A. Dvořák - Piano Trio No. 4 in E Minor "Dumky", Op. 90 (Beaux Arts Trio)
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- čas přidán 18. 06. 2024
- 0:00 - 1. Lento maestoso in E minor
4:31 - 2. Poco adagio in C-sharp minor
12:04 - 3. Andante in A major
18:34 - 4. Andante moderato in D minor
24:39 - 5. Allegro in E-flat major
28:42 - 6. Lento maestoso in C minor
Dvorak began working on his sixth piano trio (today the fourth in existence), with its subtitle “Dumky” (“Dumkas”), immediately after completing his Requiem, in November 1890. It took him less than three months to complete, and this including an extended break from his endeavours. As he progressed Dvorak informed his friend Gobl that he was working on a new composition which he characterised as “a little piece for violin, cello and piano. It will be both happy and sad. In some places it will be like a melancholic song, elsewhere like a merry dance; but, all told, the style will be lighter or, if I might put it another way, more popular, in short, so that it will appeal to both higher and lower echelons.” The mention of this deliberate “lightness” of style might explain why the highly popular “Dumky” has, in the long term, eclipsed the composer’s masterpiece, the Piano Trio in F minor, even though it cannot match its sophistication, the gravity of its musical testimony or its intellectual depth. The premiere of the “Dumky” was performed just two months after Dvorak had completed the score, in Prague on 11 April 1891, during a gala evening held in his honour - Dvorak had recently been awarded an honorary degree from Prague’s university. Dvorak himself sat at the piano for the premiere. This was not the last time that he performed this work in public: we have documentation which confirms that Dvorak performed his “Dumky” at the piano on forty-four occasions. The majority of these were part of an extended “farewell” concert tour of Czech and Moravian towns and cities which the composer organised in the spring of 1892 before his departure for the United States. The trio was published in 1894 by Berlin-based publisher Simrock. At this time Dvorak was still in the United States, so the corrections were selflessly carried out by his friend, Johannes Brahms. (www.antonin-dvorak.cz)
Composer - Antonín Dvořák (1841-1904)
Ensemble - Beaux Arts Trio (Piano - Menahem Pressler, Violin - Isidore Cohen, Cello - Peter Wiley)
Year of recording - 1990 - Hudba
I was assigned this piece to play at my school, and I got a really good group, and was super excited to play it. We had a few rehearsals which went very well, but then Covid came along. The ensemble was stopped, and we started online school, meaning no more chamber music. Right now I am trying to start the group up again, but it's been almost a year since we last practiced together. Hopefully we can play again soon, because this is such a beautiful piece.
Something similar happened with me at my school. I was extremely excited to perform it, and extremely disappointed that we couldn't. And, how strange, I too am just starting up the group again (with a different violinist, but) and trying to organize socially distanced rehearsals. If our rehearsals of the first two movements go well, I think we might play all 6.
@@jessedistiller7009 Interesting, funny the same thing happened with you too!
Wow same thing happened with mee
I was meant to play a wonderful khachaturian trio at school but we aren’t going to be able to perform it! Best wishes to you and I hope you are able to play soon
@@dorothynemeth9675 Beautiful piece. I played a Dvorak piano quintet during Covid but it was cancelled. That's unfortunate. Hope you people can play again
The whole ending sequence of mvt 4, especially 24:00 to the end is just heart melting
John Williams : This is mine now
Lol
what did he copy this into bahahahaha
@@CelloCircle 32:35 The cello line
@@simon_roy In which piece?
@@classicalspoilers9497 E.T. Flying theme
I find it instructive that at 4:11 Dvorak has the first violin play the exact same notes (the melody) twice but the harmony in the cello and piano differ from the first playing of the theme and the second playing of the theme. This sort of an example should be used in music theory classes to show what one can do in harmonizing.
The ostinatos also help to make each phrase and period more cohesive and make the piece sound more connected.
amazing piece. I love it. thanks.
miło się słucha ,wykonanie piękne -gratulacje
This makes me happy
I just listened to this piece right now and fell in love with it. Thanks for uploading this.
Look for: Antonin Dvorak piano quintet op81 Second Movement Dumka! Of course the whole piece is majestic! But the second mov... is so fabulous!
❤️ Loved ❤️ this piece and excellent execution.
This is one of my favorite trios! The cello parts are beautiful, but from 32:36 to 32:55 it is simply glorious! Beaux arts trio and Dvorak, thank you!!💗
Thank you for the uploading and greetings from Miami. 🏖
Meraviglioso. Grazie ❤ Buongiorno Mondo.
wonderful
14:10 A ray of sunshine for the soul 🤍
bravo! another underrated piece of music should be played more
Look for: Antonin Dvorak piano quintet op81 Second Movement Dumka! Of course the whole piece is majestic! But the second mov... is so fabulous!
Underrated???
@@PaulMackSomers we hear the same old pieces played again and again... rarely do we get these trios and quartets....some great music out there
@@bugatti103 I guess it depends on where you live and what concerts are available there. I have been fortunate to live in a large metropolitan area with many concerts and therefore many works presented. Within that context "Dumky" is a well-known work.
But I'm sure that outside an area with such an overflowing smorgasbord of available music, you are absolutely correct.
amazing, definitely up there in my favorite compositions. discovered thanks to tiffany poon :)
Look for: Antonin Dvorak piano quintet op81 Second Movement Dumka! Of course the whole piece is majestic! But the second mov... is so fabulous!
@@ciararespect4296 Where did I say she composed it?
@ciararespect4296 SO people can listen to her, which played it beautifully in my opinion? Wtf is wrong with your brain?
24:39 Baby Dvorak 1999 Soundtrack
32:36 : Thème d'E.T. (même tonalité)
thank you,I was looking for it
How often to you see a bowed tremulo on a grace note? 8:47 and others on page 14.
Lol I’d guess that is very uncommon. But I guess it makes more sense for bowed stringed instruments since they can easily control tremolo dynamics and speed.
Dvorak did a lot of uncommon stuff in a very charming and good way hahaha
Dvorak was one of the great violists of his time. So he knew what could be done. Please consider that executing that passage as written may be a key to the intended tempo.
7:15
16:20
i can t undertand who is the 1 the 2 and the 3 mouvement can somebady tell me
ホ短調なのは第1楽章だけで
あとはそれぞれ違う調性なんですね
going to see if i can learn this with my trio. doesnt look to difficult from a piano point of view
Yes it doesn’t look difficult technically (even thought it is a tiny bit), but musically it’s something else. So beautiful!
Piano usually has the most difficult! Very fun to do chamber music though!
@@horker_loaf9467 no, darling. I always see simpletons like you comment about how the piano part is the most difficult, simply because it has the most notes. You clearly have never even produced one (1) note on a bowed string instrument. Piano is by no means an easy instrument, but if you take into consideration how difficult it is to play in tune and how long it takes to develop good bowing technique for the average violinist or cellist, the only conclusion you can come to is that the string players often have it much harder than the pianist. I have nothing against you personally, but I’m quite fed up with misinformed people like yourself spreading misconceptions
@@Jimsmith019 found indeed, in the wild!
@@euomu Misinformed is a stretch. I have studied classical saxophone, cello, some viola, and piano for some years now. When I talk about the piano having the most difficult part I typically mean for sight reading. Having a piece like Brahms viola and horn trio to read for the first month or so is often harder for the pianist than the horn and viola part. Don’t call me a simpleton, do that to someone in real life and you’ll make a mistake you can’t take back. Just practice for not insulting somebody. Have a great one.
15:17 18:35 21:39 22:46 27:18 29:37 30:30 32:02
No comments? What more do you want?
No comments is the sign of contentment.
@@He110World Okay...
@@colinfitzpatrick3389 This is a piece not a song
@@Poempedoempoex No need to be picky about the classical terminology except when it actually matters.
@@colinfitzpatrick3389 this is not a song, it's called a piece 😅
Who else ment to type dunky?
Ah yes, a man of culture
Leaving the piano, violin, cello etc. aside for a moment, the two hardest instruments, hands down are the french horn and the bassoon, with the oboe a close third. That settled, I can now go and listen to this lovely trio in piece, whoops I meant peace.
25:00
Is it just me or is the pianist playing the wrong rhythm at 1:52?
By Jove, you are right! That's a head scratcher.....
Well ill be thats weird! Good catch
In some editions of the music, the piano part's rhythm after the double barline is reversed only for the first time. When I played it my version was like that too.
dumky
Ads breaking into the music. Dreadful!
Dvorak really is one of the worst composers.
What makes you say that?
?
😂😂😂😂😂😂explain please
Are you trying a social experiment or what is this? 🤣 His harmonies are well written and he incorporates slavic rhythms into romantic music. Whats not to love.
How to make a fool of yourself in a CZcams comment: