How to memorize the triads (chords) of a major key (FREE PDF)
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- čas přidán 5. 09. 2024
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Part of "growing" in confidence as a musician is realizing that allowing our teachers/ mentors to demonstrate fundamental concepts for those who may need it without this need "to prove our own musicality" is essential!!!🤔 It took me awhile to figure that out quite honestly....but I have.. Namaste Ash 🙏🙏🙏
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The triads built into the melody of the greig concerto - so simple and yet so beautiful.
i love the rhythmic implications of paying 3 over 4 and there's so many ways to play those 3 notes, it's fun to play over a rhythm and experiment with phrasing, note duration, rubato, the duration of how long you hold one note vs another, where you are putting the accent in the measure shouldn't always be on the 1, varying note speed, clusters of notes in spurts, play 5 notes then play 7 notes over 4 curious sound, and feeling the backbeat - just some ideas i like to play around with sometimes i pick up my violin but mostly piano practice
I spend alot of time breaking modes into triads and penatonics then changing the chord and trying to make it sound melodic, creative scale practice is the majority of what I do with my instrument, when the chord changes it's fun to experiment with using altered scales or major minor or just the penatonic shape and adding passing tones - a concept I call fill in the blanks
but as far as trying to be melodic triad is the best and most basic tool you have to build melodies with, ive been experimenting with bi tonal triad pairs, i think most modern music uses polytonal chords and experienced jazz musicians substitute these concepts into their improvisation along with the concept of tension and resolution
even if youre only playing over 2 chords modulating the key can keep things interesting, brahms was a traditionalist but in a progressive way how clever he would modulate
sometimes it's better to work with 4 chords at a time i would suggest autumn leaves is the first jazz standard i ever learned - the first 4 chords are a diatonc 2 5 1 4 a pattern moving in 4ths, this pattern can be heard in may composers including bach, the point isnt playing autumn leaves the point is practicing patterns moving in 4ths
miroirs by ravel is absolutely stunning I remember how stunned I was the first time I heard it, so nice to hear you play it - his harmony is exquisite by far the finest music with the sharp 5 interval for me combined with le tombeau de couperin that he wrote, herbie hancock talks about ravel, i think for most people after you play beethoven and mozart ravel is like a breath of fresh air
ravel knew gershwin so there is jazz in his sound, they admired each other
did you know andre previn can play jazz and classical piano > have you heard his music, i think the most modern music is a blend of jazz and classical maybe
well that and I am partially self taught so i may be guilty of reinventing the wheel
This was very helpful could you make a video about how to do this in minor keys?
every major has a relative minor, the same formulas are used to build triads, you just start on the 6 which is down a minor 3rd - the notes are the same as major youre just starting on a different note
the relative minor of c major is a minor for example
c d e f g a b
a b c d e f g
so your triads are
a c e
b d f
c e g etc
Plz make a video on how to remember the song or music piece which we learn by ear or by notation for a longer period of time. There are thousands of songs .Everyday I learnt alteast 2 songs after few days I forgot the song. I can't play with original tempo then.
Here you go!
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