Hard to say if it's the most epic.. There are numerous media with great score composed for them, each one fits different gap and aims at different feelings. Nevertheless, Transformers: Prime's score is great.. despite its flaws, I mean due to relatively small budget music editors were forced to recycle existing tracks pretty often. The fact that they had access to all splited audio tracks, each one with different type of instruments: eg brass, strings, percussion, chorus, some electric noises etc, allowed them to achieve more variety. However, that does not change the fact that even in Darkness Rising miniseries (which has the greatest amount of tracks composed for it), you could hear some cues being recycled and reused.. mainly the action ones. Almost whole music material used in Season 3 is recycled from Season 2. Including majority of Deadlock finale. Before Optimus' rage caused by Bee's death, every single used there was composed for Season 2. Despite that, I gotta say that the way how Tyler operated those instruments, allowed him to create something wonderful. Imagine only if they had more money and time to let Tyler write new themes, new cues to fill more space. I guess we would have gotten something as good as Jablonsky's score for the very first live action TF movie. Due to time and budget as well as his talent, TF (2007) received a great score which in most cases is very well synchronized to what happens on-screen. Although, some of those themes seem to be pretty.. boring, monotonic - I'm thinking of the Decepticon theme which is the base for majority of action cues for the movie. It ain't bad, I get the idea of that theme with the syllables coming from the names of Con cast. For me, Brian Tyler did better job when it comes to action tracks as well as Con theme. When it comes to emotional tracks, those more melodic ones, heroic ones.. both of them are great in their own ways. Certainly Jablonsky wrote more such themes.. Autobot/Heroic, Autobots & Humans, Autobots & Earth, AllSpark, Optimus, Journey, Heroism.. Brian Tyler's emotional tracks are mostly based on the main Autobot/Heroic theme (I don't remember whether A or B theme was used more often) By the way.. imho it's harder to appreciate the work of Brian Tyler since we obviously don't have official release off its full work with cues released just as Tyler wrote them. Listening to mixed, shortened or looped edits is certainly worse experience. To sum up, due to time and more developed themes I find 2007's score as better one, however.. I find TFP score as better than scores for DOTM, AOE or TLK (and obviously Bee movie).. and I honestly prefer it little bit more than ROTF score, but all those 3 - 2007, TFP and ROTF - are my fav ones
Note: I apologize for possible mistakes made in writing the text, I've always sucked at creating longer statements even if I pay attention to re-reading the text.
Don't worry he'll do everything. But that cue is only used 2 times and both are sfx heavy. But his goal is to upload most if the unreleased tracks as it would appear on a official soundtrack album, so I'm sure he will upload it some time in the future. For now we just gotta wait :)
Optimus prime:we must never lose sight of the fact that upon this earth we are titans and such power must be used wisely
*Star saber glows*
Transformers prime has the most epic music ever
Hard to say if it's the most epic.. There are numerous media with great score composed for them, each one fits different gap and aims at different feelings.
Nevertheless, Transformers: Prime's score is great..
despite its flaws, I mean due to relatively small budget music editors were forced to recycle existing tracks pretty often. The fact that they had access to all splited audio tracks, each one with different type of instruments: eg brass, strings, percussion, chorus, some electric noises etc, allowed them to achieve more variety.
However, that does not change the fact that even in Darkness Rising miniseries (which has the greatest amount of tracks composed for it), you could hear some cues being recycled and reused.. mainly the action ones.
Almost whole music material used in Season 3 is recycled from Season 2. Including majority of Deadlock finale. Before Optimus' rage caused by Bee's death, every single used there was composed for Season 2.
Despite that, I gotta say that the way how Tyler operated those instruments, allowed him to create something wonderful.
Imagine only if they had more money and time to let Tyler write new themes, new cues to fill more space.
I guess we would have gotten something as good as Jablonsky's score for the very first live action TF movie.
Due to time and budget as well as his talent, TF (2007) received a great score which in most cases is very well synchronized to what happens on-screen.
Although, some of those themes seem to be pretty.. boring, monotonic - I'm thinking of the Decepticon theme which is the base for majority of action cues for the movie. It ain't bad, I get the idea of that theme with the syllables coming from the names of Con cast.
For me, Brian Tyler did better job when it comes to action tracks as well as Con theme.
When it comes to emotional tracks, those more melodic ones, heroic ones.. both of them are great in their own ways. Certainly Jablonsky wrote more such themes.. Autobot/Heroic, Autobots & Humans, Autobots & Earth, AllSpark, Optimus, Journey, Heroism..
Brian Tyler's emotional tracks are mostly based on the main Autobot/Heroic theme (I don't remember whether A or B theme was used more often)
By the way.. imho it's harder to appreciate the work of Brian Tyler since we obviously don't have official release off its full work with cues released just as Tyler wrote them. Listening to mixed, shortened or looped edits is certainly worse experience.
To sum up, due to time and more developed themes I find 2007's score as better one, however.. I find TFP score as better than scores for DOTM, AOE or TLK (and obviously Bee movie).. and I honestly prefer it little bit more than ROTF score, but all those 3 - 2007, TFP and ROTF - are my fav ones
Note: I apologize for possible mistakes made in writing the text, I've always sucked at creating longer statements even if I pay attention to re-reading the text.
ApacheCantFly that’s a lot damn, slow down man lmao, just my opinion I forgot to mention
I know right, wasn't about to attack you or anything like that
Ratchet: Optimus speak to me, Optimus?
Optimus Prime: reciving a message.
Ratchet: From who?
Optimus Prime: Alpha trion
Always love it when we get these uploads. Brilliant stuff.
I always adore these type of osts. Well done!.
:o mystical
I have been waiting for this come out I love this!!
Yes!!! Thank you so much. It’s so beautiful ❤️❤️
Thanks for uploading this bro was looking for this bit
I hope it can one day be released officially
Finally
Thank you so much
For a long time I’ve been trying to find it then now I remembered to search for it and you found the missing puzzle piece
Thanks for uploading this man, subbed
Can you do the Vector Sigma/Forge of Solus Prime on Optmus cue.
Don't worry he'll do everything. But that cue is only used 2 times and both are sfx heavy. But his goal is to upload most if the unreleased tracks as it would appear on a official soundtrack album, so I'm sure he will upload it some time in the future. For now we just gotta wait :)
1 dislike maybe starscream
I'd say Megatron
Or unicron
Or knock out. We know he's a very modern decepticon
Yes
Super
😭😭😭😭😭😭😭😭😭😭😭😭