Sandrine Piau as Handel's Alcina - Ah! Mio cor - Les Talens Lyriques
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- čas přidán 10. 02. 2015
- With special thanks to the great OEDIPUS COLONEUS who I took this part of the production from, in order to highlight this ground- and heartbreaking performance of Sandrine Piau who I adore, and to MEZZO who kindly recorded and broadcast it live from La Monnaie in 2015. *** Dear COPYRIGHT HOLDER, if you have any problems with this being on CZcams, please contact me, and I will remove it immediately. Thank you!
Alcina: Sandrine Piau
Ruggiero: Maite Beaumont
Bradamante: Angelique Noldus
Morgana: Sabina Puértolas
Oberto: Chloe Briot
Oronte: Daniel Behle
Melisso: Giovanni Furlanetto
Astolfo: Edouard Higuet
Les Talens Lyriques, conducted by Christophe Rousset
Pierre Audi (stage direction)
Patrick Kinmonth (set and costumes)
Matthew Richardson (lighting) - Hudba
Haendel est véritablement le plus grand compositeur d'opéras. Ses arias atteignent une intensité dramatique inégalée. Verdi et Puccini font pâle figure à côté. Ce n'est que mon avis.
Déchirante expression de la souffrance amoureuse, totalement incarnée. Merci pour cet air magnifique
Bonjour ce morceau est extrêmement émouvant Haendel traduit bien le désarroi le désespoir c’était un magnifique bravo
This is the best version of the best aria I've ever heard. It's a perfect expression.
Es ist sehr schön und ausdrucksvoll gesungen, ob es die beste Version ist, kann ich nicht bestimmen- je nach Stimmung, höre ich auch gerne Patricia, Sabine, Sonja ❤❤❤
j en pleure à chaque écoute. ..
Si la Petibon nous avez renversé à Aix
à Bruxelles la Piau nous a teleporte....
dans une autre dimension .....
What a heart wrenching, dramatic performance !! the greatest Alcina ever. Always loved Sandrin Piau in EVERTHING she does but what a great singing this is !! Such a refined, intelligent, beautiful and dramatic rendition. This most beautiful of all aria is also most taxing, difficult, long aria as well. What she accomplished here is a monumental task equal to the legendary Maria Callas singing "Visi d'Arte" in Tosca. This is only third time I cried listening the music or watching the opera performance during my long years music listening. Bach "Erbarme dich, mein Got" violin intro, Philippe Jaroussky singing "Cum dederit ..." and this. Thank you from the bottom of my heart, Sandrin.
Her version of Cum Dederit (recorded for the documentary "Home") made me tear up ...
oh, you too cried? What kind of time is this? "The most tender heart was given to man by nature once endowed him with tears ..."
Like "Callas"??!!!!!don't know wether I should laugh or cry
All in all the best performance.I have heard a few interpretations of this aria.
Sandrine is perfect. There is emotion but not overdone. The high notes are perfect.
No pushed notes for dramatic effect.
I was there - on the back row, surrounded by cameras. I will remember it for ever. The central climax of the greatest opera, performed with so much power and emotion that it completely wrecked me. Sandrine Piau is amazing!
I'm speechless in front of so much beauty! I didn't know sandrine piau could be so dramatic, the best rendition of this aria i've heard so far .
gerard barbier Piau’s version is sublime. Have you heard Arleen Auger’s version?.. different, but equally, if not more impressive despite imperfections.
She’s really stunning.
The intensity is overwhelming. Tears
Impossible après ça d’écouter une autre version!
Magnifique! Un da capo si intelligent!
Una de las interpretaciones más gloriosas en la historia de la ópera. Supera todos los prototipos de la belleza y la tragedia.
I am not usually a fan of Baroque opera, but dear god, she converted me. Exquisite intensity and tension interplay. *chills*
Wish I could have seen the whole opera. Sandrine certainly makes a dramatic statement. She is one of my favorites.
Devastatingly heart-wrenching....absolutely superb, technically perfect and emotionally shattering
❤❤❤
Sublime! Extraordinaire Sandrine Piau!
Provavelmente o mais belo e mais longo grito de dor e de revolta de toda a música, aqui magnificamente interpretado por Sandrine Piau.
For sure, Haendel is not - so to speak - an innocent ground, and - for sure - Lorraine Hunt (Lieberson) was, may be, in all her modesty the female singer bringing a number of Haendel pieces to supreme expression, until her early death.
I hold in my CD stock Sandrine Piau with Christophe Rousset on Opera Seria, and already this (the first ten years) made you listen very carefully, with flowing emotion.The recording here goes beyond, being absolutely memorable. In a certain way, you could say that Lorraine Hunt (but in another way) is still between us. And, as to Sandrine Piau,French helps : Quelle maîtrise, et quelle émotion, et les deux à la fois. Une merveille !
Sublime singing and interpretation! Piau here reaches Sutherland's otherwordly beauty and sublime melancholy in singing this aria. Her voice still sounds so fresh, clear and luminous, and add to that a great expressivity.
Oh my god, are we really comparing Piau with Sutherland? 🥺
Великая музыка, великая певица, прекрасная режиссура
divino
Ora intendo perché l'arme vestì;
crudei, spergiuro!
di lui, di or farne vendetta io giuro.
Ah! mio cor! schernito sei!
Stelle! Dei!
Nume d'amore!
Traditore!
T'amo tanto;
puoi lasciarmi sola in pianto,
oh dei! perché?
Ma, che fa gemendo Alcina?
Son reina, è tempo ancora:
resti o mora,
peni sempre, o torni a me.
Make me cry...
Absolutely wonderful!
Perfect and Sublime.
Divine comme toujours!
Stunning performance.!!
Amazing, breathtaking, divine. Brava
I have listened to some other recordings of this aria, this is the best and most moving. Beautiful Sandrine.
Brava!
thanks for sharing this, we had seen it in the Brussels La Monnaie opera but are enchanted to enjoy these fragments again here! Very good orchestra under the direction of Christophe Rousset!
ულამაზესი არიის დიდებული შესრულება მეორე ნაწილის იმპროვიზაცია შეუდარებელია , ზღაპრულია
Я в восхищении!
So well done. Her attacks are the best I've ever heard. Brava.
la plus plus belle aria de Handel...le Dc est très beau
senza parole!
Incroyable
exquisite
muchas gracias''
MERCI pour la traduction !
What a cast......
We owe a hug debt to the late Australian Dame Joan Sutherland who with her husband Richard Bonnying revived the art of Bel Canto singing and operatic gems such as this.
I dont know what is happening here. I know not where she is comming from or where she is going to, nor do i understand a single word she is saying, but, she seems like a woman scorned? I do love Opera, albeit that maddening circumstance of the language barrier. I of course feel the emotion of it all, and for now, it is all that i need.
Hervorragend!!!!!
Elle est la meilleure Alcina. Rien à voir par rapport aux autres cantatrices ;)
omg this is so good i cant oieghjiuthgut she killed it absolute queen
Quel dommage d'avoir enlevé la salve d'applaudissements qui a suivi cette magique incarnation !!
çok güzel
Handel treble roles for female are girlish soubrettes, lyric feminine coloraturas, boyish soprano types, light mezzo types and dark contraltos and of course counter tenors playing all sorts now. This is the boyish soprano type similar to Lorraine Hunt. In the role of Alcina this is another way to go with Sandrine Piau. There is a certain howly, pale, quality that is almost androgynous. It can be every moving for listeners wanting to get away from the more cos gendered feminine sound. It certainly is otherworldly.
Soberbia!
heard her on documentary HOME(cum dederit) and I knew I'd hit a star! such a clear voice!
Ah! mio cor! Schernito sei! Stelle! Dei! Nume d'amore! Traditore! T'amo tanto; puoi lasciarmi sola in pianto, oh dèi! Perché?
Ma, che fa gemendo Alcina? Son reina, è tempo ancora: resti o mora, peni sempre, o torni a me
Piau et une chaise...
Unbearable. Poor singer, veins in her throat seem to explose already in the recitative. And the orchestra tries to distract us with those strange ridiculous sounds. Everything so affected, of such a poor quality. Pitiful.
🙄 What ridiculous sounds are you talking about?
@@nancyJ976 Those that you hear yourself too and are quite trendy among the so-called baroccari.
@@DiomedesDioscuro And what should baroque singing sound like, according to you?
@@nancyJ976 Like a good one. And in Alcina's case, like the best one.
Глухарь с большой буквы! Как бы увидеть твоё лицо?