Harun Farocki - Cinema, Video Games and Finding the Detail | TateShots

The German film-maker Harun Farocki explored themes of capitalism, consumerism, media, technology, war and entertainment. Re-inventing the 'filmic essay', his work challenged the borders between cinema and art.
Beginning his filmmaking practice in the late 1960s, Farocki combined documentary and found footage to examine subjects through associations of images. From the 1990s onwards, he made films for two or more screens that comment on one another.
This film contains excerpts from the following Farocki works: Inextinguishable Fire (1969), Videograms of a Revolution (1992), Eye / Machine II (2001), Workers Leaving the Factory in Eleven Decades (2006), Deep Play (2007), Serious Games III: Immersion (2009), Serious Games IV: A Sun without Shadow (2010) and Parallel I-IV (2012-14)
Harun Farocki’s Workers Leaving the Factory in Eleven Decades (2006) is currently on display at Tate Modern: goo.gl/27p5VA
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[@alanfair4415]

Harun Farocki, a film maker who saw the possibility of the cinematic as critical engagement. Let's try to make his work more well known.

[@wheelofwater]

i think the soviet factographers were first

[@ihath]

facinating

[@monicachambers2357]

very interesting 🤔

[@carolinadpalma]

Podran traducirlo?

[@prankedmama]

because there is something there