Stephen Crowley MYFIVE

Stephen Crowley, a staff photographer based in The New York Times Washington bureau since 1993, joined the paper as a photographic printer in Washington in 1992. He had been a staff photographer at The Washington Times since 1985.
www.crowleygra...
On Feb. 5, 2002, the White House News Photographers' Association cited Crowley as "Photographer of the Year" for a portfolio that included his essays "Voices of Afghanistan" and "A Day in the Life of President Bush." In 2001, Mr. Crowley was part of a team at the New York Times that won the Pulitzer Prize for National Reporting for "How Race is Lived in America."
In 2002, the Pulitzer Prize for Feature Photography was awarded to Crowley and four other New York Times photographers for work produced during the war in Afghanistan. That same year, he received an honorary Doctor of Fine Arts degree from the Corcoran College of Art + Design in Washington, D.C. In 2005, American Photo Magazine included Crowley on its list of the 100 Most Important People in Photography.
Born in Jersey City, N.J., in 1953, Mr. Crowley lived in New Jersey until 1959 his family moved to Florida. While in high school, he worked for The Beacon-News. Realizing he was too shy to become a reporter, he decided to become a photographer.

[@Nadiarosephotos]

Great video, quality , audio and phenomenal guest 😊

[@TheCritHouse]

Thanks so much!

[@DanScott1]

There you go Jeff, more examples of invisibility and the kind of, lets say, 'vibration' required to access this 'state of grace' as Sergio Larraine called it.
Lovely Stephen, I feel you. Thanks Jeff, appreciate your hard work.

[@TheCritHouse]

Thanks Dan.

[@user-py8lp3vt3b]

Unfortunately, the audio on this presentation was quite poor and interfered with my hearing and enjoying what the guest had to say.

[@TheCritHouse]

Yes, we worked hard to improve the audio from the original recording. We know it was not ideal and apologize for the issues.

[@user-py8lp3vt3b]

Thanks, Jeff. Love the podcast, the guests and your ongoing commitment.

[@SlavaVeres]

✌️🇺🇦 13:00 As a Ukrainian (who loves photography) I’m deeply moved by Hoffman’s images. They are very insightful and dint have that superficial “reportage” feeling to them (just don’t get me wrong - reporter style photography is also important and essential to our modern culture). Yet Hoffman manages to show something deeper.

[@TheCritHouse]

He does. It's true. And we're glad to have been able to show it

[@sonofoneintheuniverse]

Once again - great conversation and exposure to some new photographers (new to humble me)... 😊

[@TheCritHouse]

Glad you enjoyed it! We are continually honored to talk with such impressive people

[@tadwolujewicz3923]

For episodes like this one with Stephen, the channel should be renamed, Crit House-The Living Legends

[@TheCritHouse]

Perhaps you're right. Thank you