Rossini - La Cenerentola / Золушка (1996)
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- čas přidán 7. 09. 2015
- Адрес сайта: classicroom.ru
Angiolina - Cecilia Bartoli
Don Magnifico - Enzo Dara
Don Ramiro - Raúl Giménez
Dandini - Alessandro Corbelli
Alidoro - Michele Pertusi
Houston Grand Opera Chorus
Orchestra Houston Symphony
con. Bruno Campanella - Hudba
Enzo Dara is the real treasure. So natural and mischievous, singing easy and clearly
His acting was great, but I feel like we were listening to different singers if you think he was singing "easy and clearly."
@@josiahdavis8654 He didn't have a great and beautyfull voice but his technic was one of the most amazing ever heard. Just listen to the Sia qualunque, his aria of the begining of the second act. The end of the aria is teribbly fast and he goes even faster. Amazing.
I was a super at HGO for a few years back in the early 70's, when I was but a lad. So many memories.
Cecilia is just so lively here.
Raúl Giménez at moment 36:19. "Ah! M'invola proprio il core, questo cor più mio non è". PURE BEAUTY.
Indimenticabile. La mia prima "Cenerentola". Grazie a Mamma RAI la rappresentazione allo Houston Grand Opera di un allestimento che é già storia. Sapete che la so tutta a memoria ? L'opera più delicata e simpatica della storia della lirica. L'opera che consiglio personalmente a chi vuole cominciare a "drogarsi" con questa sostanza meravigliosa. Evviva Rossini !!!
one of my preferred operas, great Rossini
Rossini’s masterpiece
Брависсимо! 👏👏👏все великолепны! А Чечилия- чудо!!!
Corbelli bravissimo!
esecuzione eccezionale di questa meravigliosa opera. Con un cast eccezionale sublimato dall' eccellenza della Bartoli.
劇として最高の舞台！冒頭の重唱からダンディーニの登場40:00まで何度見ても飽きない
An astounding performance!!!❤❤❤❤❤❤❤❤❤❤❤......
A truly fantastic cast!
I like this one!😍❤️⚘️👏👍
Grande produzione! Sono tutti grandi belcantisti da Dara a Cecilia! Bravissimi!
バルトリの歌声は本当に素晴らしい。彼女の歌声はまるで楽器のよう。自由自在に、声が踊っている。そしてしぐさや表情もとても可愛らしい美人さん(*^^*)
Un'edizione eccezionale del capolavoro rossiniano! Sublime!
1:57 Dara/Corbelli! grandissimi!
I love it💕
Me, too!
Безподобно! Браво!!!!!
Чечиллия - лучшая Золушка👏👏👏
Чичилия просто ЛУЧШАЯ
Awesome
It's truly a delight to listen Cecilia sing. There's only one male counterpart who can sing like her and it's Franco Fagioli -the countertenor. It's an art to do the throat trills.
Interesting. I haven´t listened to this countertenor yet but will absolutely check him out. But yes I soo agree, her passion, forza and range is breathtaking!
Great opera!
When I need cheering up I listen to Zitto Zitto, Piano Piano 1:17:27 to 1:23:00. I adore the play (and the singing) between Giménez and Corbelli, especially the gestures at 1:20:42. Love this production.
Silabato streto
@@dennisdennis2688 ? My language skills are not quite sufficient to grasp the sense!
Silabato streto is the singing style of this aria and for most of this opera It consists of emphasizing each syllable but in rapid tempo almost staccato Think of it as a syllable run versus a vocal run like in the baroque style
Una de las operas de Rossini mas bellas que haya hecho! Aunque en realidad todas me gustan 😍. Gracias gracias por compartirla. Estoy feliz!
Cecilia is wonderful
Thank you for this version of Cenerentola, I hadn't seen it before. Personally I prefer the version with Ann Murray but as with so nany things it's a question of personal taste.
Great cast!!!❤❤❤❤❤❤❤❤....
Absolutamente GENIAL...
¡¡BELLÍSIMA!! Gracias por compartirla. 🍀 💕
corbelli.....quelle perfection ))))
Bellissima!!!
Magnifica opera sublime
La migliore versione senza ogni dubbio è solo quella della Scala del 2005. Insuperabile ..
Alan Rickman as Don Ramiro!
Angelina (Cinderella): Cecilia Bartoli, mezzo soprano
Don Magnifico, Baron of Montefiascone and Cenerentola's stepfather: Enzo Dara
, bass
Don Ramiro, Prince of Salerno: Raúl Giménez, tenor
Dandini, valet to the Prince: Alessandro Corbelli, baritone
Alidoro, philosopher and the Prince's former tutor: Michele Pertusi, bass
Clorinda, Don Magnifico's elder daughter: Laura Knoop, soprano
Tisbe, Don Magnifico's younger daughter: Jill Grove, mezzo soprano
Act 1
Angelina, known to her stepfather and stepsisters as "Cenerentola", is forced to serve as the maid in her own home. She sings of a king who married a common girl ("Una volta c’era un rè"). A beggar arrives; her stepsisters, Clorinda and Tisbe, want to send him away, but Cenerentola gives him bread and coffee. Courtiers follow, announcing that Prince Ramiro will come to visit while he searches for the most beautiful girl in the land to wed. Cenerentola's stepfather, Don Magnifico, hopes to use this as an opportunity to save his own failing fortune.
When the room is empty, Ramiro enters alone, disguised as a valet. The "beggar" - in fact, his tutor, Alidoro - has informed him of a goodhearted young woman spotted here. Ramiro intends to find her incognito. Cenerentola returns, and she and Ramiro are attracted to each other (duet: "Un soave non-so che"), but when he asks who she is, she's overwhelmed and flees. Finally, the "prince" arrives - the real valet, Dandini, who has taken his master's place - and Magnifico, Clorinda, and Tisbe fall over themselves to flatter him. He invites the family to a ball that evening, where he plans to find his bride; Cenerentola asks to join them, but Magnifico refuses (quintet: "Signor, una parola"). This callousness isn't lost on Ramiro. Alidoro, still in his rags, returns to inquire after a third daughter in the house; Magnifico claims she has died. Left alone with Cenerentola, Alidoro promises to take her to the ball himself, and that God will reward her kindness ("Là del ciel nell’arcano profondo"). The prince and his valet have retired to Ramiro's country house in some confusion, as neither of Magnifico's daughters resembled the worthy bride Alidoro had described. When Clorinda and Tisbe arrive, Dandini gives them a little test: he offers his "valet" to whichever sister the "prince" does not marry. The ladies are outraged at the idea of marrying a servant. Alidoro then arrives with a beautiful, unknown lady who strangely resembles Cenerentola. Unable to make sense of the situation, they all sit down to supper, feeling as if they are in a dream.
Act 2
Magnifico frets over the competition his daughters now face from the strange lady ("Sia qualunque delle figlie"), but Cenerentola isn't interested in the "prince," saying she's fallen in love with his servant. An overjoyed Ramiro steps forward; however, Cenerentola tells him that she's going home and doesn't want him to follow her. If he really cares for her, she says, he will find her, giving him one of a matching pair of bracelets. The prince determines to do exactly that ("Sì, ritrovarla io giuro").
Meanwhile, Magnifico confronts the disguised Dandini, insisting that he choose one of his daughters to marry. Dandini tries to stall, but is forced to admit that he's actually the valet and not the prince at all (duet: "Un segreto d’importanza"). A furious Magnifico and his daughters return home, where they order Cenerentola, back in rags, to serve them. A storm is thundering outside. Alidoro sabotages Ramiro's carriage so that it breaks down in front of Magnifico's manor, forcing the prince to take refuge within. Cenerentola and Ramiro recognize each other's bracelets; the others comment on the situation (sextet: "Siete voi?"). When Ramiro threatens Cenerentola's recalcitrant family, she asks him to forgive them. Ramiro and Cenerentola are married, and celebrate their wedding at the palace. Magnifico tries to win the favor of the new princess, but she asks only to be acknowledged, at last, as his daughter. She reflects on the misfortune to which she was born and the sudden reversal of her fate, then forgives her family for all her past unhappiness, adding that her days of sitting sadly by the fire are over ("Nacqui all'affanno... Non più mesta"). Everyone present acknowledges that she truly is worthy of the throne.
Magnífica Cenicienta!
grande Pertusi!
I was raised on the Walt Disney version, in which Cinderella prevails by being demure. I like this girl who takes action much better.
And who are those fabulous Clorinda and Tisbetta?
From IMDB - Clorinda is Laura Knoop and Tisbe is Jill Grove
Yes they are truly fabulous. Such nasty young women but who are incredibly well played and sung by Knoop and Grove.
Il barbiere is much more famous than this one, but this one is far far FAAAAAAAR much more better. Without question Rossinis best opera. I really love this opera.
I'd agree, but part of the reason may be because this is much more difficult overall than barbiere and therefore not performed as often, nor as well usually
A perfect production. Alma Deutscher has added some bel canto to her German language version of Cinderella. Will be interesting to compare the results. Would not surprise me if she matches Rossini.
Fabulous.
la migliore versione allo stesso livello di quella del 2005 alla scala
Corbelli is the only one tjat can do the throath coloratura without disturbing me. The 90% of the today singers that try to emulate him sounds like old grannyes..
劇中，最後一首全體演員的輪唱曲，花腔女高音仙杜拉(Cenerentola)從『在焦慮和流淚中成長』唱到『我不再孤獨地在壁爐邊傷心歌唱』，流露出她的辛酸史。
Corbelli is really funny
I came here thanks to the film Closer 😂
2:02:40
2:30:40
1:17:28
Zitto Zitto Piano Piano Thank you Kind Starger!
1:42:22 che voce buffa 🤣
2:10:30
I have this DVD and I love Cecilia Bartoli but I really hate the grimaces she makes when she sings.
MATÍAS ACUÑA
Mlpks c'è
extraordinario elenco!!!!!!LEO NUCCI increible en su parte (1 hora 41 minutos 10 segundo))
Where is Leo Nucci??
arturo zeballos He isn't Nucci. He's Alessandro Corbelli, another great italian bariton.
Here for Laura
Compare the singing of CB in this production with the wonderful singing by von Stade. Von stade is a real singer
Inderdaad , STEGEMAN daar houd ik van. De rest zal me worst wezen !
I admire Bartoli in other role or persormances but in this Algelina is out of character.
She's been playing this role for decades and is considered as probably the world's leading exponent of ANgelina. She's singing it this New Year's Eve in Zurich and has sold out all but a handful of single and restricted view seats, with the best seats at £300 (if only). You're perfectly entitled to your opinion, but I think you may be in a tiny minority.
Acho a atuação da Cecilia (Cinderela) muito exagerada....
Robert G. Marcéllo ?!?!?!?!
I find Cecilia very difficult to listen to. she has all the notes, but it is difficult to distinguish between her vibrato and the trills.. A much better version - which is perfection and definitive for costumes, set, direction and singing is the la Scala version of 1981 with Frederica von Stade - czcams.com/video/SeVezYX1m6M/video.html
This permanent Ranking of different Performances is a bloody nuisance. Pretending to be superior judge Over all these fabulous marvellous impeccable Artists Shows low Character. Just let Them be as what they all are : a miracle, and beauty brought to this Planet.
Bartoli ruining the whole thing..
From 35:44 until 35:50, Cecilia Bartoli: HORRIBLE.
She makes my skin crawl, grotesque singing (if you can call it that).
No, she is not
@@nattie-k8380 I didn't talk about her aspect, of course. I meant her voice in that part: horrible.
La Bartoli starnazza, come sempre! Assurdo che la lascino cantare! Orchestra troppo da "banda".
Preferisco Sonia Ganassi su Cenerentola.
Non male, ma Abbado Ponnelle-Montarsolo ecc, restano insuperati