BWV 12 - Weinen, Klagen, Sorgen, Zagen (Scrolling)
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- čas přidán 12. 09. 2024
- Performer & Album Info - 24:16
1. Sinfonia - 00:22
2. Coro: Weinen, Klagen, Sorgen, Zagen - 2:45
3. Recitative (Alto): Wir müssen durch viel Trübsal - 8:46
4. Aria (Alto): Kreuz und Kronen sind verbunden - 9:44
5. Aria (Basso): Ich folge Christo nach - 16:08
6. Aria (Tenor): Sei getreu, alle Pein - 18:57
7. Choral: Was Gott tut, das ist wohlgetan - 23:17
Es ist so schoen die Kantate zu hoeren und gleichzeitig die Partitur lesen zu koennen! Vielen dank!
Thank you, Gerubach, yet again. For reasons I don't really understand I can hear more when I can also read the score. And hearing Bach well is always so worthwhile.
19:00 this is literally a masterpiece
This is once again, a beautiful arrangement, I was wondering, could you do bwv 534? I think it's one of the more underrated pieces Bach wrote. Full of emotion.
This is without doubt my favourite cantata. Thanks for the upload.
genial idea sincronizar la partitura, es un goce completo escuchar tan magnífica interpretación y leerla al mismo tiempo! además traducida! mil gracias!
The first part of the coro is a lamento, with a stubborn bass as a passacaglia in C minor, a tone very suitable for a lamento. Each voices start in canon, with a several word (Weinen Klagen Sorgen Zagen). Delays are painful (diminished seventh). Bach knew how to insert a rhetoric in his music by his way.
The most pure extract of depression my mate, what a gigantic sorrow is this beginning. The more you get it the more languished it gets
1:20 sixte napolitaine
Funny, I just picked up this exact recording the other day! Bach's cantatas are new to me, but wow, I already love them.
Gropius Fagus Hi, may I ask which recording is this, and who is singing the bass/baritone part? Thanks!
Chin Keong Tan Performer & Album Info - 24:16
gerubach
Thank you for all your work, on this happy day to commemorate Bach and his legacy!
Chin Keong Tan You are welcome Chin Keong Tan. 330 years ago, a human was born, worked hard, died and was ignored until he resurrected again for all of us not only to celebrate his birthday but to bask in all the wonderful music he has left us! Bach, you ol' son-of-a-gun! HAPPY BIRTHDAY!!!
Gropius Fagus Since you like Bach's cantatas, I recommend checking out Handel's "Dixit Dominus" (HWV 232), if you're not already familiar with it. It's the scope of a Bach cantata, but in Handel's style.
the amount of emotion in this piece is just beautiful... Thanks again for the scrolling video!
Adorable Cantata. MARAVILLOSA MUSICA DEL MAS GRANDE
Is it only me, or the opening Chorus is the basis for the "Crucifixus" from the B minor mass?
That 's what I noticed too! I don't know which one was written first.
henny heger He wrote this cantata first, then changed it to Crucifixus.
Much of Bach's Mass in B Minor was borrowed from Bach's earlier works.
There's a plausible theory that this Mass is more of a portfolio than a singular piece (also given its length) for the Lutheran bach to apply for work in more Catholic parts of Europe.
Bach's Mass in B minor is like a collection of his greatest achievements plus more music he composed having in mind the future generations.
I've come to appreciate this opening chorus of cantata 12 over and above the later reworking of the 'Crucifixus' of the B minor Mass, though I much prefer the efforts of the Monteverdi Choir over this particular recording, including the soloists. Many thanks for the scrolling video which is superb!
The first song in the adagio part and orchestra is the same that crucifixus in the Mass in B minor. The difference between them is the language. This in germany and the crucifixus is in Latin.
A szívnek a legmélyebb zúgaiba is bejutó zene. :-)
Beautiful Music.....
Heavenly, indeed
@Ron Tubman: Why yes, yes it is the basis for the crucifixus section of the mass. I can't listen to this without thinking of the mass, and how in terms of text this is at the heart of the mass. Incarnatus est, crufixus, and et resurrexit are at the heart of the Apostle's Creed, covering the most emotionally significant material in the Latin mass.
great work as allways. Did you pitch to 440 Hz?
you did ;)
Dont mind me putting a timestamp for myself :) 2:47
Crucifixus :)
No.1 00:22
No.2 02:45
Borrowed the following from Luis Rodriguez Imaz which he posted below
"Leonhardt Consort - Dirección Gustav Leonhardt
Tölzer Knaben Chor - Dir. Gerhard Schmidt-Gaden
Paul Esswood - Kurt Equiluz - Marius van Altena
King College Cambridge - Dir. Davis Willcoks"
The presence of Leonhardt, the Tolzer & Gerhard Schmidt-Gaden explains the exquisite clarity of this performance.
Llanto, lamento, afán, temor.
5:09
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