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Curator's introduction | Lorenzo Lotto Portraits | National Gallery

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  • čas přidán 4. 11. 2018
  • Join Matthias Wivel, our curator of 16th-century Italian paintings and curator of Lorenzo Lotto Portraits, to find out more about the exhibition.
    Lorenzo Lotto Portraits
    5 November 2018 - 10 February 2019
    Admission free, Ground Floor Galleries
    Find out more: bit.ly/2PNEBMF
    Celebrated as one of the greatest portraitists of the Italian Renaissance, Lorenzo Lotto uniquely portrayed a cross section of middle-class sitters, among them clerics, merchants, and humanists.
    Lotto depicted men, women, and children in compositions rich in symbolism and imbued with great psychological depth. The prominent addition of objects which hinted at the social status, interests, and aspirations of his subjects added meaning to each work.
    With the inclusion of documents that have survived from Lotto’s own account books, this exhibition - the first of its kind in the UK - provides extraordinary insight into the artist’s individualistic style and the people he portrayed.
    Exhibition organised by the National Gallery and the Museo Nacional del Prado, Madrid.
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    The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
    Trafalgar Square, London, WC2N 5DN
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Komentáře • 47

  • @moseb1
    @moseb1 Před 2 lety +10

    I've watched a number of Matthias' videos on this channel and I'm always blown away by his knowledge and beautiful presentation style. I hope you release more of them- he is wonderful to watch!

  • @nicksharples2525
    @nicksharples2525 Před 5 lety +30

    I enjoyed this presentation a lot. Unlike Yoda, I appreciate that an expert, extemporising without notes over an hour, can sometimes give a richer impression of a subject than a more structured presentation. Although there's a place for both, of course. Thank you National Gallery for posting this free video lecture! I look forward to visiting the exhibition.

  • @rajinidevarajan7405
    @rajinidevarajan7405 Před 4 lety +3

    Matthias’s coverage was so total . He took us on a virtual trip travelling like Lotto and presented the painters insights at various stages of life so beautifully.

  • @pfscpublic
    @pfscpublic Před 5 lety +4

    Enjoyable and informative talk about Lotto, probably the first with drone footage scattered throughout.

  • @maomaoj
    @maomaoj Před 5 lety +5

    Thank you very much NG to organise such a great exhibition and offer this great introduction. I enjoy this lecture enormously and am most grateful!

  • @cecilefox9136
    @cecilefox9136 Před 4 lety +4

    I love Matthias's analysis of the paintings! Thank you for this fascinating talk.

  • @fainatselnik267
    @fainatselnik267 Před 2 lety +2

    Brilliant lecture - soft, loving and inquisitive. Amazing presenter - you feel personal connection with this rather remarkable artist. Lotto for me was always a great master, but only in the lecture he became a human being.

  • @gracgrac1327
    @gracgrac1327 Před 2 lety

    This is an immensely interesting presentation and a great reminder to me as to why I fell in love with art history in the first place. The two books which I have to use for my upcoming Italian Renaissance exam do not cover Lorenzo Lotto in such a positive light at all. He is regarded as a great portraitist but without watching this video, I'd never find out his art had a wicked side to it. It's a pity such a talented man was met with a sad end but it's nice to see he retained his sense of humor till the end (the table with human legs caught me off guard).

  • @m.i.miller8008
    @m.i.miller8008 Před 3 lety +2

    excellent talk on this Artist. Matthias does an excellent job.. held my attention the entire video.

  •  Před 5 lety +7

    Fantastic artist and life. Never heard of him before, but now a massive fan!

    • @william-stephentaylor6820
      @william-stephentaylor6820 Před 4 lety

      After seeing the beautiful Portrait of Andrea Odini, I do believe Lorenzo Lotto's depiction of young Hercules pissing in Venus's bathing water is his amusing attempt at satire. If so, was he the first?

    • @william-stephentaylor6820
      @william-stephentaylor6820 Před 4 lety

      Oooops, I meant ODONI; SORRY FOR THE TYPO.

    • @giorgiosalmaso5903
      @giorgiosalmaso5903 Před 6 měsíci

      An other great italian genius, venetian also. Ciao!

  • @jonathanhemming
    @jonathanhemming Před 5 lety +5

    Very informative!

  • @ameliapocobelli9402
    @ameliapocobelli9402 Před 5 lety +4

    Bravo bravissimo. Thank you!

  • @skyjuke2006
    @skyjuke2006 Před 9 měsíci

    Lorenzo Lotto 's life and art give me the idea that he was 'one of us'. A little bit weird, odd, but full of symbolic meanings. His death in a sacred place like Loreto (inside the great Church there is the Madonna house) is also moving.

  • @ololadereis4454
    @ololadereis4454 Před 2 lety +1

    Please place more videos of mr witted he is an outstanding art historian curator

    • @nationalgallery
      @nationalgallery  Před 2 lety +1

      Hi Ololade, you can find Matthias's latest talk here! czcams.com/video/5Uw5CmPSvfw/video.html

  • @user-bk1jb9qj6t
    @user-bk1jb9qj6t Před 7 měsíci

    Спасибо огромное. Классическая лекция искусствоведа нонче редкость. Великолепно, идеально.

  • @monteroneart
    @monteroneart Před 3 lety +2

    An amazing lecture! Thank you.

  • @aatt3209
    @aatt3209 Před 4 lety

    I wish when I was studying portraiture I had listened onto this fantastic lecture. Perspicacity of the sitter's character & life experience is so important, to say the least, to be captured by the portraitist, than in a mere 2-D presentation of a person's face & body.

  • @an3309
    @an3309 Před rokem

    Very interesting!

  • @freetofly9752
    @freetofly9752 Před 2 lety

    Like his own point of view in the marry couple, thanks!

  • @lesliefigueras7708
    @lesliefigueras7708 Před 2 lety

    thanks for this very extensive knowledgeable talk on different painters very interesting, the only thing is that many words will have to be looked up in a thesaurus dictionary

  • @MariannaK94
    @MariannaK94 Před 5 lety

    Thank you for shearing.

  • @merryhunt9153
    @merryhunt9153 Před 2 lety

    Gentlemen, the sitter in 'Portrait of a Woman Inspired by Lucretia' is holding up a drawing of Lucretia and saying "Do you believe this? This is nuts." The sitter's slanted gaze, shrugging shoulders and tilted head say it all.

  • @marcellalanger2430
    @marcellalanger2430 Před 3 lety

    Great!

  • @saracologni880
    @saracologni880 Před 2 lety

    Amazing Lecture on Lorenzo Lotto, so informative and interesting, I loved it. Just one thing that probably I've lost in the translation: Antonello da Messina was an Italian painter from the city of Messina in Sicily and not a Chilean painter. Maybe I've not understood perfectly, in this case sorry!

    • @sambordley2380
      @sambordley2380 Před 2 lety +2

      He pronounced the Italian 'c' which in 'Sicilian' might have sounded like Chilean?

    • @saracologni880
      @saracologni880 Před 2 lety

      @@sambordley2380 It could be, absolutely, thanks

  • @adrianamayer421
    @adrianamayer421 Před 2 lety

    Very expensive, but good, thank you.

  • @ledhicks
    @ledhicks Před 3 lety +1

    He always give very insightful analyses to his talks, but man the stutter.

    • @osajohnson1957
      @osajohnson1957 Před 2 lety

      Stammer. It's different from a stutter. Stammers generate from a passion to get the words out. Geez.

    • @ledhicks
      @ledhicks Před 2 lety

      @@osajohnson1957 both are interchangeable terms for "disaffluent speech" medically speaking. Lexically, stutter in US, stammer in UK. Geez.

    • @osajohnson1957
      @osajohnson1957 Před 2 lety

      @@ledhicks Ha ha, well done.

  • @captainmeowzers
    @captainmeowzers Před 5 lety +1

    Matthias Wivel is a great Art History communicator plus he makes Art sexy!

  • @michaelwhite8031
    @michaelwhite8031 Před 4 lety +1

    When l hear this gentleman speak l think of the Irish comedian Dave Allen.

  • @lenawarelius4195
    @lenawarelius4195 Před 2 lety

    👏👏👏🌼🌻🌺🌹

  • @djhammond9535
    @djhammond9535 Před 2 lety

    The assumption of Mary occurred after the death of Jesus approximately 10 years later.. it indicates that Mary’s body was not buried at her death but taken up into heaven, with her spirit, to be with her son for all eternity.. so if she looked middle age, it’s because at the point of her assumption, she was….

  • @evangelist6277
    @evangelist6277 Před 3 lety +1

    Sad that so many artist end life poor

  • @ilksenteksoy4008
    @ilksenteksoy4008 Před 2 lety

    🇹🇷😍🤗💖💖💖🤗

  • @paulnovosel9469
    @paulnovosel9469 Před 4 lety

    Good talk, he got The Immaculate Conception mixed up with The Virgin Birth. Mary was conceived without sin from Joachim and Ann, her parents. Jesus was born of a virgin. Oops!

  • @dlkep7
    @dlkep7 Před 5 lety +6

    Undoubtedly, knowledgeable, you are; public speaker, you're not.

    • @claudiosaltara7003
      @claudiosaltara7003 Před 4 lety +5

      curious observer: extemporaneous speaker that is making you feel connected to the painting and painter. You know it is difficult to please everyone. Lotto came out very well.

    • @uffa00001
      @uffa00001 Před rokem

      I agree, the content is interesting but the paper in which it is packaged is full of wrinkles. There is nothing wrong in writing a lesson and then reading it in front of an audience. If one is good at "speaking off the cuff", fine, do it. If one is not, then just write the text down, it's not a sin.
      I fault not him but probably the British school system (or University system). It's really a shame that it is so rare to find British people of culture who are unable to utter a sentence without recommencing it four times. Schools should teach people to speak in public, rather than just fill multiple choice tests. I don't see this problem with Italian, French, German or American "intellectuals", it really is a peculiarly British problem.