I plan on watching and taking every class you have. That is my plan to stop living from paycheck to paycheck and to use whatever i can get my hands on to do what i love and want to do on your level, finding clients looking for spec commercials and not docu or wedding films. Ive got so much more brain power than that and i thank you for putting this content out! This is what ive been looking for!
Mind blowing phenomenal stuff going on on this channel thanks Steve for sharing from your wealth of knowledge and experience it takes someone with a great mindset to share their knowledge. We love you steve. 💖
Nice one. I enjoyed the talk. I enjoy the fast stuff that Beyond the press in Finland do, they use Cronos cameras. And huge amounts of water cooled led lighting, Lauri was also talking a bit about about the workflow when he evaluated a newer version in monochrome. If one shoots monochrome the speeds can go up. I presume it's the data size that determines that, as the rgb component is not present.
Great video and explanation. I've watched all the others - did I miss somewhere in the LED videos how you are able to dim the LEDs without using PWM somewhere along the way? Do you just use an extremely high frequency PWM on the order of a few KHz? Or do you filter out the PWM which essentially reduces the current by reducing the voltage?
Super video Steve I am upgrading my lights for my golf teaching bay I use 240 - 500 FPS and 6000 shutter speed can you recommend what lights I would need. Thank you
Thanksfor the detailed video. But I have some questiins left: 1.) You didnt say how much light you needed to output in your setup. 2.) What lights you recommend not flickering? 3.) What framerates do you shoot your food stuff at most of the time?
smepable Mg 1. It all depends on the size of the set, f-stop, and quality (hard / soft) of light. Here I was using our custom led light at about 1000W shooting F. 2.8 2. Plasma lights, some LED’s, and well, we use our custom LEDs since we made them not to flicker and to be high power. 3. Between 120-1000 for most shots. Some just as 48-72 sometimes
I just got into slow motion photography and I'm building some LED lights for it. Any recommendations to a good DC-DC boost converter that wont flicker? I ordered some to test but they have not gotten to me yet. I just happen to have a dozen or so 20ah 13v LIFe batteries laying around I want to use but the 100 watt LED chips like 32v at 3 amps CC so the boost converter is needed.
WOW Awesome. Now I understand why sometimes I've shoot comercials of more than 22 hours working nonstop, with 20Kw light sources for just film a fking coconut . How many watts is this LED? It seems so small and powefull , homemade? Great content, keep doing. Greetings from Mallorca, Spain.
Jess Limot that is very technically challenging as liquid reflects and refracts whatever is behind it. You can try shooting against green or blue chromakey backgrounds or white or black depending on what the final background is going to be.
Hey Steve. What do you think about the editing trick of duplicate the video, displace it 1 frame and reduce transparency 50% to eliminate flickering? Does it work with super high frame rates?
Damian Reyes that can help sometimes but can also cause some weird things to happen as well. It’s much better to just shoot without flicker especially if it’s for a client
Your videos are one of the few highlights of this situation.Thank you so much. It is not taken for granted
I'm so glad!
Steve, youre getting so good at being on camera! great stuff dude! huge inspiration!
Hey Steve, thanks for all the hard work you're putting into this project 👍
My pleasure
I plan on watching and taking every class you have. That is my plan to stop living from paycheck to paycheck and to use whatever i can get my hands on to do what i love and want to do on your level, finding clients looking for spec commercials and not docu or wedding films. Ive got so much more brain power than that and i thank you for putting this content out! This is what ive been looking for!
Thank you for making this cool video !
IndyMogul brought me here. Thank you for your valuable insight/information and for spreading the knowledge wealth!
Love you Steve. You are soo soo passionate about your work and passing on all the knowledge! You inspire many of us. Love from India
You are so welcome
Please do a tour of the studio and all the robots and machines :)))
When we move to our new studio Feb 1 we will do a very in-depth studio tour. Our current studio is a mess and very Garage-like
Thank you so much for this thorough and deep explanation on this topic.. I really appreciate it..
Thank you Steve!! you are crazy CREATIVE
Super good explanation, thank you for your effort! It gets better every time! More of that!
Greetings from Germany:-)
Great video! Thank you so much!
Mind blowing phenomenal stuff going on on this channel thanks Steve for sharing from your wealth of knowledge and experience it takes someone with a great mindset to share their knowledge. We love you steve. 💖
Glad you enjoyed it
Awesome. Great video 😍
you and your content are a treat to watch. I love your stuff. thank you Steve
Thanks man
Thank you Steve for putting this channel for us... and helping us to learn from your expertise......
My pleasure!
So few people cover practical workflow. Thanks
This channel is going to be huge. Can’t wait to watch your other videos
I hope so too
amazing steve, really helpful for all creators
That was the best one yet! Thank you!
Glad you liked it!
@@TheGarageLearning You even reply! That's going an extra mile, good job! :)
Steve, thank you for this video. Very inspiring. Keep up the good work
Nice one.
I enjoyed the talk.
I enjoy the fast stuff that Beyond the press in Finland do, they use Cronos cameras.
And huge amounts of water cooled led lighting, Lauri was also talking a bit about about the workflow when he evaluated a newer version in monochrome.
If one shoots monochrome the speeds can go up.
I presume it's the data size that determines that, as the rgb component is not present.
Great video. 👍
Dang thats crazy man!! thanks so much for the tutorial and explanation, love your work!! thanks for sharing again.
So excited for this one! Thank you for all you do Steve!! :)
relay thank you so mach you are great
Thank you. That was a wonderfully good explanation! 👍🏻👍🏻
Mind Blinding Work Steve. Love the info!
Thanks 👍
Cool!
This video was super informative and fun
Thanks Steve 👍
Thanks Steve!!! Great vídeo!💪💪💪💪
Glad you liked it!
Thank you so much steve....
awesome !!!! espectacular ! gracias por compartir !
Awesome
Great video and explanation. I've watched all the others - did I miss somewhere in the LED videos how you are able to dim the LEDs without using PWM somewhere along the way? Do you just use an extremely high frequency PWM on the order of a few KHz? Or do you filter out the PWM which essentially reduces the current by reducing the voltage?
Shout outs from Nairobi, Kenya. I'd love to really train and be the go-to ads producer in Africa!!!!
Super video Steve
I am upgrading my lights for my golf teaching bay I use 240 - 500 FPS and 6000 shutter speed can you recommend what lights I would need. Thank you
Got a little smarter for my slow mos :) thx And one more time saying hi lol ✌️
Thanks Steve 👍 nice one!
This is awesome!
Thanksfor the detailed video. But I have some questiins left: 1.) You didnt say how much light you needed to output in your setup. 2.) What lights you recommend not flickering? 3.) What framerates do you shoot your food stuff at most of the time?
smepable Mg 1. It all depends on the size of the set, f-stop, and quality (hard / soft) of light. Here I was using our custom led light at about 1000W shooting F. 2.8 2. Plasma lights, some LED’s, and well, we use our custom LEDs since we made them not to flicker and to be high power. 3. Between 120-1000 for most shots. Some just as 48-72 sometimes
Nice video its so informativ and I like to listen to your nice voice😁
Thank you so much 😀
Mind blowing! Or should I say “blinding!”
can you give a hint on ligth for slowmotion 120fps? some good led not so pricy... cheers fron brazil
I just got into slow motion photography and I'm building some LED lights for it. Any recommendations to a good DC-DC boost converter that wont flicker? I ordered some to test but they have not gotten to me yet. I just happen to have a dozen or so 20ah 13v LIFe batteries laying around I want to use but the 100 watt LED chips like 32v at 3 amps CC so the boost converter is needed.
So what would you recommend for shooting slow motion with a phone camera
AWESOME!!!!!!! INSANE!!!!! I LIKE IT!!!! 10000000000000000000 likes!!!!
Insane.
What LED light is that? Do you suggest getting two for 1,000 to 2,000 FPS video?
Can we use in odenary camera.
Hey Steve, why 938.8 fps and not 960.fps. What is the equation you use or is it a camera preset?
just wooow
Great work! How does the iPhone do slowmo?
Holy shit slow motion is much more complicated than people would think
YES!
Hi Steve! Did you build that light yourself? Trying to find the light for my
High frame shoot
WOW Awesome. Now I understand why sometimes I've shoot comercials of more than 22 hours working nonstop, with 20Kw light sources for just film a fking coconut .
How many watts is this LED? It seems so small and powefull , homemade?
Great content, keep doing. Greetings from Mallorca, Spain.
This is one of our custom liquid cooled 1800W LED's. Greetings!
Hi Steve. how do you shoot a pouring liquid and need to remove the background later?
Jess Limot that is very technically challenging as liquid reflects and refracts whatever is behind it. You can try shooting against green or blue chromakey backgrounds or white or black depending on what the final background is going to be.
@@TheGarageLearning thanks steve. very good suggestion
Excellent video. Thanks! How does the iPhone slowmo work?
Principles of light remain the same, just different workflow. iPhones can do as high as 240 fps
Hello Steve, what kind of light used in this experiment? where to get it?
Good explanation, thanks 👌 That led is costume made? How many W's? Liquid for cooling?
Yes, this is one of our custom LED's. They are 1800W and liquid cooled
Wow Sooo small and so powerful 🤘 rock on 🖖
Hey Steve. What do you think about the editing trick of duplicate the video, displace it 1 frame and reduce transparency 50% to eliminate flickering? Does it work with super high frame rates?
Damian Reyes that can help sometimes but can also cause some weird things to happen as well. It’s much better to just shoot without flicker especially if it’s for a client
Thanks Steve!
haha Now i have 72 gbs of data after 4 sec of recording
Great content but gets kidda boring after every 5mins or so! Can you incorporate something to just make it more appealing?