Nayan bhora jol নয়ন ভরা জল | Kazi Nazrul Islam | Mohit Khan

#bengaljukebox
Nazrul Sangeet
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To celebrate 50 years of Bangladesh’s independence, Bengal Foundation organised Srijone O Shekore, a 5-day arts festival, from 14 to 18 December 2021, at Bengal Shilpalay, Dhaka. Supported by BRAC Bank, the festival featured performing arts, visual art, crafts, books, film, readings, and events for children. Over 300 singers-musicians-dancers-craftspersons-artists performed on stage and engaged in various kinds of programming at the festival, over the five days.
Nayan bhora jol is a widely performed love song composed by Kazi Nazrul Islam, in which a delicate imagery of love, loss and longing is portrayed. A rendition of the song was presented by emerging artist Mohit Khan at Ganer Jhornatolay on the fourth day of the Srijone O Shekore arts festival. The artist was accompanied on stage by Iftekhar Alam Prodhan on the Tabla, Asit Biswas in the Esraj, Nasir Uddin in the Guitar, and Binod Roy in the Keyboard.
Born to a musically inclined family in Madaripur, Mohit, the youngest of five siblings, was initiated into music by his sisters who were proficient singers. His first teacher was Millat Hossain, of the Zilla Shilpakala Acadmey in Madaripur. He later trained in classical music under the guidance of Asit De and took lessons extensively in Nazrul Sangeet from Khairul Anam Shakil. Mohit earned several gold medals in school-level national competitions. A high-scorer in reality shows and music competitions, Mohit completed a course in Nazrul Sangeet from Chhayanaut with top honours. He is currently teaching at Chayyanut and is a regular performer on television and radio.
The composer-poet Kazi Nazrul Islam (25th May 1899 - 29th August 1976) emerged from the Bengal Renaissance of the 19th century, a period that saw a unique blend of religious and social reformers, patriots, scientists, literary giants and cultural activists. This was the time when great Bengali composer-poets, Rabindranath Tagore, Kazi Nazrul Islam, Atul Prasad Sen, Rajanikanta Sen and Dwijendralal Roy, flowered as Pancha-kobi (penta-poets).
Within the short span of Nazrul’s creative life (in 1941 he lost his speech and memory to disease), he had composed four thousand songs apart from other literary and journalistic works. His songs changed from the rebellious to religious explorations at a later stage. He delved deep in both Hindu and Islamic practices and extensively composed over five hundred devotional songs. Nazrul was an expert in Hindustani classical music, and created over a dozen new ragas. His determinedly anti-fundamentalist and astonishingly inclusive writings, his repeated imprisonment for his outspoken criticism of British imperialism, and the depth of his cultural explorations once inspired entire generations of revolutionaries, including freedom fighters in both India and Bangladesh. His message remains as relevant today as it was all decades ago.
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Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival. Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.
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