Hadestown Original Broadway Cast - Chant I - Lyrics
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- čas přidán 11. 07. 2019
- I own nothing except for my lyric videos. All rights go to the Original Broadway Cast and Creative Team of Hadestown! This video was made solely for educational and entertainment purposes. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
- Hudba
I just. Want to take them to a marriage counselor. So bad.
'Cause like, Hades is obviously trying really hard to make Persephone happy; if she's gotta stay caged in the underworld for six months, the least he can do is gilt that cage for her, but he hasn't taken the time to learn what she actually wants. So after all that hard work, Persephone comes back, and rather than thank him for the misguided effort, she berates him for making Hadestown wrong and unnatural, so Hades feels like everything he's doing is pointless, why should he go to all this work if it isn't going to be appreciated? And NO ONE IS COMMUNICATING
Sad, sad, really sad.
Fair warning, there's an entire essay here:
I find it really interesting how Hadestown frames an entire myth around very common and human psychological phenomena, especially where it pertains to Hades and Persephone's relationship.
And a lot of it stems from Hades dealing with his insecurity and resentment of Persephone's absence in unhealthy ways, walling himself in (you could say he... built a wall) as a defense mechanism, thus blinding himself to his emotions and the real needs of everybody around him (not only persephone's but also of the people of hadestown; he sees himself as a guardian and a provider, not realising the damage he's causing, because he doesn't realise people's need for agency and freedom), and seeking unhealthy ways of taking back control of his life: burying himself in his work and dedicating himself to material success in detriment of everybody involved.
You can see this really well in Chant II: "Young man, you can strum your lyre/ I have strung the world in wire / young man you can sing your ditty/ I conduct the electric city" - Orpheus has what Hades lost, and Hades believes the things he replaced it with are more fulfilling and more powerful.
This, in turn, made Persephone pull away further, which made Hades resent her more and become more certain on his association of love and possession - and, as such, that persophone refusing to be possessed means she doesn't love him, and the cycle goes on.
I'm a little sad they changed Chant II for the broadway version, even if the strike arc makes it more powerful, because most people listening to it nowadays won't get Persephone's point of view - advising Eurydice on how true love can overcome anything, but love is not a gilded cage, all intersped with Hades words to Orpheus about how to keep a woman he must chain her down. It was really illustrative of their relationship, and it's fascinating to me how a very common unhealthy relationship dynamic is used as a linchpin for the entire story, just by virtue of the power they yield - their love was what made the world turn, so when that relationship became damaged so did the world.
Hades's eagerness to get Persephone back, and Persephone's eagerness to get back out of his clutches, turned what used to be a natural transition between seasons into an abrupt shift, and Persephone's attempts to make the most of her time topside (represented by her drinking and partying) made the summers too hot and unfit to produce enough food to see people through the winter.
All this isn't to say he has sole responsibility for what happened - judging from Hermes's and Persephone's account of the beginning of their relationship, and the fact that there used to actually be a spring and fall, Hades used to deal with her absences well, but through what probably was a problem in communication, that dynamic soured.
You could, however, say that he's naturally less empathetic and open to others' needs than she is. Persephone addresses others as brother/sister, while Hades uses 'son' and 'my children'. Persephone greets the ensemble on topside like old friends, dances arm in arm with Eurydice and fills her glass out of her own flask, while Hades addresses the residents of Hadestown with a microphone on a stage. Persephone encourages Eurydice to embrace her relationship with Orpheus, whereas Hades prohibits his workers from connecting with each other. She sees others as equals with their own needs and agency, while he sees them as possessions who must be controlled and indoctrinated.
This could be either the cause or a result of what happened, but you could easily see it as a factor in his possessiveness and resentment of her need for freedom, something that started small, a minor character flaw, but through that vicious cycle (something that, once again, was really well illustrated in the circular logic of Why we Build the Wall) spiralled out of control, until he became the tyrant he is in the musical, and she became more and more averse to be walled in and more sympathetic toward those who share a similar plight to hers (at the risk of repeating myself, very well illustrated in Our Lady of the Underground - "brother I know how you feel")
I just. really love this musical ok.
@@margaridabento9726 This hasn't been loved enough. Very well written with amazing points and observations
I do like the song Epic 3 it’s after Orpheus plays for Hades and Persephone there’s really no lyrics we’ll just Hades explaining briefly about Orpheus gift and then saying “Hades and Persephone took each other’s hands and brother, you know what they did, they danced” then the rest of it is just Hades and Persephone waltzing on stage and it’s lovely
Side note when it comes to the top three Greek gods Zeus,Hades and Poseidon , Hades probably has the most functional relationship. Yeah he kidnapped Persephone (don’t do that don’t kidnap your future wife unless you’re a Greek god) but that was partly Zeus too. Zeus will sleep with anything that has a pulse and I think (but I might be mixed up )Poseidon depending on the myth might have R worded Medusa (pre snake head) and she went to Athena’s temple or Artemis (one of the A goddess but not Aphrodite ) for sanctuary and well she got a new hairstyle she didn’t ask for.
i like to imagine them in counseling and Hades saying how he knows she talks shit about him to all her friends and never sticks up for him even though Hades never says a bad thing about her and he would say "how do you think that makes me feel?" and Persephone would look genuinely upset by this because she never thought about it.
Iam wondering that..maybe Hades made Hadestown much warmer and brigher, bc he wanted Persephone to stay there with him and let her feel much more like outside on summertime, which she just enjoyed, ya know?
good take.
my second favorite is "i industrialized the underworld because persephone is my impulse control."
I thought that's the point..?
XD
Yes, indeed!!
Also Patrick Page said that apart from that it's like a coping mechanism, as it makes Hades feel powerful and in control. That way he tries to fill the hole created because of living 6 months separated from his wife.
It's kinda sad how excited Hades sounds when he tells Persephone what he's done to Hadestown and I can just imagine how disgusted and angry she looks.
@Frances Del Rosario Hades: Baby, love of my life, My Queen. Look what I did!!! I brought summer to you because I love you.
Persephone: Ew.
Like I get where they're both coming from tbh. Hell I'd be pissed if I came back home to find that my husband ruined our home and is forcing people to work but he just sounds so adorable.
My biggest weakness in musical theatre is songs that have overlapping singers, just a million layers that blend so beautifully like this song does. This is truly my favorite song of the whole musical
My fav too
@Highway Unicorn This is way better. Only song I can think of that does it better than Chant I is One Day More
Then I hope you got into the musical "Hamilton"! There's a song in there called "Non-stop" that blends vocals beautifully. Literally all of the other songs are amazing too
Its called polyphony, and is so beautiful 😭
@@Youre-a-Wizard-Ari I was gonna suggest nonstop as well lmaooo
No one:
Not a single soul:
Not even a living being:
Orpheus: lAAA lalala lAlA LAAAA
and he's right
You perfectly captured the melody and inflection of that verse in text. That's...that's pretty awesome right there.
Why did you actually type that correctly how did you manage that
I always imagine a 10 hour long video of Orpheus singing lalala
@@zodiackitten6110 aw thanks! Its a gift i guess
when orpheus sings “the gods have forgotten the song of their love!” and the pause and then it all picks up???? CHILLS
I AGREEEEEEEEE
I FEEL THIS
It was number five
Lucero Andrade Number 5 killed my brother
Can I have a timestamp? I'm new here haha
This version truly made me appreciate how useless Orpheus was at this time
And he had the nerve to call the gods out, like what a hypocrite, you forgot your love too
@@joaopaulo1802 it's all parallelism.
There's so much happening that he's just reminding them he still wants Eurydice back
I feel like Orpheus here was deaf to Persephone need for help and comfort because he felt so close to a solution, to finishing the song that could save both them and everyone else. Indeed, I've always felt that when he said "the gods had forgotten the song of their love" it's like a revelation that strikes him. He's finally able to put the pieces together and understand the cause of the winter. Unfortunately, just as this happens Persephone loses hope.
I'm cackling
Eurydices “shelter us” and then that TROMBONE has me dead
Had Eurydice dead too lmao.
@@thewonderlander1372 you did not just say that
@@RealGamingk No I typed it. :)
Lol
@@thewonderlander1372 well played
@@thewonderlander1372 HAHAH
"Look up!" Hermes exclaims desperately, while the ensemble sings in the distance, "Keep your head low..."
nice
ikr? I love that part-
ughhhh the way orpheus is working tirelessly on his song and he loses eurydice the same way hades got so caught up in industrialization and lost persephone. "he keeps his head low, he keeps his back bended" the point of epic iii is that hades is just as vulnerable as the next person, his own feelings and mistakes. gods and men
@Cassie Doerksen 3:34
"4 People's Marital Problems Fuck Over An Entire Community"
I love that Anais has taken a simple tune of 'la la la' and made it such an epic theme
Hunter Daniachew haha, “epic”. I see what you did there 😂
@@graceschlatterer2368 lol i didnt even notice that😂😂
Ah, yes. The pun. Beautiful work
Ikr, it’s freaking amazing and reeves voice is just 🙌
@@spookyho5994 reeve doesnt get enough appreciation, i literally gasped and immediately cried the first time i heard him singing lmao
Also love how those last “low! Keep your head! Keep your head!” get slightly more emphatic, like they’re yelling at Eurydice to cool it before Hades can notice her
Love this take!
small detail also of how immediately after hermes says “look up!” they say “keep your head low”
Wow, the backup singers are NOT messing around. All those "Oh, you gotta keep your head low..." are incredible.
@Cassie Doerksen thanks for the correction! ☺
Orpheus, singing about how Hades is blinded, can’t see the storm coming. Love it
yo I didn’t even notice this! I absolutely love these parallels
the fates coming in on "the wind, the wind, the wind" UGH ANAIS
Butterfly Taster THE FUCKING HARMONIES
thought you said anus lol
Obligatory hmestuck
The whole concept of hades enslaving the entire underworld to make fake spring so he can be with his wife absolutely genius I hate when media makes hades just a template bad guy with no human aspects at all
To make fake spring? Could you elaborate? It's interesting
@@antonizajkowski9698 Warmer, Brighter, More entertaining (silver screens i.e. movies)
3:23 Orpheus,the storm is coming. Oh god he has his headphones on! He can't hear us
The fact that both Orpheus/Eurydice and Hades/Persephone call each other 'lover' really shows how similar they are
(ya know minus the whole Eurydice staying in hell/dying thing and them being separated)
Agreed. And I love how the Hades/Persephone melodies are practically the same melodies that Orpheus and Eurydice sing in Wedding Song. But with all the minor chords and chanting underneath, it sounds like a twisted old version of their wedding song.
spoiler:(
@@antonizajkowski9698 the myth is several thousand years old, at that point it isn't exactly a spoiler
I love how he can't get the tune or rythm until he realizes it's love. suddenly he knows just what to do because he *knows* love.
I may be the only one, but I really like the change they did with Eurydice's lyrics. When she is crying out to Orpheus "Shelter us! Harbor Me" I can deeply feel her total desperation and fear at that point. I think we don't need to hear her blaming Orpheus, the song is already showing us explicitly that he is too consumed in his song that he isn't noticing Eurydice's misery and thus doesn't help her.
this version is so so good but i do miss "Every year they've had this fight!"
Haley Hulan I really miss when Persephone sing in the garden where we met nothing was between us yet back before your factory’s before your electricity back before you built the wall. I just always found that part so beautiful and I was a bit sad they changed it but I still love this version
Haley Hulan me too! I love this one but I miss Orpheus saying “I’ll sing a song of a love gone wrong”
Yeah, and " I'll sing a song of a love gone wrong... "
@@Maya-oe8qs That verse was beautiful, but I'm glad they changed it for this version, because it fits much better. In this version, both Persephone and Hades have "forgotten the song of their love" and that's reflected much better by Persephone not mentioning their past together until later.
I just realized that Euridice died in the storm and Hades was simply taking her soul to the underworld.
I interpreted that as the three fates that was singing in the background and taking her coat away but i suppose both could go the same way regardless
I don’t think so…at least not quite.
She was starving and cold when Hades came to her, and he gave her the choice of trying to hang on or giving in and dying. She didn’t die in the storm, but she got so hungry and cold that she was willing to give in and slip away when offered the chance.
Something inside me wants to cry when Euridice sings "shelter us! harbor me!" at 4:54. Mad props to the performer for putting so much emotion in her singing. It isn't easy to do, and she does is amazingly.
Yess
Fr! She sounds so scared and desperate. You just wanna give her a hug and reassure her 😢
@@victoriaburroughs8399 I wouldn’t reassure her knowing the ending of this musical lol-
Yep that’s Eva Noblezada for ya!
@@Lulu_o7 yea..
orpheus' la la la las got me sobbing in the kitchen at almost midnight
I feel you!!
I respect yalls criticism
But hm. I cant relate
All versions of chant are absolutelly flawless and perfect in which of their ways no one can tell me otherwise
valid
Valid op
Valid. I’m still getting use to the new lyrics
Honestly big agree, and valid
Valid
Reeve doesn't take a breath for the entire la la's between 1:31 and 1:43 and the first time I tried to sing along I nearly passed out
fucking super human
@@kaitlinslover639 *cough spider man cough* never mind i hate that show
-F r a n k i e - R o s e-
What was so bad about Spider-Man turn off the dark?
SHL HOW DOES HE DO IT
Thats pretty easy
I love the parent/guardian figure that Hermes has become for Orpheus
Frankie Nayman reeve sounds vaguely like tom holland and i keep half expecting him to say mr stark
@@gore6587 he did play spiderman
marshy rowe yeah sksjshshshs that’s what made me make the connection
Sarah Hamilfan Yea exactly! Also, we know Orpheus’ mother was Calliope, the muse of epic poetry. So at the end when he says “As if it might turn out this time. I learned that from a friend of mine“, and André looks at Reeve when he says it, he’s reciting advice from the actual goddess of storytelling and “singing it again”. I love the details!
Orpheus looking up, Hades looking down, but neither paying attention to the women who mater most to them
I never realized this until seeing it live, but the machinery sounds are sounds made by all of the ensemble.
ugh this song never fails to amaze me no matter which version
RIGHT? Live every version just...works. and that's usually not the case. I'm just floored
Ikr! Anais Mitchell is literally an angel!
I just saw the musical live a couple days ago, and this was the only song the guy in front of me clapped for 😂
okay reeve you really didn’t have to come for my weave like this with those la’s
you too eva I really kinda wanted to be spared you beautiful goddess
OH I WAS EXPECTING MORE LALA’s BUT NO REEVE WAS LIKE HERE SIS
1:58 The way Eva's voice shivers on "need" in "we NEED to find" is so damn beautiful. Perfectly conveys that early, low-key desperation of "what my honey is doing is great, truly awesome, and I love him for it, but also goddamn we're gonna die if we don't find supplies."
THE GODS HAVE FORGOTTEN THE SONG OF THEIR LOVE
s o m a n y c h a n g e s w o w
YES
Edit: I heard Eurydice's part and I think my pupils enlarged
Prism Sakura HARRRBOR ME💔
Our*
Eurydice on “shelter us” and “harbor me”...
Actual chills
3:02 "think of it aAa
As my despair" holy crap the way his voice altered💀💀💀
My man, was so lonely that he created the industrial revolution. I should at least have produced a flying car by now.
Words can’t express how perfect Patrick Page and Amber Gray are
2:08 I love the way they sing like the wind. It's genuinely haunting to me
They cut "I'll sing a song of a love gone wrong", I'm so sad it was my favorite line
Is it just me or the " Only took a minute, but the wrath of the gods was in it" symbolizes Eurydice's death in the broadway version?
I will say, it sounds better live, but hey, this is my favorite song in the musical and nothing can change that
I agree!
SHEEEEEEEEEEEEEEEEEEEEEEEELTER UUUUUUUUUUUUUUUUS
HAAAAAAAAAAAAAAAAAARBOR MEEEEEEEEEEEEEEEEEEEEE
Hermes in the background: Only took a minute. But the wrath of the gods was in it!
Page’s "electrifying" genuinely haunts me
The overlapping voices, hades, the goddamn harmonies, Eurydice, this song is so goddamn amazing. It expresses so much emotion and I- I can’t put into words how much I love this.
Edit: I’m actually crying. Eurydice when she’s calling for Orpheus. I just can’t. Persephone telling Hades she doesn’t like it. I’m honestly to full of emotions
Edit 2: the “of you” at the end. Chills.
hermes desperately trying to get orpheus to look up and notice the storm gets me so bad. he's sung this song so many times before and he knows how it ends, but he sings it again and hopes and hopes and hopes he can make it turn out right this time. he tries, against fate itself, to make it work out, but it always ends the same way.
'The gods have forgotten the song of their love' makes up for anything lost in this version of the song
This. Song. Bro.
Everything, the vocals that give me chills every time I hear them, the contrast of how both couples are suffering because the man won't listen to their woman, the instrumentals, the three-way blend of voices at the end, just the line, "The gods have forgotten the song of their love", everything about this song is so incredibly amazing to me.
I could go on for hours about why I love this song, but my main takeaway is, 'Chant' is perfect in my mind. ❤
reasons i’m gay: eva’s voice
Same
Same
I just realized that Hades says he’ll get someone who appreciates her cage and then he sings songbird to Eurydice and says he needs a canary.
It also has a secondary meaning here as Hades is king of the underground and miners would bring canaries with them into the mines
This song, Wait For Me, If Its True, We Raise Our Cups To Him, and the one when he sings to Hades, are my all time favorites. Even after years of not coming back to this musical, they still hold strong in my heart.
The one you mention is Epic III, I believe
I like how you can get the vibe that he’s getting information from Apollo like an Oracle of Delphi around 3:10, and how this seems to happen multiple times during the show (He’s getting info he couldn’t possibly know as a mortal about Hades and Persephone’s relationship and Hades’ mental/emotional state)
Oh yeah like isn't he Apollo's son? That's interesting
@@wuttatota148 He's a muses son
@@antonizajkowski9698In some versions he's the son of Apollo
I’m glad they cut Orpheus down to one solo in this song from the two in the London version!! Flows better
a crisis: *exists*
orpheus: LA LA LA LA LA LA LA LA LA
Soemthing i think is very interesting is how, if you interpret hadestown as a timeloop no one but hermes (and possibly the fates) are aware of, and the different representations of it as different loops, and If you put the obcr as the first loops, the london one as further along ones, and the nytw as the latest ones, the changes to eurydice's verse could be seen as her subconciously losing faith in orpheus as the loops go on. She herself doesnt remember, but her subconcious/soul does, that Orpheus's song aint gonna save her
Here would be the lyrics in the order i meant so ypu can see what i meant
Obcr:
"Looking high and looking low
For the food and firewood i know
We need to find
And i am keeping one eye on the sky
And trying to trust that the song he's working on is gonna shelter us from
The wind, the wind, the wind."
It's again her instincts to trust, but she tries, regardless
London:
"While your working on your song
There's a storm a-coming on
Orpheus, in all my years
I've never seen a sky like this
Tell me love, if the song you're working on
Is gonna shelter us
From the wind, the wind, the wind"
She's worried, and trying to ask orpheus if the song will save her. There's not the same trust there was before, but she's trying (also she calls him love which is nice)
Nytw
"Lover while you sing your song
Winter is a-coming on
See i'm stacking firewood
See i'm putting by some food
Orpheus, all the pretty songs you sing
Ain't gonna shelter us
From the wind, the wind, the wind"
She is sure now, that orpheus' songs wont save her. Also something about the phrasing "while you sing your song" instead of "while you're working on your song"? And that "all the petty songs you sing" sounding pretty...sarcastic? Plus the csee i'm stacking firewood see im putting on some food" like 'look what i'm doing for us. What are *you* doing to keep us alive?
Idk just a thought
The "lover you were gone so long" is slightly less sexy, but hey little songbird is somehow even sexier now so overall I'm good.
Hades was too annoyed to focus on being sexy right there
When he sings "The gods...the gods have forgotten the song of their love" That moment gives me life
I violently love this. Like, I wanna punch someone, I love this so much
Oh you’re right. I wanna punch someone too.
only orpheus cansay "la la la la la la la la" over and over and still have me on the edge of my seat
ok they did NOT HAVE TO SNAP THIS HARD OH MYGOD
The transition from epic 2 to this is insane
It's like Orpheus is broadcasting a live feed of the Gods but he can only translate it into music. It's compelling him and he physically can't stop because of the constant broadcast😭 This whole musical has no bad guy. Just a sequence of bad events
I swear, I love all of these changes.
the only thing i hate is the cut at 1:09
oh my god, I just realised "Shelter us" and "harbour me" sound a biiit like Orpheus and Euridice
My absolute favorite part of this song is when Persephone sings
Lover what have you become
Coal cars and oil drums
Warehouse walls and factory floors
I don’t know you anymore
And in the meantime up above the harvest dies and people starve
Oceans rise and overflow it ain’t right and it ain’t natural.
It’s like you’re building all this stuff and I didn’t ask you to build any of it, you’re not the person I fell in love with.
Ever since I watched the broadway, I’ve been waiting so excitedly for the broadway version’s songs are fully available but I was especially excited for this one!! I love Orpheus’s working lyrics!!!
Eurydice's voice is giving me chills 😍😍😍
I love the wordplay with "we need to find And I am" sounding like "we need to find an iamb"
What's am iamb
@@antonizajkowski9698 It’s a literary term most associated with poetry and music. It’s a metrical foot consisting of one short syllable, unstressed, and one long, stressed. The word “because” is iambic because it’s unstressed and stressed. Shakespeare uses it in his sonnets.
@@SoulQueenoD Oh thanks
that "harbor me," 4:57, it makes my heart catch fire.
All the la la la of orpheous give me life
the trumpets or whatever brass instrument it is is just-
honestly they all blew us out of the damn water holy shit
Why do I love Hadestown so much? _points at this song_
Here’s why.
I've personally loved Hadestown since before it made its way to Broadway. It's so interesting to see how much this show has evolved and grew to became the show it is today. I love it
4:51 Gosh she really did those two notes like that huh
honestly i feel these lyrics show persephone more sympathetic ??? also idk i may be the only one who likes the broadway vers compared to the london ones haha
I love them equally but I definitely see what you're saying. It also expands hades' role a bit
This song is fire
Got assigned to listen to this musical as summer homework and I’m glad! These songs are great.
While I love this, I miss the epic simplicity of the original with this part that's been cut out:
Orpheus: "I'll sing a song, of a love gone wrong."
Hermes: "A love gone wrong all right, every year they had this fight."
and later...
"And when the gods are having a fight, everybody better hold on tight.."
And then the song just explodes as everyone sings their part. I like this version, but the song didn't need the extra exposition. The original version of "Chant" is my favourite song from Hadestown (all versions), but I think in the Broadway version it's "Wait For Me" now. This is great, but it's lost a little magic with the new lyrics.
hello, where can I hear the original version? CZcams?
@@claraablablubabe4288 look up hadestown original cast playlist (as opposed to the original BROADWAY cast playlist)
That first string of La la las is my absolute favorite version ♥️
Eva Noblezada sings with so much emotion. Hoping I could watch her live someday
This song absolutely smacks
You can't change my mind
That’s what the kids call a beat drop
Just timed a sneeze with an "a-whoo". Satisifying.
SHELTER USSSSS 𝐻𝐴𝐵𝑂𝑅𝑅𝑅𝑅 ᴍᴇᴇᴇᴇᴇᴇᴇᴇ
3:00 Your despair, you say?
*Danganronpa intensifies
Laughs in Juno Enoshima lol
I dont like how polished these all sound. That might be a weird criticism, but I don't know.
I like the lyric change for Eurydice re: Orpheus' song. She's trying to be optimistic and hasn't quite given up yet.
I know right, i feel like it would sound better if they sang like they naturally would, it kinda feels liek they use some sort of autotune cuz its so clean
I mean they do use tuning it's a cast recording. It's not supposed to be same as a live recording. It showcases the music more then the acting. The acting is still there but it's not the complete picture without seeing it
I agree!! It sounds so much better live, I can tell you that
WHAT👏A👏BOP👏
Is no-one else wondering what Eurydice's doing to search for food?
Like
How?
Is she hunting for critters in a nearby forest? Is she
Maybe she's exploring dilapidated buildings - looking for canned goods?
Idk
I it’s written like that so you’ll conjure up your own idea of what she’s doing, could be anything, I usually imagine her doing something like begging in a slum town.
@@partricklambaste1235 ooh
Interesting!
I've always had that scene from Bambi where he eats a little bit of grass from the snow in mind
I'm literally sobbing. What the fuck. This music speaks to my soul
At 1:18 my entire body had a chill and I’ve never felt that before 💀
This one really helped me imagine the story going downhill.
i’m listening through this soundtrack for the first time and the woman who plays eurydice’s voice is so ??? angelic ?????? holy shit ????
She's earth and he keeps putting neon and bricks up, but it was not what she needed
first time hearing this song- i’m having a religious experience
Anyone else feel like the "and I am" at 2:04 sounds so exquisitely close to 'iamb'? Or am I just wish fulfilling again
The road to Hell is paved with good intensions indeed.
2:14 the trombone is one of my favourite parts of the show
Ever since i saw this live, i cant stop picturing Patrick Page as Doug Digadome or Colonel Sanders 😂😂