Muthuswamy Dikshitar kriti- Sri MadhurapurIviharini- Bilahari- Rupakam- Nityashree
Vložit
- čas přidán 8. 04. 2015
- Indian Carnatic Music- Tribute to Trimurtis of Carnatic Music
Ksetram: Madurai
Lyrics:
pallavi
SrI madhurA puri vihAriNi
SrI rAja mAtangi mAM pAhi
anupallavi
pAmara jana pAlini kAma dahana mOhini
(madhyama kAla sAhityam)
nAma rUpa vimarSini naTESvari jagajjanani
caraNam
pANDya rAja pUjitAbja pada yugaLE
ODyANa pITha sthita sakala kalE
(madhyama kAla sAhityam)
pATalI kusuma priyE
padma rAga sama prabhE
sOma sundarESvara priyE
guru guha samudbhavE - Hudba
Excellent rendition.
Excellent ❤
Melificious rendering.....it took me to a higher pedestal of divinity.
What a golden voice this person is gifted with.....she is truly blessed.....
And so are we, to be hearing this great voice.
Pranams and my best wishes.
The audio quality is excellent.
Excellent
ரொம்ப அழகா இருக்கது... Melodious and Melifluous.. 🌹🌹🌹🌹🌹🌹🙏🙏🙏🙏
Melodies singing
Wow
Marvelous rendition.
very nice.
Very Melodious
Superb Rendition ! SrI Madhura puri viharini Ragam Bilahari 29th Mela janya Rupaka Talam Muthuswamy Dikshitar Krithi
This krithi is on Godess raja Mathangi She is the Goddess of Knowledge, Talent and Expertise. In their meditative state, ancient rishis provided various paths to reach the Supreme Divine. The microcosmic representation of divinity in each individual is con...nected with macrocosmic manifestation of the Divine. Thus they expressed the divine symbolically and metaphorically so that various attributes of the Goddess Devi is understood and appreciated according to one’s station in life. They gave particular forms and mantras to identify particular aspects of the Divine Mother. Supreme Cosmic Consciousness manifests in the material world as various saguna deities. Raja Mathangi is the Goddess presiding over Manifestation. Through her, thought becomes ‘word, unmanifest ‘sound and vibration’ becomes music and ideas unfold into expression. Divine Consciousness becomes the created Universe. Raja Mathangi is the highest of the Goddesses in that She allows all their powers and principles to be realized. Goddess Raja Mathangi Ambika is said to be the most important Goddess of Shakthi pantheon. She is the
consort of Lord Shiva and she is also considered as the sister of Lord Vishnu. She connects the phenomenal world with that of the noumenal world and its experiences. This paves the way to break through the cycle of birth and rebirth. Mother gives wisdom as prasada to for us to connect with her Divinity. Human kind, having descended to the material world, revere Goddess Raja Mathangi for her blessings to realize the return journey and yoga with Divine mother. Saying it another way, Mother seeks us that we travel back to Paramatman.
This Kriti is in the eighth (Sambodhana Prathama) Vibhakti
P SrI madhurA puri vihAriNi
SrI rAja mAtangi mAM pAhi
Oh Goddess Rajamatangi, you who sport in Madhura, please protect me.
AP pAmara jana pAlini kAma dahana mOhini
(madhyama kAla sAhityam)
nAma rUpa vimarSini naTESvari jagajjanani
She who is protector of the people of simple faith, the bewitching companion of Lord Shiva, who burnt down Cupid, she pervades the universe as the named and formed beings, and is the consort of the cosmic dancer, Lord Nataraja. She is the mother of the universe.
C pANDya rAja pUjitAbja pada yugaLE
ODyANa pITha sthita sakala kalE
(madhyama kAla sAhityam)
pATalI kusuma priyE
padma rAga sama prabhE
sOma sundarESvara priyE
guru guha samudbhavE
Her two lotus feet are worshipped by the King Pandya. She resides in the form of all Kalas in the Odyana Pitha. She is fond of Patali trumpet flowers, lustrous as a ruby. She is the beloved one of Somadundareshvara, and the mother of Guruguha.
Raga Bilahari Janyam of 29th mela Shankarabaranam.
Aro: S R2 G3 P D2 S Av: S N3 D2 P M1 G3 R2 S
A raga that is suitable for the mornings, exuding positivity and happiness, is Bilahari. Bilahari has beauty in asymmetry, and is an audava-sampoorna raga. It contains the notes sadja, chatusruti rishabha, antara gandhara, pancama, and chatusruti dhaivata in ascent, and the kakali nishada and the suddha madhyama in descent. The arohana and avarohana is SRGPDS/SNDPMGRS. The kaisiki nishada sometimes occurs as a bhashanga swara (foreign note), lending pep and freshness to the raga. Bilahari is known for the bhakti rasa that it pours forth, and in addition to classical kritis, several verses steeped in devotion are often sung as viruttams in Bilahari.
The classical compositions in Bilahari include ‘Na jeevadhara’ , ‘Kanukontini ’, ‘Dorakuna ’ , ‘Tolijanma’ and ‘Intha kannananda’ of Thyagaraja; ‘Sri Balasubramanya’, ‘Kamakshi’ and ‘Ekadantam ’ of Muthuswamy Dikshitar; and ‘Paridhanaminchithe’ of Patnam Subramanya Iyer. ‘Sri Chamundeeswari’ of Mysore Vasudevachar is a favourite of many artistes.
Ragas such as Bilahari are very unique and their signature prayogas are hard to miss. They stand out and, hence, it is quite easy to identify a Bilahari when one hears a good rendition that keeps within the rules of the scale. Due to the same reason, it is also difficult for film composers to compose a kriti that entirely conforms to the grammar of the raga.
Thanks sir giving beautiful and elaborate details.
🙏🙏🙏🙏🙏🙏🙏
@@nvenkatachalam9058 ji My Pleasure 🙏
Namaskaram
Whose voice is this
chandra mouli H Nithyashree ji
Very poor. Pitch lost in so many places.