Fiddle players of Irish Traditional Music who won the All Ireland Fleadh From 1999 to 2023
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- čas přidán 27. 07. 2024
- Fiddle players of Irish traditional music who won the All Ireland Fleadh from 1999 to 2023.
1999年から2023年までのアイリッシュ・フィドルの世界最高峰のコンクール(コンペティション)、「オール・アイルランド・フラー(Fleadh Cheoil na hEireann)」で優勝した奏者の演奏です。
下の文字列は開催年 - 開催地 - 演奏家の名前 - 演奏家の出身地 - 演奏した曲の曲名 - 曲の種類の順で書いてあります。
year - venue - name of player - place where the musician comes from - name of tune - tune type
1999 (Enniscorthy Co.Wexford) Oisín Mac Diarmada (Sligo) The New Mown Meadows (Reel) 0:00
2000 (Enniscorthy Co.Wexford) Ita Cunningham (Galway) Hendon Road (Reel) 2:03
2001 (Listowel Co.Kerry) Zoe Conway (Louth) Jenny's Welcome to Charlie (Reel) 3:27
2002 (Listowel Co.Kerry) Fergal Scahill (Galway) Jenny's Welcome to Charlie (Reel) 7:53
2003 (Clonmel Co.Tipperary) Aisling Ní Choisdealbha (Tipperary) Farewell To Milltown (Reel) 10:27
2004 (Clonmel Co.Tipperary) Micheál O’Rourke (Clare) The Thirteen Arches (Reel) 11:56
2005 (Letterkenny Co.Donegal) Michael Harrison (Tipperary) Lad O’Beirne (Hornpipe) 13:35
2006 (Letterkenny Co.Donegal) Aidan O'Neill (Tyrone) Farewell To Ireland (Reel) 15:17
2007 (Tullamore Co.Offaly) Laura Beagon (Mohaghan) Lucy Campbell's (Reel) 18:00
2008 (Tullamore Co.Offaly) Rónán Mac Grianna (Mayo) Lad O’Beirne (Hornpipe) 20:02
2009 (Tullamore Co.Offaly) Johnny Canning (Glasgow) Black Pat (Reel) 22:06
2010 (Cavan) Lisa Ward (Leitrim) The Trip To Nenagh (Reel) 24:22
2011 (Cavan) Tara Breen (Clare) Dowd's Favourite (Reel) 26:03
2012 (Cavan) Niall Ó Murchú (Armagh) Bonnie Kate (Reel) 28:13
2013 (Derry) Lydia Warnock (Leitrim) Dowd's Favourite (Reel) 30:15
2014 (Sligo) Dylan Foley (New York) Jenny's Welcome to Charlie (Reel) 32:23
2015 (Sligo) Aoife Cunningham (Cavan) Farewell To Ireland (Reel) 35:10
2016 (Ennis Co.Clare) Darragh Curtin (Kerry) I don't know the name (Reel) 38:12
2017 (Ennis Co. Clare) Roisín Anne Hughes (Glasgow) Jenny's Welcome to Charlie (Reel) 40:12
2018 (Drogheda Co.Louth) Caoimhe Kearins (Sligo) The Mullingar Races (Reel) 42:58
2019 (Drogheda Co.Louth) Dylan Carlos (Roscommon) The Starry Lane To Monaghan (Reel) 45:05
2022 (Mullingar Co.Westmeath) Sarah O’ Gorman (Waterford) George Peoples’ (Reel) 46:35
2023 (Mullingar Co.Westmeath) Ademar O'Connor (Offaly) Mrs Lawrie’s (Reel) 48:40
Connacht: 8 times. (1999, 2000, 2002, 2008, 2010, 2013, 2018, 2019)
Munster: 6 times (2003, 2004, 2005, 2011, 2016, 2022)
Ulster: 4 times (2006, 2007, 2012, 2015)
Leinster: 2 times (2001, 2023)
Glasgow (Scotland): 2 times (2009, 2017)
New York (USA): 1 (2014)
Jenny's Welcome to Charlie have been played 4 times. (2001, 2002, 2014 & 2017)
Farewell To Erin (2006 & 2015) and Dowd's Favourite (2011 & 2013) have been played 2 times.
Lad O’Beirne Hornpipe have been played 2 times. (2005 & 2008)
【関連ページ】アイリッシュ音楽の国際コンクール「フラー」の優勝者の演奏
【related page】
www.irish-fiddle.net/fleadh-w...
#アイリッシュ #フィドル #ヴァイオリン - Hudba
Amazing fiddlers! Thanks for sharing this history!
Love this. Thank you for putting this together! A lovely compilation to see all in one ❤️🎻
Excellent composition Willie Fogarty 👍👏👏
75% are just above average players that have a homogeneous "comhaltas" style. Only 3 or so that are really class, and they stand out well above the rest. The senior fiddle competition is simply not what it used to be. Its now more notable that nearly every top player has not won this competition, whereas the opposite was true up until around 1990.
eg.
T Peoples, L O'Connor, C McEvoy, J Smith, F Gavin, T Linnane, C McHugh, A Connolly, C Egan, C Lennon, D Hickey, L Flanagan, R Flaherty, A McGann, S Costello, J Kelly, S McGuire, D McCague, J & J Carty, J Cullinane, C Ó Maonaigh, J Doherty, D McLoughlin, Maura O Keefe, and many many more
The "pure drop" in Irish trad and the type of music promoted by comhaltas has been rapidly diverging. Really says a lot that so many players of this caliber either did not win or chose not to be associated with the senior all ireland. While its sad that an organization with the influence of Comhaltas is promoting the wrong type of music, the consistent inflow of high quality fiddle players up to the present day is encouraging.
These are all good musicians and not trying to put anybody down, just making a point that needs to be said even if its unpopular. The senior fiddle competition just shouldn't carry the influence that it does at this point and feel that should be recognized. Competitions of this nature should be for kids as a source of motivation and inspiration, not for adults with results that carry career altering implications.
When I was young my Mum told me not to bother with trad. She told me that it was scrapey music, played by decrepit old men in dirty pubs. So naturally I became curious about it. I learned to play mostly from James Byrne and John Doherty recordings, then went to fleadhanna and wondered why no one liked this music. I was naïve, but that was just the way it was.
There is no point denying that the music has become more technically proficient now than it used to be, that is to be expected with better instruments, better tuition and a bigger talent pool. However, I do wish that Comhaltas would accept the regional styles as well.
The world is going forward not back and it is great that young people like playing trad, but the thing is they expect a professional career at the end of learning. This is a problem because there is not a big enough audience to support them all as full time musicians. So I just carry on playing highlands and mazurkas as well as jigs and reels just because I like it and I can't see that changing.
im curious as to your 3 that are class?
@@davidgilhooly9502 iykyk :) Who do you think?
@@user-rn4wl4cs4ywhy don’t you just say
What's the "pure drop" and what's being promoted by Comhaltas? Can anyone point me to examples of either! I heard so many different styles of playing here I expect somewhere there is what you men by Comhaltas style - but who or what is 'pure drop'?
Did not think Connacht would be top of the leaderboard
What a blast to see Zoe so young. She hadn't the finesse she has now, but her greatness was just as evident.
She was my first trad teacher during a workshop and I remembered my father said to me before « Look at her nice playing » and it’s true that she’s marvelous !
@@sarahleberre6063 wonderful story, and a perfect quote.