02:12:28 that was not live but a separate rehersed and edited clip that they tried to fake as live. Probably because they needed it to look perfect and didn’t dare to do it live. Evidence of this can be heard as the audio shifts as they change the camera from Shane to the set.
This camera has the same issue as the FX9: Full frame and full resolution only goes up to 30p. If you want slow mo you have to crop in on the sensor a bit to be able to use the S&Q function that allows up to 60p of slowmo. Now this is fine. But here comes the issue: once you press the button to go back to full frame the camera forgets your slow motion setting in S&Q mode and you have to dial it in again next time you want to shoot slow motion again. This is a major flaw and forces so many of us to live in the cropped mode and never leave it. Fun fact: The cheaper FX6 has none of these issues. Go figure.
As far as the Imager goes. There are two ways. One is to down sample from the entire sensor and the other is to crop or as she explained, only use that portion of the imager.
Very informative - there was a big effort to make this with staff and gear. I really appreciate it. Sony has always been my "go to" for gear from low end HDV(witch I loved) to XD/PXW/to the Burano. I like the familiarity with the FX line and Sony - lets move away from Alistar and move toward Katie. This resource helps with a complicated tool. On a way side note - I wish cameras were more basic, with limited features. Easier to focus on the subject matter. That's why we do this.
Why are we comparing these cameras like they contain some kind of magic sauce inherit to the camera, the tone curve and color science of the capture device does not matter, that'll always be malleable. How does the raw sensor perform? That's all that matters. Choosing a camera to simply use the native manufacturers profiling with rudimentary grading is the most uninspiring way to craft a look.
Katie is so knowledgeable, Shane as well. Always a pleasure learning from you both. Awesome Job and keep em coming!
02:12:28 that was not live but a separate rehersed and edited clip that they tried to fake as live. Probably because they needed it to look perfect and didn’t dare to do it live.
Evidence of this can be heard as the audio shifts as they change the camera from Shane to the set.
Sony! Please output the camera info in look space/ surround view on sdi . Burano and FX line.
This has taught me so much! Thanks for all your help in the film education space.
This camera has the same issue as the FX9: Full frame and full resolution only goes up to 30p. If you want slow mo you have to crop in on the sensor a bit to be able to use the S&Q function that allows up to 60p of slowmo. Now this is fine. But here comes the issue: once you press the button to go back to full frame the camera forgets your slow motion setting in S&Q mode and you have to dial it in again next time you want to shoot slow motion again.
This is a major flaw and forces so many of us to live in the cropped mode and never leave it.
Fun fact: The cheaper FX6 has none of these issues. Go figure.
As far as the Imager goes. There are two ways. One is to down sample from the entire sensor and the other is to crop or as she explained, only use that portion of the imager.
Great demo! Thanks! How about the Rolling Shutter?
No way Shane would dare to mention that when he got paid to do this so called ”test” 😂.
Very informative - there was a big effort to make this with staff and gear. I really appreciate it. Sony has always been my "go to" for gear from low end HDV(witch I loved) to XD/PXW/to the Burano. I like the familiarity with the FX line and Sony - lets move away from Alistar and move toward Katie. This resource helps with a complicated tool. On a way side note - I wish cameras were more basic, with limited features. Easier to focus on the subject matter. That's why we do this.
Absolutely love the lighting!
uploaded 1080p ??
Thanks, also interesting to see how you expose. Is there any reason not to use this LUT on the FX6?
great stuff. does it really work to tab on the monitor for focus during operating for composition.
Hello, How you make the remote control of the Sony burano ? Which hand focus puller is compatible to give run/stop and replays? Thank you
shane’s such a nice guy. christian bale should still be ashamed! 😂
😂😂😂😂
I don't even own a Sony camera but this is amazing
You could dump the Tilta Motors for a start.. The Torq to weight ratio is a bit low by today's standard.. I know, I have three....
What was the person wearing for the gimbal work at the beginning, please?
Will the Burano lcd work with FX9 and FX6? Maybe a future firmware!?
Damm good
@11:00. You can use a lens cap? You don't need to remove the lens and use a factory camera cap? Canon is ABB and they insist on the factory cap.
Why are we comparing these cameras like they contain some kind of magic sauce inherit to the camera, the tone curve and color science of the capture device does not matter, that'll always be malleable. How does the raw sensor perform? That's all that matters. Choosing a camera to simply use the native manufacturers profiling with rudimentary grading is the most uninspiring way to craft a look.
Camera angle slow motion
Hospital acting’s star Sean music video sound in slow motion
a 25k camera should't have rolling shutter... camera not worth it, sorry.
So Arri can just go off themselves?
@@pedrobrenes9907 thats what i wanted to say 🙌
Hospital in the music video
🎥 Rolling shutter is 👎
ND quality 👎
Too expensive for this camera. 💸
This camera value shall be not more than $18K.
I hear Sony's stock price falling 😂😂😂😂😂😂
Story about college wrestlers music video
Sony cameras
Music video camera Sony filming location in New York City filming music video sound in slow motion
Acting performance music video location at the house weather warm and rainy
Cache record mode! All the CZcams reviews on this camera and not one person mentioned this.
Brooklyn college funeral home and church for music video location sunshine hot warm summer day