«Nevermind»: Anna Besson (flute), Louis Creach (violin), Robin Pharo (viola da gamba), Jean Rondeau (harpsichord). Bach-Fest 2019, Yekaterinburg, Russia, 23-03-2019
I love Anna. Sometimes I forgot about her and lissening her playing i think: who is with this beautiful sound and perfect execution? How stupid I am! She is Anna Besson! I think she has an incredible talent, an incredible sound, an extreme precision. Hope to lissen soon a concert of Anna!
Wonderful! I play this on the organ and whilst I love it on the organ, I particularly love the extra expression afforded here by Anna on a real (baroque) flute, especially in the middle movement.
Muy bella interpretación, sin duda por la presencia de mi admirado Jean Rondeau... aunque personalmente prefiero la transcripción para oboe, viola y continuo interpretada por miembros de The King's Consort, con su teclista y director Robert King, en un disco de hace ya 25 años en el que recogían transcripciones de las seis sonaas en trío para órgano BWV 525-530. Dedicado a mi amiga Cuca, para cuando se deleite con este vídeo y con la escucha de las otras versiones de esta misma sonata.
I think it would work better in D major. It would make the violin play in a slightly brighter texture and avoid altering the text, which has to be done, because it goes down to low F.
And the harpsichord player is simply magnificent
Gorgeous, creamy and hangs together beautifully. I especially adore the rising theme in the first mov. You’ve stolen my heart…..
Anna is a fantastic artist: her breath emission is so smooth and the sound coming out of her flute is just perfect.
Superb!
I love Anna. Sometimes I forgot about her and lissening her playing i think: who is with this beautiful sound and perfect execution? How stupid I am! She is Anna Besson! I think she has an incredible talent, an incredible sound, an extreme precision. Hope to lissen soon a concert of Anna!
Energetic and beautiful!
2nd movement is extremely beautiful ❤
Gorgeous
Toujours trop vite! Quelle manie!
Браво,флейтистка-чудо! Как,впрочем и весь ансамбль!
Wonderful! I play this on the organ and whilst I love it on the organ, I particularly love the extra expression afforded here by Anna on a real (baroque) flute, especially in the middle movement.
Très bel ensemble
Ах! КАК ЧУДЕСНО💕💕❤️🎶
Heady stuff, ravishingly performed
A joy.
Magnifique Nevermind comme toujours...
Fantastic!
Muy bella interpretación, sin duda por la presencia de mi admirado Jean Rondeau... aunque personalmente prefiero la transcripción para oboe, viola y continuo interpretada por miembros de The King's Consort, con su teclista y director Robert King, en un disco de hace ya 25 años en el que recogían transcripciones de las seis sonaas en trío para órgano BWV 525-530. Dedicado a mi amiga Cuca, para cuando se deleite con este vídeo y con la escucha de las otras versiones de esta misma sonata.
Браво ☘️☘️☘️
Excellent! BRAVO, BRAVO!
I like the first movement its nostalgic
Is that a Palanca model flute? What a wonderful sonata! And beautiful playing too. 🥰
Geniales como siempre! Bravo!!!! 🥰🥰🥰
Muy bello...gracias!!!
Heerlijk. Delightful. Délicieux. Precioso.
bravissimi!!!’👏
Super
👏👏👏
I think it would work better in D major. It would make the violin play in a slightly brighter texture and avoid altering the text, which has to be done, because it goes down to low F.
In D, the flute cannot play
F work better for the ensemble
12:08
Glorious sound and combination of instruments. Mozart wasn’t fond of the flute; he should have listened to more Bach.
2:59
Sonata-Quartet, you mean, Johann.
Welches Flötenmodell
Браво!
Ни одного комментария на русском, позор!
Вот один. А почему позор?
3:11