Man! This explanation is soo good. I can't believe how can they explain it so well that any novice can understand it. I can see pure divinity in these maestro. It's not just like that they are in this position today. It's the 20 hours per day Riaz has just brought them so close to divinity
On the question raised at 1:03 in the video, I’d like to share a small perspective that makes sense to me. Although The 3rd Vibhag of Teentaal says DHA TIN TIN TAA, yet we mark the 9 as KHAALI is because MOST BOLS of that vibhag (3 out of 4) are played without dagga sound. And since 9 happens to be the start of that vibhag it signals a KHALI. Same logic can be applied to the last vibhag also. Although the 13th matra is a TAA (no dagga) yet it is called a TAALI because MOST BOLS of that vibhag (again 3 out of 4) are played with DAGGA sound. And since 13 happens to be the start of that vibhag, we show a TAALI.
ACCORDING TO YOU WHAT IS "POINT"? KINDLY ELABORATE YOUR CONCEPT OF KHAALI AND BHARI GOING BY ETYMOLOGY, DICTIONARY, PRACTICE, MUSICAL CONTEXT, TRADITIONAL VALUES, ACADEMIC IMPLICATION OF KHALI AND MEANING OF WORD KHAALI. WHY ONLY TINTAAL OR FEW ALLIED TAALS MUST HAVE DHAA ON KHAALI WHEREAS ALL OTHER 'A FEW HUNDRED TAALS' HAVE NO DHAA ON REAL KHAALI EXCEPT ADDHAA, SITAARKHAANI OR PUNJABI. IF YOU ARE FAMILIAR WITH THE CONCEPT OF NIKAAS ON TABLAA, ZAKIR SAAHAB JUSTIFIES HIS VIEWS AND SAGACITY IN HIS POLITICALLY CORRECT REPLY. MUSIC EXAMINATIONS OF THE UNIVERSITIES AND MUSIC INSTITUTES MIGHT HAVE A DIFFERENT VIEW TO THIS ANSWER DEFINITELY.
That 'are miyan' and dha tin 'tunni' was just incredibly hilarious...😂😂😂 What legends the both of them! 🙏🙏😂😂
Such a profound thinker. A great testament to the fact that music requires the engagement of all faculties.
I have asked a question at 30s and the great ustad has kindly honoured it with an elaborate reply reflecting his great insight
Man! This explanation is soo good. I can't believe how can they explain it so well that any novice can understand it. I can see pure divinity in these maestro. It's not just like that they are in this position today. It's the 20 hours per day Riaz has just brought them so close to divinity
Legends ki batein alag hi level hi hoti hain , Pt Hari Prasad ji ne kya kamal kissa sunya
उस्ताद जी ने बहुत ही अच्छी बातें बताई 🙏🙏
What a simple explanation.. atleast for me..Got inspired by Gurudev.. don't know how to express my gratitude 🙏🙏🙏
Wow, don't be a carbon copy... 🙏 What a advice Ustaad gave 🙏❤️ love it.
On the question raised at 1:03 in the video, I’d like to share a small perspective that makes sense to me.
Although The 3rd Vibhag of Teentaal says DHA TIN TIN TAA, yet we mark the 9 as KHAALI is because MOST BOLS of that vibhag (3 out of 4) are played without dagga sound. And since 9 happens to be the start of that vibhag it signals a KHALI.
Same logic can be applied to the last vibhag also. Although the 13th matra is a TAA (no dagga) yet it is called a TAALI because MOST BOLS of that vibhag (again 3 out of 4) are played with DAGGA sound. And since 13 happens to be the start of that vibhag, we show a TAALI.
It is worth noting that the hand signal of TAALI/KHALI is always on the first matra of the vibhag of all thekas.
beautifully articulated. in my small capacity, I also guessed the same.
@@sidphone8919 🙏🏽
Shashtang Pranam🙏
Be your self ,not a carbon copy ❤
4:46 what a hold on rhythm ❤😅
He is my Guru on Tabla 🙏🙏
Jakirbhai..U R UNIQUE ❤❤❤
Shivji, Kishori tai, Rashid ji ka reference aaya to aankho me pani aaya.
Ustad..
Parnam koti koti
I eonder whether Ustad is teaching about 'taal' or 'life' as such!!!!
❤❤❤❤
🙏🙏
15.42 real visionary
Haa maine bhi suna hai❤😂
🙏🙏🙏🙏
🙏😇♥️🎉
😂😂😂😂 16:42 the mimicry talent of Ustad Ji🤣🤣🙏🙏🙏🙏
17.00 different talent of Hussain ji in comic way
12.26 general tendency
Musicians and sense of humour 🤝😂😂
12:59 Zakir bhai missing Ustad Rashid Khan...
16.12
Be traditional but improvise,,
Zakir ji is so profound
16:42 and 18:05😂😂😂😂
Can you translate?
A very long answer to a pointless question.
ACCORDING TO YOU WHAT IS "POINT"? KINDLY ELABORATE YOUR CONCEPT OF KHAALI AND BHARI GOING BY ETYMOLOGY, DICTIONARY, PRACTICE, MUSICAL CONTEXT, TRADITIONAL VALUES, ACADEMIC IMPLICATION OF KHALI AND MEANING OF WORD KHAALI. WHY ONLY TINTAAL OR FEW ALLIED TAALS MUST HAVE DHAA ON KHAALI WHEREAS ALL OTHER 'A FEW HUNDRED TAALS' HAVE NO DHAA ON REAL KHAALI EXCEPT ADDHAA, SITAARKHAANI OR PUNJABI. IF YOU ARE FAMILIAR WITH THE CONCEPT OF NIKAAS ON TABLAA, ZAKIR SAAHAB JUSTIFIES HIS VIEWS AND SAGACITY IN HIS POLITICALLY CORRECT REPLY. MUSIC EXAMINATIONS OF THE UNIVERSITIES AND MUSIC INSTITUTES MIGHT HAVE A DIFFERENT VIEW TO THIS ANSWER DEFINITELY.
🙏🙏🙏🙏