Simply beautiful. I have painted clumps of grapes, sliced lemons, sliced peaches, slice of watermelon and an artichoke. After viewing your video painting a strawberry, I am going to attempt strawberries. Thank you for the inspiration. Blessings. Sidebar question: Is using a "white" gauche advisable to paint in small highlights on wet looking objects at the end of your watercolor painting, especially if no white paper remains? Thanks
Thank you so much. Well I can't really answer that because I only use watercolours and never painted with white paint. But I guess you can explore and see if you would like a result đ
Thank you for the tutorial. I tried this today... It was hard to get the tonal values of the berry around the seeds. Do u have a technique that helps imagine negative spaces to paint around the blanks
Truly amazing! Thank you so much for sharing your process, I really enjoyed watching the steps. Iâm still quite new to watercolour and your videos have helped tremendously. I was wondering if the tutorials youâve shared on yt are all done on stretched paper? Do you still stretch the paper like how you have shown in your watercolour stretching video? I am assuming you paint straight onto it once it has dried and then cut it off the board?
Iâve followed this tutorial several times now and I keep coming back to it, itâs great! Thank you for posting †What masking fluid do you use? It looks so helpful!
Thank you so much for this video. The strawberry looks unbelievable realistic!!! What size and brand is you ceramic palette? It's dimension looks very usefull.
Thank you for watching. Here is the link where I bought it from www.amazon.co.uk/MEEDEN-Porcelain-Watercolor-Painting-Rectangle/dp/B07Z5SKC24?pd_rd_w=E2P2X&content-id=amzn1.sym.38f90169-67d8-49b7-8ef1-61bdff262c06&pf_rd_p=38f90169-67d8-49b7-8ef1-61bdff262c06&pf_rd_r=D92ZTHXVSMK8SHTWRJA1&pd_rd_wg=F222B&pd_rd_r=1717f7e9-8ad2-4e0f-8795-4b771fef54bb&pd_rd_i=B07Z5SKC24&psc=1&ref_=pd_basp_bia_rpt_ba_s_1_sc
Hi and thank you for sharing in this video your creative process. I've found on your patreon a list of the colours that you use in this palette and I ;ve noticed that you use some not so permanent and lightfast colours. I don't know if you are aware that the W&N Aureline that you use for mixing your greens is made by the PY40 pigment that is not particular lightfast and has the tendency to turn brown in the long run. Same low lightfast rating has the Alizarin Crimson that you've included in your colour selection that is made by the PR83 pigment . This will fade no matter how you store your paintings because it is not only affected by light but also by the atmosphere's oxygen. So it should be wise to replace these two colours with some more permanent and lightfast alternatives as these two colours will literally destroy in the long run your otherwise fantastic illustrations.
@@willowbranch5237 From W&N try the Transparent Yellow that is a PY150 and for a substitute of the original Alizarin Crimson try the Winsor Red Deep that is a PR264 or the Permanent Carmine that is a PV19. The Winsor Red is slightly deeper the Permanent Carmine is slightly pinkyer in its washes. But they are both lightfast. Another fantastic yellow for mixing greens is the Green Gold that is a PY129. It looks a bit dirty in the pan, dark and grayish but when you dilute it and mix it with blues it gives fantastic greens. And another colour that I would suggest to consider is the Transparent Yellow Medium from Rembrandt ( Talens) that is a PY128. This is fantastic yellow because it stands somewhere between the Lemon and the warmer yellows like the PY150 and it is very versatile.
This is the most amazing watercolor I have ever seen! Thanks for letting us watch as you painted.
Thank you so much for sharing your process. This is absolutely beautiful. I have finally found the perfect strawberry painting tutorial!
Thank you so much for watching â€ïžâ€ïžâ€ïž
You have mastered the art of painting in watercolour so well. Bravo!
Thank you Irene âșïž
Thank for so much for sharing your talent with the world! Your work is absolutely stunning!
The details make this truly lovely!
Wowww!!! This is really good. As soon as I saw it I immediately subscribed. I can't wait to watch the other videos
So beautiful! It looks real enough to eat!
Loved the process, thanks a lot for all the details!!!
Took me a second to realize why you were holding that litte paper up. That's genius!
Art therapy ..
Love your work....and your tutorials ..
Very Nice and looks so natural. Thanks and God bless. Wilfred
You're a genius đ
hermoso, mañana mismo me compro unas acuarelas para practicar
Quel talent !! Merci beaucoup.
Wow! Beautifully done!
Its so beautiful â€wowwwwwwwwwwwwwwâ€
truly amazing đź
Simply beautiful. I have painted clumps of grapes, sliced lemons, sliced peaches, slice of watermelon and an artichoke. After viewing your video painting a strawberry, I am going to attempt strawberries. Thank you for the inspiration. Blessings.
Sidebar question: Is using a "white" gauche advisable to paint in small highlights on wet looking objects at the end of your watercolor painting, especially if no white paper remains? Thanks
Thank you so much. Well I can't really answer that because I only use watercolours and never painted with white paint. But I guess you can explore and see if you would like a result đ
Thank you for the tutorial. I tried this today... It was hard to get the tonal values of the berry around the seeds. Do u have a technique that helps imagine negative spaces to paint around the blanks
Eres un artista impresionante me gusta
Congrats, itâs really amazing! What a talent!!!
Stunning
Absolutely beautiful!
Amazing drawing..love it
Excellent !
master piece. Thanks ;)
This is wild
Wow!! â€â€
this is WILD
Beautiful!!!
Truly amazing! Thank you so much for sharing your process, I really enjoyed watching the steps. Iâm still quite new to watercolour and your videos have helped tremendously. I was wondering if the tutorials youâve shared on yt are all done on stretched paper? Do you still stretch the paper like how you have shown in your watercolour stretching video? I am assuming you paint straight onto it once it has dried and then cut it off the board?
Just perfection! đ
Thank you so much â€ïž
so realistic, amazing â€đ new subscriber
Iâve followed this tutorial several times now and I keep coming back to it, itâs great! Thank you for posting â€
What masking fluid do you use? It looks so helpful!
Thank you so much. I use Windsor& Newton one :)
What kind of white color you used in the first?
Amazing!
Thank you Monique for watching â€ïž
Do you have any tutorials for this but with oil paint?â€
Nice
Thank you so much for this video. The strawberry looks unbelievable realistic!!! What size and brand is you ceramic palette? It's dimension looks very usefull.
Thank you for watching. Here is the link where I bought it from www.amazon.co.uk/MEEDEN-Porcelain-Watercolor-Painting-Rectangle/dp/B07Z5SKC24?pd_rd_w=E2P2X&content-id=amzn1.sym.38f90169-67d8-49b7-8ef1-61bdff262c06&pf_rd_p=38f90169-67d8-49b7-8ef1-61bdff262c06&pf_rd_r=D92ZTHXVSMK8SHTWRJA1&pd_rd_wg=F222B&pd_rd_r=1717f7e9-8ad2-4e0f-8795-4b771fef54bb&pd_rd_i=B07Z5SKC24&psc=1&ref_=pd_basp_bia_rpt_ba_s_1_sc
How much time you took to make it
Nuostabu â€â€
idk how to paint the seeds, the form is so random
Where to finda a palet like this ?
On amazon called MEEDEN Ceramic artist paint palette
Sheet name please
Hi and thank you for sharing in this video your creative process.
I've found on your patreon a list of the colours that you use in this palette and I ;ve noticed that you use some not so permanent and lightfast colours.
I don't know if you are aware that the W&N Aureline that you use for mixing your greens is made by the PY40 pigment that is not particular lightfast and has the tendency to turn brown in the long run.
Same low lightfast rating has the Alizarin Crimson that you've included in your colour selection that is made by the PR83 pigment . This will fade no matter how you store your paintings because it is not only affected by light but also by the atmosphere's oxygen.
So it should be wise to replace these two colours with some more permanent and lightfast alternatives as these two colours will literally destroy in the long run your otherwise fantastic illustrations.
Good to know. What colors would you replace those 2 colors with?
@@willowbranch5237 From W&N try the Transparent Yellow that is a PY150 and for a substitute of the original Alizarin Crimson try the Winsor Red Deep that is a PR264 or the Permanent Carmine that is a PV19. The Winsor Red is slightly deeper the Permanent Carmine is slightly pinkyer in its washes. But they are both lightfast.
Another fantastic yellow for mixing greens is the Green Gold that is a PY129. It looks a bit dirty in the pan, dark and grayish but when you dilute it and mix it with blues it gives fantastic greens.
And another colour that I would suggest to consider is the Transparent Yellow Medium from Rembrandt ( Talens) that is a PY128. This is fantastic yellow because it stands somewhere between the Lemon and the warmer yellows like the PY150 and it is very versatile.
Thank you SO much for your generous response!†I will try these alternatives.
@@willowbranch5237 You are very welcome. :)