The Easiest Altissimo Fingerings for Sax

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  • čas přidán 29. 06. 2024
  • The Easiest Altissimo Fingerings for Sax
    In this video I am going to be showing you all of the easiest (and best!) in my opinion as well as teach you a technique for producing altissimo notes that not many people talk about. Many people have convoluted fingerings for these notes and this does not need to be the case. A difficult fingering does not mean it will be a better one :) Check these out and let me know what you think!
    For a link to my FREE course visit members-stevekortyka.com
    For some great shedding materials visit www.stevekortyka.com/shop
    Thanks for watching and don't forget to LIKE and SUBSCRIBE!

Komentáře • 75

  • @garethliamable
    @garethliamable Před měsícem +1

    Great video! Altissimo facility is something I should have spent way more time on.

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před měsícem

      Aye thanks man. There’s still time! I think the key is committing to one set of fingerings and going with it 😎

  • @user-ot6ki7rn3f
    @user-ot6ki7rn3f Před 8 měsíci +2

    Great video and explanation of overtones and fingering Steve, I will be putting all of them into my practice routine. Can't thank you enough!

  • @timobesamusca9332
    @timobesamusca9332 Před 8 měsíci +2

    Thx Steve for this video, especially the overtones of altissimo notes was an eye opener. 👍🏻

  • @richardcasey7521
    @richardcasey7521 Před 8 měsíci +1

    Thanks Steve!

  • @Laura-wg5jk
    @Laura-wg5jk Před 8 měsíci +1

    Hi Steve, just found these videos from you here, though I am taking your pre-recorded Studio class through BetterSax. You are a good instructor and I am shedding a lot on the first unit (Misty) and trying to get up the courage to do an open mic with what I learned there. Thanks for the good info!

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      Hey Laura - thanks so much! I am not working with BetterSax anymore unfortunately but so happy to hear that you're getting some value out of the instruction. Hope to get to work with you sometime in the future :)

  • @dennis524
    @dennis524 Před 8 měsíci +1

    Thanks, Steve.

  • @gabrielbotsford791
    @gabrielbotsford791 Před 7 měsíci +1

    Great video!

  • @geralddeloach1391
    @geralddeloach1391 Před 8 měsíci +3

    Once again...GREAT STUFF!!! Thank you!!

  • @jurijnowak7230
    @jurijnowak7230 Před 8 měsíci +1

    Thanks for the fingerings... Just reached the g without any efford. It just works while seated so far... But I am impressed!
    Thanks

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      Thanks! So great to hear - G is generally a stuffy note and not the easiest to get to speak but if you got it thats great 🔥

  • @thewarhenk
    @thewarhenk Před 2 měsíci +1

    Steve, you’re obviously a fantastic Altissimo player. You asked, so here’s the answer. Dr. Mark Watkins’ research and book, From the Inside Out has finally revealed the secret of what is going on in our throat. Jamie Anderson has a good explanation on his channel. It’s all about ‘the glottis!’

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 2 měsíci +1

      Sure - I've heard of this from my former professor at the University of Cincinnati Rick Van Matre as well but have trouble descrbing it myself. Thanks for the information/references!

    • @thewarhenk
      @thewarhenk Před měsícem

      @@SaxophoneSteveKortyka most welcome! And you’re playing blew me away. Our ability/inability to describe the mechanism is rather fascinating. I think that a great example is Mr. Lenny Pickett. Obviously one of the best altissimo players out there, he thinks it’sall about wind speed, and apparently, it’s not. as long as we get the job done, it doesn’t matter what we think, so long as it works! :-)

  • @simenrommen2580
    @simenrommen2580 Před 8 měsíci +3

    the Ben Wendel method for this is much recommended. It is a good gradual training method and encourages better embouchure control.

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      Cool - What does it entail? Where can we find it?

    • @simenrommen2580
      @simenrommen2580 Před 8 měsíci +2

      ​@SaxophoneSteveKortyka The book "Path to Altissimo". On his website I think. It's the best general purpose altissimo/overtone/sound practice that I know of😊

  • @estradamusicnyc
    @estradamusicnyc Před 8 měsíci +1

    Thanks 👏👏

  • @nickmainella
    @nickmainella Před 8 měsíci +1

    Great video, Steve! Question for you: How do you move your lower lip out when playing fast passages that go into the altissimo?? I find that really hard. Thanks, man! 🙌

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci +1

      Thanks Nick! Finding the exact place of the fulcrum where you need to put pressure on the reed to reach altissimo is where the magic is. Doing the exercises on the neck like in the video and trying to get those 3 notes quickly will help you pinpoint where that place is so you only have to move a very tiny amount. Your setup can also make this easier/more difficult depending on what you're using.

  • @clevelandbop
    @clevelandbop Před 8 měsíci +1

    Thanks Steve! Dig the hat.....!

  • @ronrobbins2737
    @ronrobbins2737 Před 8 měsíci +1

    Great stuff Steve! But also how about the importance of mouthpiece/reed in this equation? Ever since I started using MPs specifically to get a more traditional darker sound using Plasticovers (has worked well for me) the baffles have really put the kibosh on my altissimo. My recent trial of a step-baffle has helped but still struggling with altissimo bigtime ...I'll keep working on your "neck" exercise but maybe Plasticovers are problematic too?

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      Thanks for the comment - yes these 2 are very important. This is something you need to experiment and find the best combination for. The best altissimo players I know use a variety of different setups but what it comes down to is where the takeoff point on the mouthpiece is. In general, longer facing mouthpieces will be more challenging to play the stratospheric notes on. The takeoff point (where the reed separates from the mouthpiece) and tip opening/reed strength are also important factors. The more difficult the setup makes altissimo notes the harder you will have to work with your throat to make the notes come out. Some setups just cant generate notes past a certain frequency. Good luck on your journey - practicing with the neck will definitely help :)

  • @haroldpizer9271
    @haroldpizer9271 Před 2 měsíci +1

    Steve were you the tenor player behind Raye on SNL last night 4/6/24??

  • @eddiemosssax
    @eddiemosssax Před 8 měsíci +1

    Great stuff. Plenty of alternative fingerings to what I’m currently using. Is there a pdf available of the fingerings that you’re using? I can’t locate on your site? Cheers

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci +1

      Hey! There is - its at members-stevekortyka.com and enroll in the free R.I.S. course to download them 👍

    • @eddiemosssax
      @eddiemosssax Před 8 měsíci

      Marvellous. Thanks Steve

  • @dennis524
    @dennis524 Před 8 měsíci +1

    Any chance of getting a PDF of these? Thanks again.

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      Hey Dennis! They're available at the link in the description. Let me know if you got it!

    • @Samo1er
      @Samo1er Před 6 měsíci +1

      @@SaxophoneSteveKortyka link doesn’t work.

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 6 měsíci

      @@Samo1er should work now. The altissimo fingerings are a part of the RIS course at the members site 👍🏼

  • @aron.gortman
    @aron.gortman Před 8 měsíci +1

    I have silent reflux and playing altissimo has always destroyed my uvula so I no longer play it :(

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      Ah bummer. At least you have a good reason to not mess with it! Does that condition affect playing just regular notes too?

  • @MrSwayzZ
    @MrSwayzZ Před 8 měsíci +1

    My g that I play on tenor is b key and f sharp key

  • @mambojazz1
    @mambojazz1 Před 8 měsíci +3

    Throat position = overtones

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci +1

      Yes, absolutely. I would argue that, depending on your setup, embochure pressure can play a big role as well.

    • @mambojazz1
      @mambojazz1 Před 8 měsíci +1

      @@SaxophoneSteveKortyka People should be able to slur overtones using only the throat as well. But its hard.

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      @@mambojazz1 Definitely not easy!

  • @oluwaliblue8684
    @oluwaliblue8684 Před 8 měsíci +2

    damn I thought high c was the last note.

  • @flopa9928
    @flopa9928 Před 8 měsíci +1

    First

  • @Jaujau933
    @Jaujau933 Před 3 měsíci +3

    Some notes sound really bad.

  • @andrewglanville
    @andrewglanville Před 8 měsíci +2

    Eb. mind blown. Getting out my horn.

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci

      It’s the best! Kind of unlocks some more notes bc all you have to do is press down the palm keys to go up in half steps 🤘🏼

  • @lehajuhu226
    @lehajuhu226 Před 8 měsíci +1

    Pls do it with tongue position not more pressureotherwise they will always be out off tune!
    You shouls just practice overtone exercises untill they are beautyfull enough for the stage!

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci +2

      Ok! Yes this is ideal but I think it also depends on the type of music you’re playing right? The saxophone is a very out of tune instrument… if I was practicing to play every note beautiful i might never leave the practice room :)

    • @lehajuhu226
      @lehajuhu226 Před 8 měsíci +1

      @@SaxophoneSteveKortyka its a Highly subjektiv topic . I agree
      The Question is how much time you can/want to invest and what for?

    • @lehajuhu226
      @lehajuhu226 Před 8 měsíci +1

      @@SaxophoneSteveKortyka i will make my Video soon my Titel will be light clickbait to every one does i bet with out the Algorithm you would have called it the best way for me to play altissimo.
      And still its actualy one off the best Video on the normal way to Do it. (Most off the time normal is the best timeinvestment reeward relation, this is one off this times !)
      I am just sad no one wants to listen to what i worked on for years, if i bite(bad) i can Produce dogwhistle shit but this feels more like a siren then music. Not worth it but my altissimo is clean now but I should have invested in time feel instead.

    • @lehajuhu226
      @lehajuhu226 Před 8 měsíci

      @@SaxophoneSteveKortyka if you Feel like your horn is shit get a better one for you every lung every tongue every lip is different so everyone likes a different saxophon it's a little bit like the wands in Harry potter you need a horn that respeckts your anatomie!

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  Před 8 měsíci +2

      @@lehajuhu226 Again, all subjective things. I don't think that my altissimo notes sound like dogwhistle shit and I use more embochure pressure (not biting like you just suggested) to get them out. Long story short, there is more than one way to do things. I would love to hear your method and look forward to seeing your video 👍