Selective Color For Better Tones
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- čas přidán 11. 12. 2019
- Using Selective Color to get better tones in Photoshop
You know my workflow, Tone, Color, Artistic Effects, right? I preach it all the time and more often than not, I teach how to get better colors through your tonal work first, right? Well, recently, I discovered an incredible use for the Selective Color Adjustment Layer to get better tones.
Wait, hold the phone...
So Blake, now you are telling us we can get better colors through our tones and better tones through our colors? Uh, yeah, that's precisely what I am saying. Now to blow your mind one more time, you can use color to get better tones, so you can use tone to get better color so that you can get better color from your tonal colorwork...
Not only is that a tongue twister, but it is confusing as all get out! I promise this tutorial will be more straightforward than reading the last sentence of that last paragraph.
What I discovered recently is that you can use the Selective Color Adjustment Layer with a Luminosity Blend Mode to get a ton of control over the tones in your photo. The Luminosity Blend Mode only allows the selected layer to affect the underlying layers Luminance values. So when we use a Selective Color Adjustment Layer set to Luminosity, we get to control the tones in our colors without shifting the hue or saturation of the color.
Trust me, all of this will make more sense when I demonstrate it. These are some advanced concepts that I think you will find quite challenging to wrap your head around from one viewing.
Therefore, I STRESS that you experiment with it. It's simple:
1. Make a Selective Color Adjustment Layer
2. Select the LUMINOSITY Blend Mode
3. Select a prominent color in your photo.
4. Move the sliders to the right to get darker
5. Move the sliders left to get brighter
6. Repeat as necessary for each prominent color in your photo
That's it, pretty easy, huh? Let'start with the tutorial first; then, I give you permission to run off and experiment. - Jak na to + styl
Thank you for taking the time to make and share this! I will definitely try it in my workflow soon.
Thank you, thank you, thank you! I use photoshop for digital post-impressionist paintings and this technique, applied as final step before exporting, gives me a full control on how fine tune each color the way I want! Great technique I didn't know about.
I'm glad you liked it 😁
I've been using selective color for some time now, but this is a whole new level. Thanks Blake.
This is a great skill set Blake .. thank you .. you never cease to amaze.. 😃
I found this similiar result when we apply a BW adjustment layer, increasing blue, yello etc and change blend mode to luminosity
This is like gold. It doesn't get corroded, it shines better every day. Thank you Blake.
I like this tuto, like all the tutos you make. Very well explained as usual
Blake,awesome video on color blending. I'm the type that learns best then it's broken down to the niddy gritty and you do just that. Thanks,Great job.
My first Blake tutorial. Super valuable! Thank you!
😁 thanks so much for stopping by! I appreciate you.
Very informative tutorial, loved all the nerdy info and really learned a lot.. thank you!
Thanks, very good tutorial and very nice process for enhancing color through tone.
I used this adjustment layer last night for the first time and it is a total game changer! The amount of additional control over the colors and tones is incredible! I could refine the image exactly as I wanted - far more control than I’ve ever had before in PS. Thanks, Blake!!! Great tutorial.
Wow Blake!
I learned a lot here, and I’ve always been a fan of Selective colour.
Selective Colour intrigued me on my first day on Photoshop (about a decade ago). I asked a user what it is - they didn’t know.
I learned it through trial and error and I find it very useful - even for increasing or decreasing colours in selected patches.
Thanks Blake for expanding my appreciation of those sliders and modes.
Great video Blake. I did a similar tutorial using selective color to add color and color contrast. This will be a great addition to my workflow.
Great video! I was looking behind the science of selective color...thank you Professor! Absolutely fabulous information!!
I am one of the few who like the nerdy explanations as to why a technique works, so I loved this video.
I’ve liked the selective color layer for awhile now, but this takes it to the next level.
Great job!
Amazing method !!! It totally changed the looks of some of my old images which I had discarded !!
Hello Blake, this Nordi Spooki stuff is Heaven Made and thanks to your teaching, its finally hammered into my head.
The tone and colors of my photographs have improved with this method.
I have been following your channel for last 3 years, at first they were like some junky stuff, but after playing around with the ideas for a while, the ideas gradually sank in.
Thank you.
This is BRILLIANT! So useful. Thank you.
I loved it, just like every video that you do. I used to follow a bunch of people that do PS tutorials. Now I don't need to follow and only follow you, all my questions are answered.
Woah! That's pretty awesome. There's a lot of great stuff out there so don't give up on everybody 😁
This Selective Color adjustment layer just went under my radar for such a long time. Thank you, Blake for re-exposing it to me!
It is one that is easy to go under the radar, but one that needs to blip every once in a while :)
This is only the second video tutorial of yours that I've watched, but I've got to tell you I'm hooked. Your knowledge and enthusiasm are infectious. Thank you.
Yesssss! Thanks so much for stopping by and sticking around. I'm just glad I can help.
Thank you. I’m relatively new to PS and I’m on a very steep learning curve. Your explanation was clear to me. Please continue posting.
Will do! Been at it for nearly 10 years, I don't plan on stopping anytime soon :) There are over 300 videos for Ps on this channel, feel free to browse.
This is fantastic Blake, wow I am soooo impressed ...got to go try it! Thank you so much !!!
Awesome! Prett neat, huh?
Great, simple, well explained way to make adjustments. Thank you!
My pleasure, thanks for watching
Very well explained - Followed with no problem. Definitely something I will use. Thanks from Ireland
Sweeeeeet! Thanks for the feedback.
Yesss very nice Blake! Going to try this on my next photo. Thank you so much for your time and value! I'll be following
It is my pleasure! Thanks for watching!
I honestly didn't even realize that Selective Color was an adjustment tool available for manipulation. I've very much enjoyed your insight on it, Blake. It has become a very useful tool to screw around with.
Great explanation and method. Thanks.
Great tip, Blake. I am trying to decide if I am more impressed with the results we can get with this or the fact that you figured this wizardry out. As always, I greatly appreciate the Photoshop knowledge that you pour down our throats. Keep it up.
😆 just reporting my findings 😁
Absolutely great
insightful and very useful. This tutorial also brought up another idea. One of the best protocols for producing powerful B&W images is to manipulate the HSL of colors under a Gradient Map (B to W) layer. Now I have to experiment with Selective Color under the Gradient Map layer.
I have been doing this for some time, only difference is in the second selective color adjustment I use the color ( not normal) blend mode. great stuff, Blake.
Thank you! The "nerdy" information was really helpful...when I understand how something works, I find it easier to adapt that knowledge to other scenarios (e.g., not just adjust the blue sky of a photo, but instead seeing a macro photo that can benefit from the same process).
Boom! Absolutely! Practical application is so critical when you learn something new.
Excellent! Thank you! Makes total sense.
😁
Jesus.. im eating all your videos. Very much to learn and share. Thank you!
My sincere pleasure 😁 glad you found them! Subscribe and stick around for a while, I'd love to have you here more often 😁
Thanks for the video. Very helpful.
Hello, I want to wish you a very happy Christmas and a happy new year 2020 for you and yours.
And very especially I want to thank you for all your tutorials that you upload to the channel with which I learn from a great teacher like you.
I hope this new year can continue to enjoy and learn from your knowledge in this exciting world of image
digital.
Receive a big hug.
Thank you so much! Merry Christmas to you as well! I appreciate you.
Blake........Not so dorky...I followed pretty well....great explanations...can't wait to try it out! I am saving this video and sending it to a friend! TFS
Awesome! Thanks so much!
I understand Selective color now - from your Video.....thx....very nicely delivered....
Awesome! Glad I could help!
Blake, I have learned heaps from your videos. Even though I don't do many landscapes, being a bird photographer I still find it very useful. Thank you.
Awesome! I am so glad you are finding a use for my tutorials in another genre of photography.wayto use practical application and critical thinking :)
Pretty amazing!
Excellent one.
Blake you are the best. Thank you
Thank you 😁 you're pretty awesome yourself!
I just bought your B&W profiles, but before starting their installation I started reading your video: foolproof4, playing this video on selective color
a huge thank you blake .... I finally understood (after several readings), the interest of the adjustment layer: selective color, and how to use it, to lighten, and darken certain colors, and the subtle difference between tint and tone
Thank you very much Blake, your vision and your explanations which differ from the others, teach me a lot of nuances and subtleties, which improves my post processing i am french, myenglish is not so good => so i utilized google traduction)
This is a game changer - please update this for February 2021 - Well done
It's not much different really.
bro this channel is under rated
It's where it needs to be I guess 😁 I'm very happy with where it is, but I really appreciate your support.
Really, really interesting and useful tutorial man! Thanks a ton!!
Glad it helped! Its all my pleasure really :)
Wow! Never knew - not a clue. Thank you soooooo much, Blake. :0)
Happy to help!
Thank you.. waiting for morning to try it out 😊
Good morning experiment!
Good stuff! I can tell this is going to really help with my Black and White images, thank you kind sir.
My pleasure 😁
That’s awesome - great video Blake!
I appreciate it!
Excellent. Very informative. Thanks for posting it.
Thanks! Appreciated.
Absolutely excellent tutorial Blake, it' so powerful and amazing. Many thanks from Uruguay :) and best wishes for you and your family.
Thank you so much, that is very kind. The family is great, I pray the same for you.
@@f64Academy Thank you so much Blake :) Yeah dealing with this virus as well as everyone else, and taking care! So up there for you folks, don't forget to take care as well .
Never thought of myself as nerdy and dorky until now. AWESOME stuff!
The inner nerd is strong!
Can’t wait to play! Than you!
My pleasure!
very cool gratitude
super video thanks for sharing
Your a true Photoshop master. Fantastic stuff. Being a fan of the St Louis Blues , I found your Chicago tee shirt upsetting LOL... Cheers and many thanks...
lol, well don't let yourself get offended too easily. It was just from a conference I did there :)
Thank you, great work
:)
Extraordinary Blake. It has awakened a keen desire to give it a try. I would be interested in knowing how this can be done using either ZSE or PE panels?
WOW-oh-WOW, Simple & powerful. Thanks!
Right?
@@f64Academy Watched your presentation with Sean Bagshaw as well but this tutorial really seemed to simplify the technique. Can't wait to experiment with it.
This was so helpful thanks!
Sweet! Love hearing that.
Smart and useful stuff.
Thanks!
Thank you Blake, great tutorial as always. I have used SC layers for a while but never with it as a tonal adjustment. Only thing I would liked to have seen is the result if you “took the governor off” and put it on absolute instead of relative. Thanks again for expanding my knowledge
No problem! My pleasure! I prefer the relative as it works with the color mixture rather than the Absolute value. It is a more natural approach. However, the Absolute value doesn't make too much of a difference sometimes, it really depends on the color, I find it a little more unpredictable.
I am certainly going to try that on my animal images. I am really curious how that will look. I think it will look awesome. Thanks, Blake.
I think it will too!
Excellent video Blake! Many thanks @f64Academy :) !
My pleasure, thanks for watching!
Big up, Blake! Greetings from Romania !
Thanks from Kansas City 😁
I'm going to have to watch that again...might get some coffee first..It looks amazing though! Thanks!
Agree with that.
Coffee is good!
Good information. Thumbs up!
Thank you 😁
Your background is very nice.
Keep it up👍🏻
Thanks! Will do!
Great video!
Thanks
this is good stuf, thank yo!
Thanks!
Súper useful stuff
Awesome!
Great post!
Thanks!
Hei, this is PRO stuff!
The time I spend following you is worth the effort!
Thank you so much!
I have two questions:
- Would it give us similar results if we used a Black and White adjustment level and use a luminosity blending mode?
- I did not get that thing about 50% green, 25% blue and 25% red.
Could you give me some reference I can read about that?
Thank you again for sharing such advanced stuff!
Thanks!
There should be a nerdosity slider, and let's call it the Blake Slider. You, sir, are a genius.
Hahahaha! I would use it all the time :)
Incredible! Sounds nonsense... but it works! Thank you Blake
yep! Pretty sweet!
good video! i remmber years ago somone did use Selective Color to "clean up" the colors useing Color Theory. dont remmber how it was tho.. 🤔
I did one a few years ago, maybe not the same one though. There are so many of us out here, I love it!
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Blake...Am I right that the tonal selective color layer is in Luminosity mode and the 2nd selective color layer is in normal....That part went by a bit fast! Thanks ...Love it!
Nerdy, Dorky for the win!
Yessssssss! Finally a win! High school Blake loves this!
What about using color blend mode for the second selective color layer, so just the colors are affected by that?
Great video and I watched it at normal speed. Sometimes you speak so fast I dial down the playback speed to 0.75. Yes, I know you are trying to keep the videos short as possible and interesting, of which they are. Plus you are not the only videos I have used that trick on.
Nice! That means I either you it easy on you or you are getting faster at following my insane pace 😆
Cool stuff - this is kinda like "Perceptual Saturation" in NIK Color Efex.
Cool! I don't remember that one. Only used it a couple times.
The more I watch Blake’s stuff, the less I use Nik... so much better for my images IMO.
@@f64Academy I just thought of it when you said "perceived saturation" and I went aha! It is much better when you know how it works and to be able to do it with the tools that come with Photoshop! Thanks so much for sharing your information and skills with us! :)
Recently I've discovered adding a "Vibrance" layer in the "soft light mode", at 12-14% adds a unique tonal effect. It is a hard to describe the effect other than tonal and wondered if you, or anyone else have tried doing this?
Very cool and what is easy method.
😁
Do you know about editing in 16 bit rather than 8 bit to avoid colour banding appearing in your image. Then at the end convert it back to 8 bit. It's also a neat trick in photoshop not too many people know about.
I am usually editing in 16 bit on my RAW files after the handoff from ACR. When I do these demos, I do them on JPEGs for speed purposes, so they are in 8 Bit,
How to do it in portrait? Great video.
Same way for a landscape. Portraits have colors and tones too. So you'd use the same method but for your desired look.
👍
Sir, that was brilliant. TONE, COLOR with Luminosity Blend Mode.
Thanks! It was a pretty fun discovery.
Interesting
Thanks
🤯
:)
👍👍👍👍👍
Love the enthusiasm, so we ditch zone system 😏
Lol, nope! Just another tool in the toolbox here 😁
This was interesting.
Thank you.
f64 Academy kind of you to share your know-how like this.
So where does this fit in your workflow vis a vis ZSE?
Anywhere really. You can use this before making masks if you want to get more from your tones or use it after for refinement.
As a subscriber, I searched you previous videos and noticed there was nothing about value grading - is this tone video the same - if so, how do they differ; how are they the same? Thanks so much Blake.
Can you explain "value grading" I'm not privy to that specific term.
The zone system of Ansel Adams. I know you've mentioned in some of your previous videos, but value grading has to do with comparing the lightest light with the darkest darks and not conder the croma (hue) but just the value (or what I'm interpetering as tones in your workflow. You mentioned some time ago you are also a painter (I am as well (watercolor)) so I sure you now "value" placement in your painting workflow. (The short verison Joe) Where, in your digital workflow, does value consideration fall as a consideration for editing your photos? Thanks so much Blake for indulging my curisioity. :o) @@f64Academy
@@josephstanski5180 oh for sure. I mean I'm always looking at the list light to the darkest dark, I'm manipulating them, exploiting them, and using them to my advantage to draw the viewers eye around the image. But it's also a very open ended question and image specific. Those things are always on my mind while I'm editing, but I think some of that is just second nature and it's just something that I do based on past experiments.
@@f64Academy This is a very creative and imaginivity process and one in which most of us out here amongst the chiggers and tick, would love to feast upon. Are three any of your videos on line (any subject, this one in particular) where you actually share those kinds of decision making with your students? Again Blake, thank you for share this process. J
@@josephstanski5180 yes. I have a course called Game of Tones. I share it all there 😁
Do the 25, 25, 50 values change from sensor to sensor?
Not necessarily if it's a better matrix sensor. Most of them are built off that sensor technology or variations of it.
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