI stems and a cover (since the guy did that on the MOP and Justice songs without any GH or RB stems) but Ktulu sounds like it's Cliff Burton since to my ears those Ktulu screams he plays and the bass tone sound the exact same as on the record and the isolation the guy did is actually pretty fucking great (video link if you're interested: czcams.com/video/SG8IePCzXRM/video.html )
EDIT: on second thought, it might be unfortunately mixed with Jason's track from the S&M concert
This version of st anger sounds like a slipknot song
Great video btw, great to see you again
My God they did payed deserved love to Unforgiven 2
I doubt they had the rights to use the entire bass track.
I'm sure they had
@@b2meb2meb2me There's no reason to believe so.
@@ULYSSES-31 There's no reason to believe they didn't have (especially when they themselves said they got the right to use the original track). If you listen to the entire album, you'll notice how much the arrangements and song structures differ from the original versions. This is consistent with the rest of the album - they didn't play note for note covers of any of the songs.
I mean, since they used like 90% of the original track, it would be weird that they wouldn't have been allowed to use the entire track. They even got James to read lyrics and Rob to play bass on the album. I just see no reason why Metallica would try to "protect" the track. (As said, the rest of the bass tracks are only available because they were featured in the Guitar Hero and Rock Band games. Metallica wouldn't have released those tracks either.)
It was simply their own artistic decision to change the structure a bit, just like they did in all of the other songs. It's their own version, not a note for note cover of the song.
@@MaggaraMarine It's a completely different context to the games as the games were the original songs unaltered.
Apocalyptica utilising the entire original bass track for their version may not be what Metallica would want either.
@@ULYSSES-31 James Hetfield is literally on the album, im sure they got permission
Vitun bändi xdd ei se toimi noin
I wonder how Cliff's skills would be regarded if he was still alive? I have never thought that his playing lived up to the mythical level that it is hyped to be. Although, he is mixed so low on the albums, that no one can really hear him. But now that we have isolated tracks, we can kind of figure out why he was mixed so low. They sound absoultely awful. Noisey, ratty and out of time. Sorry, Cliff fans. But his isolated tracks are absolutely awful.
I have to agree. I've been a huge fan of Metallica since the mid-1980s but I think Cliff is one of the most overrated bassists of all time. I honestly don't blame Lars (or whoever else was involved in the decision) for burying his bass in the mix because it sounds awful when you can actually hear it.
What happened with propaganda videos? No more?