अजून एक बाब लक्षात आली. गाणारा एका manobhumiket रमत असताना दुसऱ्या manobhumiket पटकिनी पण सहज पणें जाणे कलावंताची त्याच्या तयारीची परीक्षा पाहणारे आहे. तुम्ही उत्तमप्रकारे यशस्वी झाला आहात
I am not sure the Aroh and avaroh actually describe the raag, many of these raags need to be grasped by the key phrases ( this would probably apply to all raags)
Arohi avrohi is not the key point of the raag - the phrases are the key points, look at how any of the old ustads learned, Ustad Faiyaz Khan etc. Etc., they learned the main phrases of the Raags and built on from there as cited by Pt. Manikbuwa Thakurdas, KP Mukherjee, and Dr. BR Deodhar And for a raag like Ramsakh, how the different phrases interact with eachother is very important
अजून एक बाब लक्षात आली. गाणारा एका manobhumiket रमत असताना दुसऱ्या manobhumiket पटकिनी पण सहज पणें जाणे कलावंताची त्याच्या तयारीची परीक्षा पाहणारे आहे. तुम्ही उत्तमप्रकारे यशस्वी झाला आहात
thank you !!!
Madam it will be more beneficial if u describe aroh avroh of all the rare raagas please my humble request to u 🙏🏻
Amazing Tai❤️🙏
खूपच छान...
Thank you Tai🙏☺
It will be more beneficial if u describe the aroh avroh of these rare raagas
I am not sure the Aroh and avaroh actually describe the raag, many of these raags need to be grasped by the key phrases ( this would probably apply to all raags)
Indeed. One starts with phrases and then uses them to make a chalan.
I fail to understand why are you not interested about aroha and aboroho. Which is the key point of a rag.
Arohi avrohi is not the key point of the raag - the phrases are the key points, look at how any of the old ustads learned, Ustad Faiyaz Khan etc. Etc., they learned the main phrases of the Raags and built on from there as cited by Pt. Manikbuwa Thakurdas, KP Mukherjee, and Dr. BR Deodhar
And for a raag like Ramsakh, how the different phrases interact with eachother is very important