Wilhelmine von Bayreuth (1709-1758) - Concerto Ăą Cembalo Obligato
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Composer: Wilhelmine von Bayreuth (1709-1758)
Work: Concerto (g-moll) Ăą Cembalo Obligato [Historical recording]
Performers: Hilde Langfort (cembalo); Austrian Tonkuenstler Orchestra; Dietfried BДrnДt (1940-2011, conductor)
Drawing: Basset (18th Century) - Gezicht op het paleis van de markgraaf van Bayreuth te Erlang
HD image: flic.kr/p/2ntBBHq
Painting: Antoine Pesne (1683-1757) - Wilhelmine von PreuĂen (c.1725)
HD image: flic.kr/p/2hoduas
Further info: imslp.org/wiki/Category:Von_B...
Listen free: No available
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Friederike Sophie Wilhelmine von PreuĂen [Brandenburg-Bayreuth]
(Berlin, 3 July 1709 - Bayreuth, 14 October 1758)
German princess and composer. She was the eldest daughter of Frederick William I of Prussia and Sophia Dorothea of Hanover, and granddaughter of George I of Great Britain. Born in Berlin, she shared the unhappy childhood of her brother, Frederick the Great, whose friend and confidante she remained all her life, with the exception of one short interval. She was fiercely beaten and abused by her governess during her childhood. Wilhelmine later wrote: "Not a day passed that she [the governess] did not prove upon me the fearful power of her fists." The mistreatment continued until the prince's governess finally said to their mother, who had been oblivious to the abuse, that she would not be surprised if Wilhelmine was eventually beaten until she was crippled. After this, the governess was promptly replaced. Being the eldest daughter in her family, she was early the target of discussions about political marriages. Her mother, Queen Sophia Dorothea, wished her to marry her nephew Frederick, Prince of Wales, but on the British side there was no inclination to make an offer of marriage except in exchange for substantial concessions that Wilhelmine's father would not accept. The fruitless intrigues carried on by Sophia Dorothea to bring about this match played a large part in Wilhelmine's early life. Her father, on the other hand, preferred a match with the House of Habsburg. Wilhelmine was eventually married in 1731 to her Hohenzollern kinsman, Frederick, Margrave of Brandenburg-Bayreuth. Frederick had been engaged to Wilhelmine's younger sister, Sophie, but at the last moment King Frederick William I decided to replace her with Wilhelmine. The groom was not consulted in this decision. When Wilhelmine's spouse came into his inheritance in 1735, the pair set about making Bayreuth a miniature Versailles. The so-called Bayreuth Rococo style of architecture is renowned even today.
The pair also founded the University of Erlangen. All of these ambitious undertakings pushed the court to the verge of bankruptcy. The margravine made Bayreuth one of the chief intellectual centers of the Holy Roman Empire, surrounding herself with a court of wits and artists that accrued added prestige from the occasional visits of Voltaire and Frederick the Great. Wilhelmine's brother Frederick granted her an allowance in exchange for troops, following the same procedure with her sisters. With the outbreak of the Seven Years' War, Wilhelmine's interests shifted from dilettantism to diplomacy. Austrian diplomats were trying to influence the court of Bayreuth to take their side against Prussia. In September 1745, during the Silesian war, Wilhelmine met with Maria Theresa of Austria. This almost destroyed her intimate relationship with her brother. In 1750 Wilhelmine visited the Prussian court for several weeks and met famous contemporaries such as Voltaire, Maupertuis and La Mettrie. In June 1754, the siblings met for the last time, after which Frederick swore her his eternal loyalty. She acted as eyes and ears for her brother in southern Germany until her death at Bayreuth on 14 October 1758, the day of Frederick's defeat by the Austrian forces of Leopold Josef Graf Daun at the Battle of Hochkirch. Although Frederick had lost many friends and family to death throughout his life, Wilhelmine's hit him the hardest. He suffered from severe illness for a week following news of Wilhelmine's death and fell into a depression from which he never fully recovered. On the tenth anniversary of her death, her devastated brother had the Temple of Friendship built at Sanssouci in her memory. In addition to her other accomplishments, Wilhelmine was also a gifted composer and supporter of music. She was a lutenist, a student of Sylvius Leopold Weiss, and the employer of Bernhard Joachim Hagen. - Hudba
The best version, with this charming flute.â€
One of my top favorite harpsichord works. Lovely rendition, too! Happy Birthday to Princess Friederike Sophie Wilhelmine
Ja es erinnert mich an Bach seine Konzerte fĂŒr Cembalo,ich kann mich auch tĂ€uschen.Es grĂŒĂt euch alle Musiziernden, Dirigent ebenso auch Pau NG mit freundlichen GrĂŒĂen von JoachimEhlers aus Schallstadt sĂŒdlich von Freiburg
đčDas ist ein Juwel !!!đčđđđđđHerzlichen Dank, Herr Pau NG fĂŒr das Posten und Hochladen eines so groĂartigen Musik funktioniert! đŒđTOLLE Werk! đđ»đșđčđčđđ·đâđâđâđ
Linee morbide e graziose quelle della nostra Guglielmina! Grazie per aver aggiunto una nuova tessera alla conoscenza della musica galante!
Thanks van Pau NG for this wonderful post. As is often the case with female composers throughout history, Wilhelmine's works were not collected. Most of her operas and other compositions (cantatas, concertos, sonatas) have been lost; very little has been preserved. Only one opera has been preserved: "L'Argenore", Tragedia, 1740. I often listen to it, it's excellent! As a patron of the arts, composer and opera director, she shaped the cultural life of the city of Bayreuth to a significant extent to this day. The Margrave Opera House in Bayreuth, which she built, was declared a world heritage site by UNESCO in 2012. The Margrave Opera House in Bayreuth, Bavaria, is the only example of a completely preserved type of Baroque opera house where around 500 visitors could enjoy Baroque court opera culture and acoustics. This masterpiece of baroque theater architecture, built between 1745 and 1750, still has the original decorations and materials in its auditorium, i.e. wood and canvas, as well as the original, 25-meter long, wooden roof.
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From the first notes I distinctly heard CPE Bach who nonetheless was a bit younger than Wilhelmine. It may therefore be a mere coincidence to the merit of Wilhelmine.
However the quality if this piece is comparable with CPE average music that is a strong compliment for this unjustly forgotten composer
Gracias, Pau. Buena y palaciega mĂșsica, e interesantĂsima Guillermina y sus familiares. HabĂa un cd con este concierto y 4 arias de "Argenore", y lo he encargado. Leer sus memorias tambiĂ©n estarĂa muy bien. A veces compro mĂșsica y libros como recordatorio y por si en algĂșn momento me pueden ser Ăștiles. Pero no tenemos vida para tanto.
Gracias
MagnĂfico!
Ăltimos gitos de un barroco que se ha hecho mĂĄs cantabile y menos grave. Casi nace el Clasicismo! Un derroche de belleza hecho notas musicales que se engrandecen al ser escritas por una mujer y princesa a la vez. Espero poder escuchar mĂĄs de su obra y talento.
Boa noite a todos. Também notei leveza e delicadeza nessas obras e me lembrei: serå que é porque foi escrito por uma dama? seja o que for foi uma agradåvel surpresa e também quero ouvir mais. Nada tenho contra outros compositores pois acho que cada um tem seu valor; uns com leveza e outros com polifonia e todos nos trazem algo de bom. Forte abraço do Brasil a todos.
This cembalo concerto in G minor is similar to Matthias Georg Monn's cello concerto in G minor and cembalo concerto in D major, eight years younger, and I think it is no exaggeration to say that it is a pre-classical style.
In particular, M.G.Monn's cello concerto in G minor seems to have a very similar atmosphere, although the solo instruments are different.
Un placer escucharla
Las mujeres tambien escribieron muy buena mĂșsica!
Pau, thank you so much! Could you tell me , is this the same concert czcams.com/video/SzXKjGLM07k/video.html ? I just wonder why other versions donât contain flute? With flute it sounds more beautiful)
Yes the same one. The flute is probably ad libitum. This version is from an old recording.
The musician royals may be better than royal musicians at times...
Circumflex on the Ăą?
Indeed: opac.rism.info/search?id=451506117&View=rism
Wilhilmine's short life was not entirely happy, but was no doubt better than thousands, or hundreds of thousands, of her subjects'. I'm glad to have been born in the twentieth century.