This music has demands on fingering so far from fx Beethovens sonatas, and if you played this at age 14 you have learned to "navigate" the keys in a way which will help you in most other music. You may need to learn som presto things, too quite another "ball game".
This is an excellent harpsichord, the performance outstanding in showcasing the counterpoint and rhythmic nicety; and what a prelude! what a fugue! I never understand what people mean who find Bach’s absolute music “emotionless “.
I've loved this incredible prelude and fugue for over 45 years now, and Bart Jacobs' performance is wonderfully intense...perfectly fitting for these two remarkable (once separate, but now forever adjoined) pieces. This harpsichord has a nice, warm quality to it, which works well with this masterpiece of Bachian counterpoint. Go listen to Jacobs' commentary about this piece...his knowledge and enthusiasm will impress you too, as his extremely musical playing always does. // NBS, never cease...ever.
Isn't it interesting that the harpsichord makes this much easier than a piano, even though with the piano there is control over each note's dynamic level.
Bach conceived of this music on the harpsichord and or organ, so it would makes sense it would sound best and clearest on these instruments. The nature of the rules of counterpoint, which he knew as well as anyone alive, make it such that the coutnerpoint is best rendered at all equal volumes per voice. That's why chessy MIDI bach actually sounds kind of good.
@@rdubb77 Exactly! And precisely my problem with piano renditions of Bach that utilize too much dynamic range, causing some of the voicing to be less clear.
My favorite Prelude and fugue in the collection. As a pianist, I always think of it slower but I bet this is more what Bach intended. The articulation and pace is transcendent. Bravo.
Bonjour. Bravo à l' interprète brillant dans cette œuvre d'une telle poésie, et d'une beauté du intense !!!! En plus le claveciniste a un beau visage. Que Dieu le bénisse ! Soli Deo Gloria Merci Très cordialement. Olivier
Wunderschöne und lyrische Aufführung dieses perfekt komponierten Meisterwerks im gut phrasierten Tempo mit schimmerndem Klang des ausgezeichneten Cembalos und mit perfekt kontrollierter Dynamik. Echt genialer Cembalist!
Musica lætitiæ comes medicina dolorum - Music is a companion to joy and a medicine for pains (I admit I had to check for the correct translation, my Latin is a bit rusty)
Lei é un ottimo cembalista , un musicista di spessore e il suo modo di unire il cuore alla maestria e alla complessità strutturale di bach la rendono un interprete eccellente. Complimenti!
An illuminating performance of a great piece. The tempo surprised me but really works, and all the detail makes sense - by comparison, it can be rather 'adrift' in piano versions of this prelude.
Hello from Canada. What a gift to listen to your wonderful playing while having my morning coffee. I predict a great day ahead. This has to be one of my favourite videos - I love the setting, the beautiful house, the ornate instrument, and your mastery of it. Bravo. I think I will hit replay! I visited the Netherlands with my parents ( my Mum was of Dutch descent) when I was studying in Germany predominantly, and this video made me homesick and nostalgic.
This reminds me the days 5 years ago while I was on the working holiday visa in Australia I drove through long ways across the dried grassy plain wilderness alone under the bright yet somehow boring Sun usually on the North side since it was Winter there...
It’s nice to see someone in these videos at the keyboard, whether organ, harpsichord, or piano, who can play masterfully without the silly affectation of an epileptic seizure.
bach take's a lot less physically (not emotionally lol) to play, so performers have more ability to focus on composing and controlling themselves. if you listen to someone like scriabin, say his op 8 or op 65 etudes, quite literally every single person performing them moves around like a madman, and why? because it's extremely fucking difficult, and you're not focusing on not swaying, you're focusing on playing the music. I get what you mean, and sometimes it's distracting, but if you really let that get in the way of a good performance I seriously feel you need to reevaluate music.
I *love* Leo van Doeselaar ! I´m a highly sensitive musician myself and letting all sorts of "silly" body reactions happen is key to my ability of playing actually beautiful and convincing music ! It´s not doing anything but letting go. You have to be very brave to show that - especially when your audience tends to see it as "affectation" ! : ))
Great performace, fantastic instrument and performer! The music of Bach sounds great on Harpsichord, but there is only one recording by the nederlands Bach sociaty on clavichord. I Think this a shame. But thank you for all the other great recordings! hope to see more in the future:)
Danger Russ I think music like the inventions was very much written for the clavichord, since the inventions where composed for Bachs sons and students. So, i believe the music was practiced in the home of Bach himself on clavichord and in the homes of the students. Thus the clavichord existed in nearly all layers of soicaty so much of the music must have been practiced and performed on clavichord.
Words fail. Such extraordinary works, so beautifully played. ... What temperament is the harpsichord in? I'll listen to Jacobs's interview, maybe the information is in there. If not maybe someone can post a comment here to tell us. Werkmeister III, IV? or...?
He's using "Bach: The Complete Piano Works (Samtliche Klavierwerke)" in 3 volumes (2002). If you watch the companion video to this where he's discussing the pieces at 6' you can see the three volumes.
The prelude is often played more slowly, wrongly in my opinion. I think the pace chosen here is correct. The opinion that you have to play slowly to be sensitive is not correct (at least I think so).
Marc Mari ce n'ai pas je n'aime plus, c'est tout le contraire j'aime toujours énormément le son, du Clavecin deux claviers il est magnifique après l'Orgue Hamont à deux, trois, claviers, ainsi que pédalier en fa. Mais cela ne m'empêche pas à apprécier, les grandes Orgues en Musiques baroques et classiques. Ainsi qu'à jouer sur mon clavier Korg PA 1000 arranger professionnel écran tactile androïde 61 touches en position Orgue églises ou cathédrale et aussi Korg Nautilus arranger professionnel écran tactile androïde de même 88 touches. Et autres comme Yamaha XXL Génos écran tactile androïde y a t'il en 88 touches ?. A+
Это музыка погребальная...Это музыка сьеденой роидами и инфернами белой расы славян, детей Господа....нечисть нас жрет тысячи лет..посмотрите Босха, славяне Бах и Моцарт...Паганини и Чайковский..все это погребальная музыка сьеденой расы славян..архитектура старых зданий это венки, урны и посмертные маски...ВЗЯЛ ЧУЖОЙ МОБ., Посмотрите В.Крымского и его шедевральные ролики про уличное графити и выставки каллиграфии, ВАШИ ПОДПИСИ В ДОКУМЕНТАХ ЭТО НЕ КАЛЯ-МАЛЯ, А ЭТО ПЕРЕПИСКА ИНФЕРНОВ, РОИДОВ И ПРОЧЕЙ НЕЧИСТИ...ПОСМОТРИТЕ ФИЛЬМЫ КРЫМСКОГО ,СЕРДЦА НЕ СУЩЕСТВУЕТ, ВЕДЬ В МАГАЗИННОЙ ГОВЯДИНЕ И СВИНИНЕ НЕТ ВЕН И АРТЕРИЙ ИЛИ СОСУДОВ ДО 40 ММ У КОРОВ И ДО 60 ММ У БЫКОВ, В МЯСЕ ДАЖЕ НЕТ КАППИЛЯРОВ...ОЦЕНИТЕ МАСШТАБЫ ЛЖИ И ОККУПАЦИИ....СРЕДИ ДВУНОГИХ, МЕНЕЕ 1 ПРОЦЕНТА - ЛЮДИ, ЧЕЛОВЕКИ...ДЕТИ ГОСПОДА, ОСТАЛЬНОЕ-НЕЧИСТЬ....ОНИ НАМИ ПИТАЮТСЯ , ВЕДЬ ВЫ НЕ МОЖЕТЕ УМЕРЕТЬ ОТ ИНСУЛЬТА ИЛИ ИНФАРКТА...ПОСМОТРИТЕ ЕГО РОЛИКИ ,ЯЙЦЕКЛЕТОК И СПЕРМАТОЗОИДОВ НЕ СУЩЕСТВУЕТ,....ВКЛЮЧАЙТЕ ГОЛОВУ....ВЕСЬ ЭТОТ СПЕКТАКЛЬ ДЛЯ ПОЖИРАЕМЫХ ИНФЕРНАМИ ДЕТЕЙ ГОСПОДА...ЧЕЛОВЕКОВ, ЛЮДЕЙ, ДЕТЕЙ ГОСПОДА ПОЧТИ НЕ ОСТАЛОСЬ....ТВАРНЫЕ БОГИ И ЛЮЦИФЕРНЫЕ АНГЕЛЫ И АРХАНГЕЛЫ , БЕСПОЛЫЕ СВЯТЫЕ ДУХИ НАС ЖРУТ С ТОНКОГО.ПЛАНА..ГОСПОДЬ И СЫН ЕГО ХРИСТОС , ОТЕЦ НЕБЕСНЫЙ, ЦАРИЦА НЕБЕСНАЯ НЕ МОГУТ НАМ ПОМОЧЬ НАПРЯМУЮ...ИДЕТ ВОЙНА ТЬМЫ И ЛЮБВИ....ЕСЛИ ВЫ СЛАБЫ, ВАМ ЗАКОН НЕ ПОМОЖЕТ...
Precisamente por eso hace una gran interpretación profundamente barroca. Se trata de una tonalidad muy oscura, intensa y apasionada (pero no romántica, en efecto) .
A million times more sensitive when it’s played properly at the right tempo, the prelude! Very slowly, unfortunately here the prelude has been annihilated! 👎👎👎
0:06 Prelude
02:35 Fugue
why is this 1 year ago
@@samaritan29 they probably uploaded and didn't make it public for whatever reason
This is my favourite Bach's prelude and fugue!!!! BRAVO!!!! GREAT!!!! PERFECT!!!! I am only 14 years old,but I can play it on my piano
Well, you're in for a wonderful life!
This music has demands on fingering so far from fx Beethovens sonatas, and if you played this at age 14 you have learned to "navigate" the keys in a way which will help you in most other music. You may need to learn som presto things, too quite another "ball game".
This is an excellent harpsichord, the performance outstanding in showcasing the counterpoint and rhythmic nicety; and what a prelude! what a fugue! I never understand what people mean who find Bach’s absolute music “emotionless “.
I've loved this incredible prelude and fugue for over 45 years now, and Bart Jacobs' performance is wonderfully intense...perfectly fitting for these two remarkable (once separate, but now forever adjoined) pieces. This harpsichord has a nice, warm quality to it, which works well with this masterpiece of Bachian counterpoint. Go listen to Jacobs' commentary about this piece...his knowledge and enthusiasm will impress you too, as his extremely musical playing always does. // NBS, never cease...ever.
Bach is played at his best when all the voices come out clearly like in this rendition.
Isn't it interesting that the harpsichord makes this much easier than a piano, even though with the piano there is control over each note's dynamic level.
@@fergusbyett8088 That's what surprised me.
Bach conceived of this music on the harpsichord and or organ, so it would makes sense it would sound best and clearest on these instruments. The nature of the rules of counterpoint, which he knew as well as anyone alive, make it such that the coutnerpoint is best rendered at all equal volumes per voice. That's why chessy MIDI bach actually sounds kind of good.
@@rdubb77 Exactly! And precisely my problem with piano renditions of Bach that utilize too much dynamic range, causing some of the voicing to be less clear.
Richter's recordings is the ultimate gift to the clarity of voices...
Thanks for great playing... singing... moving with a natural swing ... the harpsichord proves itself to be a perfect medium for the WTC!
One of the best of the 48 . A great performance at a quicker tempo with tasteful embellishments. I enjoyed it, thank you
My favorite Prelude and fugue in the collection. As a pianist, I always think of it slower but I bet this is more what Bach intended. The articulation and pace is transcendent. Bravo.
Thank you for this beautiful rendition! Your performance is so lovely that my two year old was soothed to sleep.
Bonjour. Bravo à l' interprète brillant dans cette œuvre d'une telle poésie, et d'une beauté du intense !!!! En plus le claveciniste a un beau visage. Que Dieu le bénisse ! Soli Deo Gloria
Merci Très cordialement. Olivier
Magnifique interprétation sur un clavecin flamand à la sonorité très claire faisant ressortir à merveille les voix... Bravo !
You just made my morning here in the states! Wonderful!
Wunderschöne und lyrische Aufführung dieses perfekt komponierten Meisterwerks im gut phrasierten Tempo mit schimmerndem Klang des ausgezeichneten Cembalos und mit perfekt kontrollierter Dynamik. Echt genialer Cembalist!
That prelude man it gives me goosebumps
Musica lætitiæ comes medicina dolorum - Music is a companion to joy and a medicine for pains
(I admit I had to check for the correct translation, my Latin is a bit rusty)
Maybe more true today than ever before?
Don't worry my friend, Latin is a rusty language anyway. We all thank you!
the Great Master would be pleased. very nice rendition in Eb m. thanks Bart. I Love J S Bach.
Great music, great performer, great instrument!
Lei é un ottimo cembalista , un musicista di spessore e il suo modo di unire il cuore alla maestria e alla complessità strutturale di bach la rendono un interprete eccellente. Complimenti!
Nada es mejor que comenzar un día con un desayuno y escuchando al maestro interpretado de manera magistral. ¡¡¡¡¡Muchas gracias!!!!!
wonderful piece and precious interpretation, I like Bach more every day.
An illuminating performance of a great piece. The tempo surprised me but really works, and all the detail makes sense - by comparison, it can be rather 'adrift' in piano versions of this prelude.
Thank you for playing BACH relaxing music.
Hello from Canada. What a gift to listen to your wonderful playing while having my morning coffee. I predict a great day ahead. This has to be one of my favourite videos - I love the setting, the beautiful house, the ornate instrument, and your mastery of it. Bravo. I think I will hit replay! I visited the Netherlands with my parents ( my Mum was of Dutch descent) when I was studying in Germany predominantly, and this video made me homesick and nostalgic.
Fun fact, this video has been recorded in Belgium...
Prof Sickbock Oh, where is that City? *lol*
C'est tellement bon d'ecouter du Bach .....C'est un plaisire coupable ..c'est le pure bonheure.....(merci Nederlands Bach society).....
Who could not love. Joyous J. S. Bach.
Love this........I am a big fan! Thanks for this whole series!!
Very nice. Wonderful music and the interpreter is very good, I like this version.
Sublime... Obrigada por compartilhar... ✨🎼✨🎼✨👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Glenn Gould and yours sons! WONDERFUL!
Jacobo tú ejecución es muy orgánica y Bella. GRACIAS MAESTRO
Congratulation for your performance!! It's so clear,balanced...and with the best rendition of the dotted rhythm in the prelude!!
This reminds me the days 5 years ago while I was on the working holiday visa in Australia I drove through long ways across the dried grassy plain wilderness alone under the bright yet somehow boring Sun usually on the North side since it was Winter there...
So beautiful
Beautiful playing🍃thank's
Beautifully executed. Thank you.
Great performance on a well sounding Instrument. Many thanks! 🙏
It’s nice to see someone in these videos at the keyboard, whether organ, harpsichord, or piano, who can play masterfully without the silly affectation of an epileptic seizure.
bach take's a lot less physically (not emotionally lol) to play, so performers have more ability to focus on composing and controlling themselves. if you listen to someone like scriabin, say his op 8 or op 65 etudes, quite literally every single person performing them moves around like a madman, and why? because it's extremely fucking difficult, and you're not focusing on not swaying, you're focusing on playing the music. I get what you mean, and sometimes it's distracting, but if you really let that get in the way of a good performance I seriously feel you need to reevaluate music.
I *love* Leo van Doeselaar ! I´m a highly sensitive musician myself and letting all sorts of "silly"
body reactions happen is key to my ability of playing actually beautiful and convincing music !
It´s not doing anything but letting go. You have to be very brave to show that - especially when
your audience tends to see it as "affectation" ! : ))
Andrea Mundt Team Leo!!! He is such a treat to watch/listen to!!!
Thank you for sharing with all of us
Questa interpretazione mi rende felice è molto bella e per me davvero “ giusta “ , se questo si può dire
Splendid !
Very beautiful
"I ♥ PAPA" in the background tho ;__;
Lyle Waller “though”
never heard this prelude played so fast, still awesome though. great job.
Thanks!
Precise tempo! 😯
c'est beau comme la vie ......il faut de la vie pour avoire du plaisire de bach.......Plaisire pour vous !!
Nice indeed! Thanks
Great performace, fantastic instrument and performer!
The music of Bach sounds great on Harpsichord, but there is only one recording by the nederlands Bach sociaty on clavichord. I Think this a shame. But thank you for all the other great recordings! hope to see more in the future:)
Its a matter of taste... I prefer the harpsichord
The inventions, sinfonias, and the WTC were written for harpsichord primarily.
Danger Russ I think music like the inventions was very much written for the clavichord, since the inventions where composed for Bachs sons and students. So, i believe the music was practiced in the home of Bach himself on clavichord and in the homes of the students. Thus the clavichord existed in nearly all layers of soicaty so much of the music must have been practiced and performed on clavichord.
Excelente!!!!
Words fail. Such extraordinary works, so beautifully played. ... What temperament is the harpsichord in? I'll listen to Jacobs's interview, maybe the information is in there. If not maybe someone can post a comment here to tell us. Werkmeister III, IV? or...?
BRAVO
Belíssimo
it's the great bach
The fugue sounds quite good played by a trio of viols (treble, tenor and bass).
Perfect accuracy :-)
So beautiful ty
The sentence in the lid of the harpsichord is the same as in Vermeer's 'Music Lesson'
Bravo!!
Prelude is a little fast, but it’s beautiful anyway. Congrats!
I think that tempo flows so nicely!
Wundervoll!!!
Really nice! What's the score book? I don't think I've seen anything like that before.
He's using "Bach: The Complete Piano Works (Samtliche Klavierwerke)" in 3 volumes (2002). If you watch the companion video to this where he's discussing the pieces at 6' you can see the three volumes.
What a a luck to have a harpsichord am home!!!!
Magisch!
Dievinu Bacho muziką🙏
great articulation - sounds as about d minor per today's pitch or timeline stretched? interesting
Baroque Eb minor = Modern D minor
That sustain is something else considering it's a harpsichord.
Has anyone else come here after watching "la silence de la mer" (1949) ?
I agree. Romantisation is unneccessary.
0:49 is that a mistake...? It wouldn't be an appoggiatura right? a major chord with a flattened 2nd doesn't make sense
Meraviglia.
Duc in altum.
To trust those words you must be really brave.
👏👏👏👏👏👏👏👏
Sta alla musica come una foca sta al volo planato
The prelude is often played more slowly, wrongly in my opinion. I think the pace chosen here is correct. The opinion that you have to play slowly to be sensitive is not correct (at least I think so).
👌🔝🏆👏👏👏👏👏👏👏👏👏👏
👍👼😇👼
Marc Mari ce n'ai pas je n'aime plus, c'est tout le contraire j'aime toujours énormément le son, du Clavecin deux claviers il est magnifique après l'Orgue Hamont à deux, trois, claviers, ainsi que pédalier en fa. Mais cela ne m'empêche pas à apprécier, les grandes Orgues en Musiques baroques et classiques. Ainsi qu'à jouer sur mon clavier Korg PA 1000 arranger professionnel écran tactile androïde 61 touches en position Orgue églises ou cathédrale et aussi Korg Nautilus arranger professionnel écran tactile androïde de même 88 touches. Et autres comme Yamaha XXL Génos écran tactile androïde y a t'il en 88 touches ?. A+
Мелодические ходы в Прелюдии в столь торопливом темпе необоснованы, чужды и неестевствены ее среде и метру, не успевают расскрыться и "заиграть"
Это музыка погребальная...Это музыка сьеденой роидами и инфернами белой расы славян, детей Господа....нечисть нас жрет тысячи лет..посмотрите Босха, славяне Бах и Моцарт...Паганини и Чайковский..все это погребальная музыка сьеденой расы славян..архитектура старых зданий это венки, урны и посмертные маски...ВЗЯЛ ЧУЖОЙ МОБ., Посмотрите В.Крымского и его шедевральные ролики про уличное графити и выставки каллиграфии, ВАШИ ПОДПИСИ В ДОКУМЕНТАХ ЭТО НЕ КАЛЯ-МАЛЯ, А ЭТО ПЕРЕПИСКА ИНФЕРНОВ, РОИДОВ И ПРОЧЕЙ НЕЧИСТИ...ПОСМОТРИТЕ ФИЛЬМЫ КРЫМСКОГО ,СЕРДЦА НЕ СУЩЕСТВУЕТ, ВЕДЬ В МАГАЗИННОЙ ГОВЯДИНЕ И СВИНИНЕ НЕТ ВЕН И АРТЕРИЙ ИЛИ СОСУДОВ ДО 40 ММ У КОРОВ И ДО 60 ММ У БЫКОВ, В МЯСЕ ДАЖЕ НЕТ КАППИЛЯРОВ...ОЦЕНИТЕ МАСШТАБЫ ЛЖИ И ОККУПАЦИИ....СРЕДИ ДВУНОГИХ, МЕНЕЕ 1 ПРОЦЕНТА - ЛЮДИ, ЧЕЛОВЕКИ...ДЕТИ ГОСПОДА, ОСТАЛЬНОЕ-НЕЧИСТЬ....ОНИ НАМИ ПИТАЮТСЯ , ВЕДЬ ВЫ НЕ МОЖЕТЕ УМЕРЕТЬ ОТ ИНСУЛЬТА ИЛИ ИНФАРКТА...ПОСМОТРИТЕ ЕГО РОЛИКИ ,ЯЙЦЕКЛЕТОК И СПЕРМАТОЗОИДОВ НЕ СУЩЕСТВУЕТ,....ВКЛЮЧАЙТЕ ГОЛОВУ....ВЕСЬ ЭТОТ СПЕКТАКЛЬ ДЛЯ ПОЖИРАЕМЫХ ИНФЕРНАМИ ДЕТЕЙ ГОСПОДА...ЧЕЛОВЕКОВ, ЛЮДЕЙ, ДЕТЕЙ ГОСПОДА ПОЧТИ НЕ ОСТАЛОСЬ....ТВАРНЫЕ БОГИ И ЛЮЦИФЕРНЫЕ АНГЕЛЫ И АРХАНГЕЛЫ , БЕСПОЛЫЕ СВЯТЫЕ ДУХИ НАС ЖРУТ С ТОНКОГО.ПЛАНА..ГОСПОДЬ И СЫН ЕГО ХРИСТОС , ОТЕЦ НЕБЕСНЫЙ, ЦАРИЦА НЕБЕСНАЯ НЕ МОГУТ НАМ ПОМОЧЬ НАПРЯМУЮ...ИДЕТ ВОЙНА ТЬМЫ И ЛЮБВИ....ЕСЛИ ВЫ СЛАБЫ, ВАМ ЗАКОН НЕ ПОМОЖЕТ...
good execution but a little stiff and not very rounded in the phrasing
No es una obra romantica. Es un preludio y fuga no un nocturno de chopin...
Precisamente por eso hace una gran interpretación profundamente barroca. Se trata de una tonalidad muy oscura, intensa y apasionada (pero no romántica, en efecto) .
@@patriciarodriguezmartinez3233 sisi todo lo contrario a la musica barroca
Y ?
A million times more sensitive when it’s played properly at the right tempo, the prelude! Very slowly, unfortunately here the prelude has been annihilated! 👎👎👎
Let us know when Bach tells you what the proper tempo is.