A. Campra: «L'Europe Galante» Opéra-ballet

André CAMPRA 1660 - 1744
«L'Europe Galante» Opéra-ballet in five entrées
1697
1. Prologue ou Première Entrée 0:01
2. Deuxième Entrée: La France 19:12
3. Troisième Entrée: L'Espagne 31:58
4. Quatriéme Entrée: L'Italie 49:28
5. Cinquiéme Entrée: La Turquie 56:41
Hana Blažíková [soprano]
Judith van Wanroij [soprano]
Reinoud Van Mechelen [hautecontre]
Lisandro Abadie [bass-baritone]
Capriccio Stravagante
Skip Sempé [direction]

[@deekobald9260]

I landed here at 2 in the morning cause I couldn't sleep... nice! Beautiful!

[@415CaliBud]

O som do violino tem a capacidade de tocar nossas almas, elevando-as. Depois do piano é o instrumento que mais me fascina. Obrigado pela seleção. Vou ouvir com muita alegria. Pena que meu país não está incluído para doações. Sucesso!!

[@barana5735]

Musical masterpieces

[@Arteshir]

Majestique, jolie, Gorgeous plush, elegante, classy, chic, smooth as chocolate, Heavenly angelic👌 ❤️ 👏 celestial 🌟 🤩

[@akari_sun_of_heart]

此の世の通俗的な次元を、想像を絶して超越した始まりがある。
極めて老成したその感触は、単なる経験に因る知識知恵の蓄積ではなく、
現実とはどこか違う、高い天からもたらされた、光輝たる世界です。
バロック音楽と言うものは、本当に途轍もない部類だと、感じます。

[@michellaboureur7651]

My friend, you’ve put words to my feelings.

[@spiderlime]

i'm certain that the last movement is by rameau and not campra

[@MasadaBaroque]

It is by Rameau. I’m confused to find here 😹

[@kaloarepo288]

Which came first Rameau's "Les Indes Galante" or Campra's "L'Europe Galante"?

[@ssbphotography]

"Les Indes Galantes" was premiered in 1735, 38 years after "L'Europe Galante".

[@kaloarepo288]

@@ssbphotography Thanks!

[@anderswelt1641]

Campra's style is still much more like Lully, Rameau was influenced by italian Music.

[@gemeni0]

@@anderswelt1641 Lilly was Italian.

[@e-g-n7264]

Lully had a French style, not an italian one. He went in France when he was very young, then, he learned music.

[@neithernor9]

Etrange diction. A l'attaque du Prologue je me suis demandé : quelle langue est-ce ? Ce n'est évidemment pas le Français du Grand Siècle !

[@elinathanferlay1013]

Au contraire, il semble que les interprètes utilisent une prononciation historique du français restituée. C'est-à-dire qu'ils prononcent le français tel qu'ils était vraisemblablement prononcé au 17e siècle.