BRECHT Exercises | A Top 5 Tip Breakdown

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  • čas přidán 26. 07. 2024
  • In Brecht Exercises, I give you my top 5 tips from Bertolt Brecht and his approach to theatre. I also discuss how Brecht would work with actors and how his audience should be affected by his Epic Theatre.
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    0:00 Brecht Background
    1:34 Verfremdungseffekt
    3:04 Brecht Rehearsal
    4:42 Music & Song
    5:29 Placards
    6:26 Multi Role & Costume
    7:26 Gestus & Archetypes
    8:26 Mother Courage & Her Children
    ▶️ Be sure to check out my previous video 'Stanislavski Exercises':
    • STANISLAVSKI Exercises...
    ▶️ Stanislavski Method Acting Playlist:
    • Stanislavski and Metho...
    Please like, comment and subscribe!
    ▶️Email: cconwayactor@outlook.com
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    All music provided, licence free, from CZcams.
    All images in public domain/free to use (Brecht: German Federal Archives (Bundesarchiv), Bild 183-W0409-300; photograph, Kolbe; Mother Courage: Helene Wiegel in MC,MarkischesMuseum,Berlin, Mike Steele Flickr.com)

Komentáře • 26

  • @OrganicActing
    @OrganicActing  Před 4 lety +4

    Hope you enjoyed this video.Don't forget to like and subscribe and leave me a comment.
    My Stanislavski playlist can be found here: czcams.com/play/PLcpDqxGJo1b8IjT6YVHEWLcDdzaSupDJL.html

  • @mcvernonlynne9415
    @mcvernonlynne9415 Před 2 lety

    Excellent, clear, accessible account of Brechtian techniques.

  • @steffenfindeisen3997
    @steffenfindeisen3997 Před 2 lety

    Thank you. Your lesson made me curious to try some exercises of epic theatre in my theatre group.

  • @vanessaa7602
    @vanessaa7602 Před 3 lety +1

    This is great! So educational.

  • @orianamandi
    @orianamandi Před 2 lety

    Hello! I'm a new follower. We watched this video at English class and I loved how articulate and expressive you are with your hands and also how good you're explaining everything. Bravo!!👏🏻👏🏻👏🏻

    • @OrganicActing
      @OrganicActing  Před 2 lety

      Thank you very much! I hope the video helped.

  • @elliem.8395
    @elliem.8395 Před 3 lety +1

    this video really helped me, thanks!

    • @OrganicActing
      @OrganicActing  Před 3 lety

      You are very welcome. Glad it helped.

    • @vane1043
      @vane1043 Před 2 lety

      @@OrganicActing Es el video que hasta ahora muestra más claramente la estética de trabajo de este autor. Me gusta...En qué país te encuentras?

  • @onifadeayodele9005
    @onifadeayodele9005 Před 3 lety +1

    This is so detailed....thanks.

    • @OrganicActing
      @OrganicActing  Před 3 lety +1

      Thanks. Hope it helped!

    • @onifadeayodele9005
      @onifadeayodele9005 Před 3 lety

      @@OrganicActing yes.... I have exams on this...bin watching a lot of videos about Brecht buh seem complexed until I came across yours....So explanatory, I’m really happy I understood this.

  • @umuuut
    @umuuut Před 2 lety

    Thank you

  • @kropchik
    @kropchik Před 3 lety +1

    Fantastic lesson!
    Btw...music function in Brecht's theatre is basically similar to all acted/sang musicals

    • @OrganicActing
      @OrganicActing  Před 3 lety

      Interesting. I wouldn't have thought all musicals had a political message and motivation to instruct an audience to make change.

    • @kropchik
      @kropchik Před 3 lety

      @@OrganicActing... As you mentioned, referring to the emotional aspect of the narration sustained by music, not the political applications

  • @chiaraegger192
    @chiaraegger192 Před 2 lety

    Hey thank you for the video! Im writing my master thesis about epic theatre and am looking for sources. Could you recommend me a book?

    • @OrganicActing
      @OrganicActing  Před 2 lety

      No problem! At thesis level, perhaps try 'Brecht on Theatre' or even 'Collected Plays, Poems, Letters and Journals'.

    • @chiaraegger192
      @chiaraegger192 Před 2 lety

      Thanks!

  • @hamletmachineuk
    @hamletmachineuk Před 3 lety +1

    Your emphasis on objectivity seems a little misplaced. Rather, Brecht is more about creating as much *awareness* of social conditions as possible in the actor so that the audience can factor those into their reception of the performance. So, an actor appreciates their class, sex, age, ethnicity, sexuality, etc. and triangulates their performances in relation to the other figures, who are also aware of these contexts, on stage. No actor can be 'objective' because no actor can live outside of ideology. Brecht acknowledges that views, opinions and actions are all dependent on our location in time and space.

    • @OrganicActing
      @OrganicActing  Před 3 lety +3

      Agreed. However my point is that - unlike a Stanislavskian approach, for example - an actor must not be 'hypnotised' to the point of losing his way in the character and losing emphasis on message and theme. Believing that no actor can be truly objective in their process while playing a subjective state is facile.