Should you High-Pass EVERYTHING? | Mastering Masterclass Ep. 2

Sdílet
Vložit
  • čas přidán 5. 08. 2021
  • To high-pass or not to high-pass... In this video, John dives into why high-passing your tracks during the mixing process can greatly benefit the overall quality of your mix and for him, helps him get the best master he can get.
    More to come so stay tuned as we will deep dive into mastering a song from start to finish, and other tips, tricks and insights from renowned mastering engineer, John Mayfield.
    Mayfield Mastering: www.mayfieldmastering.com/
    Be sure to like this video & subscribe to the ADAM Audio CZcams Channel:
    ▶ tinyurl.com/yymzrgdf
    Find out more about our company:
    ▶ bit.ly/31PyDA2
    Check out our webshop:
    ▶ bit.ly/31PyDA2
    See our user's reviews:
    ▶ tinyurl.com/y2jayw5b
    Connect with us at ADAM Audio:
    ▶ Instagram: bit.ly/3lEPDRi
    ▶ Our Subreddit: bit.ly/3exsSxH
    ▶ Twitter: bit.ly/3bgPC0W
    ▶ Facebook: bit.ly/3hUQCuw
    ▶ Linkedin: bit.ly/3mHQy3Y
    ▶ Our other Channel: bit.ly/3lCnvy8
    ▶ The ADAM Audio T Series: bit.ly/2YWLeQ1
    ▶ The ADAM Audio AX Series: bit.ly/2Bn1rVX
    ▶ The ADAM Audio S Series: bit.ly/3jAzsm2
    ▶ The ADAM Audio Subwoofers: bit.ly/34Pwypz
    ▶ The ADAM Audio SP5: bit.ly/2EQeyAq
    ADAM Audio was founded in March 1999 in Berlin. Since then the company has been developing, manufacturing and distributing loudspeakers in the field of Professional Audio.
    The development of the X-ART (eXtended Accelerating Ribbon Technology) tweeter based on the 1960’s invention of the Air Motion Transformer by Oskar Heil was largely responsible for the company’s founding. Producing sound not with a piston-like diaphragm as is done in most of the loudspeakers that are on the market, but using a pleated diaphragm that is capable of moving the air 4 times faster than the folds themselves are moving was the appealing idea behind it all. The achieved results were intriguing and gave ample reason for moving forward.
    #ADAMAudio #Mastering #StudioMonitors #Recording #Mixing #Studio #Monitors #A7X #T5V #T7V #T8V #A77X #S2V #S3H #S3V #S5V #S5H #T10S #A5X #A3X #ADAMMonitors
  • Hudba

Komentáře • 50

  • @ADAMAudioBerlin
    @ADAMAudioBerlin  Před 2 lety +4

    What else do you want to learn in our future series? Let us know below!

    • @Sool101
      @Sool101 Před 2 lety

      Yes I have a question that needs to be a bit elaborated , what is 'ringing' and how to reduce or avoid that. I can't seem to find a good source that explains that.

    • @ADAMAudioBerlin
      @ADAMAudioBerlin  Před 2 lety

      Hi Sool! That is a good question and we will certainly make a video about it in the future. Without getting too technical, 'ringing' or 'pre-ringing' are artifacts that can appear when you use linear phase EQs. While these EQs do not cause phase shifting they might lead to other artifacts and timing issues. Thank you for your input, all the best! 👍

    • @Sool101
      @Sool101 Před 2 lety

      @@ADAMAudioBerlin that would be awesome thanks!

    • @theelephantofsurprise8564
      @theelephantofsurprise8564 Před 2 lety

      If you can do a part 2 where you address the mix tweaks often serve a better master. Then it's not a "mix course" but will be practical and advanced concepts

  • @ralphverdult
    @ralphverdult Před 2 lety +7

    I always manually fix P's, B's and other consonants that give excessive low end with a destructive/AudioSuite high pass filter on just that consonant. This way you can keep the general high pas filter on the vocal a bit lower, if needed at all. I usually like a bit of warmth in the vocal, and sometimes these frequencies overlap with the P-pops. It's better to fix it in the mix than to wait for your mastering engineer to do it on your stereo track.
    Since high pass filters cause a lot more phase shifting than bell and shelf filters, I am always careful with applying high pass filters on sources that have a lot of spill. Drumtracks are one main example, but also when tracking with everybody in the room. High passing the piano can (positively or negatively) affect the phase response of the kick drum, and vice versa.

  • @alexanderalfonsokrook2471

    I love this man

  • @Redemptive
    @Redemptive Před 2 lety +4

    Nothing like absorbing some thoughts from a knowledgeable person.

  • @calblac4786
    @calblac4786 Před 2 lety +2

    This is great information. Thank you.

  • @leonardojul
    @leonardojul Před 2 lety +8

    Hello and thanks for the great content! For us producers and engineers it would be great to have advice on how we can make the mastering engineers lives easier. I'd love to see more tips like the one on this video!

    • @ADAMAudioBerlin
      @ADAMAudioBerlin  Před 2 lety +3

      Sounds good Leonardo, we'll be sure to make this a priority!

  • @GlenroyJames
    @GlenroyJames Před 2 lety +1

    These are some very useful tips

  • @nightuniverse8314
    @nightuniverse8314 Před 2 lety

    Thanks sir 🙏

  • @petegiant
    @petegiant Před 2 lety +3

    I'd recommend doing this at tracking, through mic selection and filters.

    • @nexusobserve
      @nexusobserve Před 8 měsíci

      lot of mic hi passes are at 80hz, so depends

  • @beatsprodbycm9455
    @beatsprodbycm9455 Před 2 lety

    These are great

    • @ADAMAudioBerlin
      @ADAMAudioBerlin  Před 2 lety +1

      Hi beatsprodbycm! Thank you so much for watching! 🔥

  • @RonnieVaiArovo
    @RonnieVaiArovo Před 2 lety +2

    Interesting mastering man & also makes perfect sense 👍

  • @bob4analog
    @bob4analog Před 2 lety +1

    Spot on. We dont want to amplify DC. Same principles apply in sound reinforcement. Hi passing is our friend.

  • @synthoelectro
    @synthoelectro Před rokem

    I use high-pass during times, but it's all electronic, not recorded, but I do it anyway.

  • @jacko_justchill
    @jacko_justchill Před 2 lety

    GEMS 💎

  • @tyjuarez
    @tyjuarez Před rokem

    i had a burning question about whether high-passing the master stems was cleaning things up or discarding information. The first sentence of this video answered them all.
    "In the digital world, you can literally record a 1Hz signal, and... that's not helpful."

  • @juanimartinez2316
    @juanimartinez2316 Před 11 měsíci

    In this episode John talks about the modifications in the eQ, and he forgets to mention the most important tool that the digital age has given us in audio, which is having a good spectrum analyzer, with a good meter like Peguin has been. At the time and to this day it still is, it is easier and simpler to be able to work and see each frequency clearly in order to identify them when listening, the spectrum analyzer for the sound engineer is like a meter for a carpenter, it must be the tool of the most important measurement that we are going to use, I love learning from those who know the most and John is one of the most important references of the time

    • @beru_official
      @beru_official Před 8 měsíci

      Fabfilter Pro Q has an incredible built in spectrum analyzer and you can see it in real time as you EQ its very helpful

  • @beaumaloe
    @beaumaloe Před 2 lety +6

    How do you remove clothes rustle from audio recorded with a lav mic?

  • @RonnieVaiArovo
    @RonnieVaiArovo Před 2 lety +16

    His voice also has sub bass frequencies that are destructive to the overall tone of his voice. This is ironic 😄👍

    • @morbidmanmusic
      @morbidmanmusic Před 2 lety +10

      it's just your crappy sound system

    • @imslicc
      @imslicc Před 2 lety +4

      @@morbidmanmusic would you kindly say that again constructively, and actually add to the knowledge pool, instead of adding more slime? thanks

    • @krimsonchin73
      @krimsonchin73 Před 2 lety +1

      The true irony is the constant mic rubbing noise!😂

    • @ADAMAudioBerlin
      @ADAMAudioBerlin  Před rokem +2

      We should have had him in post for our video 😉

    • @fivebyfivesound
      @fivebyfivesound Před rokem

      @@ADAMAudioBerlin 😂

  • @cekirdekci32
    @cekirdekci32 Před 8 měsíci

    we have to check the phase correlation to make surev we dont intrroduce phase tho. am I right? i also realized i face phase when i use mid side eq on ableton. i m always struggling with phase.

  • @billyvalentine4365
    @billyvalentine4365 Před rokem +1

    If the human hearing range is 20hz to 20khz, why wouldn't you use a 20hz high-pass filter on everything? That's not a statement (I honestly don't know), just really trying to figure it out.

    • @dancemusicorganisation
      @dancemusicorganisation Před rokem

      Frequency Modulation, you might not be able to hear the actual sounds at certain frequencies but they still modulate the sounds you can hear!

  • @Apeskinny
    @Apeskinny Před 2 lety +3

    Thanks for some good tips but..... "at least 24dB per octave"? Now everyone will chuck on 96dB high pass filters and get a bunch of ringing at the cut-off point.... "out of the frying pan......" 😂

    • @snubdawg1386
      @snubdawg1386 Před 2 lety

      man i have a question because the "at least 24db per octave" info is not clear to me .... if i set a 24db high pass filter at 50hz and 1.00 bandwith, it will only lower the volume of the lowend but it's still there, right? is this method prefered to keep some of the lowend energy on the instrument or is it better to choose a 96db high pass filter if i want to eliminate the frequencies below completely?

    • @Apeskinny
      @Apeskinny Před 2 lety +1

      @@snubdawg1386 Well it depends... If your intention is to complete eliminate any frequency below a particular point then yes. But, if the sound has any energy at the cut off point a steeper slope will create ringing and increase the amplitude.. Try this.. take a trusty old 808 kick and add an EQ with a high pass filter at around 60Hz (or whever the fundamental is).. try with different slopes and you'll notice a considerable increase in bass at a higher values e.g., 96dB per octave. Pay less attention to what the analyser is telling you (cos it's visual and not aural) and pay heed to that fact that analogue consoles have usually 12dB filters and if Bruce Swedien was OK with that then so should the rest of us......

    • @Apeskinny
      @Apeskinny Před 2 lety

      @liantros retrospectiva no worries but link maybe.........?

  • @yeayea4756
    @yeayea4756 Před 2 měsíci

    Why does it look like a documentary hahahaha

  • @andigisler
    @andigisler Před měsícem

    Too bad they didn‘t know that back in the day, imagine how much better all those Sinatra, Beatles, Led Zeppelin and Steely Dan records would have turned out 😮
    HPFs have their place of course but why are LPFs never discussed? The top range causes way more problems in today‘s digital world and too many folks work from a ‚skyscraper‘ principle - to quote Mike Stavrou from his great book ‚Mixing with your mind‘

  • @joshuahoe1230
    @joshuahoe1230 Před 2 lety

    Vocal “pee-pops” ? I couldn’t catch what he was saying there

    • @talktokale
      @talktokale Před 2 lety +3

      "P" pops AKA "plosives"... low rumble pops when a vocalist annunciates a P-syllable

  • @jrewlacet9971
    @jrewlacet9971 Před rokem

    Me looking for a bjj tutorial🥴