Woodwinds: MIDI Programming Secrets - with Erik Snopko

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  • čas přidán 29. 08. 2024

Komentáře • 9

  • @vtohiercomposer9285
    @vtohiercomposer9285 Před 7 měsíci +3

    Erik Williams, that's great! 🎉 You make it sound so well! And also: showing Cubase's expression maps, useful but unseen heroes of our favourite DAW. A job nicely done! 👌

    • @ViennaSymphonicLibrary
      @ViennaSymphonicLibrary  Před 7 měsíci +1

      Vincent, thank you very much for the kind words 🙂Indeed! The expression maps are my inevitable tools of Cubase, together with the Time warp tool 😉- Erik

    • @vtohiercomposer9285
      @vtohiercomposer9285 Před 7 měsíci

      @@ViennaSymphonicLibrary Erik, come on, man! Colleagues support each other and stick together! 💪👏

  • @MrDaduh59
    @MrDaduh59 Před 7 měsíci +1

    Nice performance, fun piece and excellent programming tips!

  • @stigc56
    @stigc56 Před 7 měsíci +1

    Hi. It sounds really fantastic. I wonder how you deal with the delay in the different articulations? All you seq. in Cubase seems to be quantized and you have one channel pr. instrument. How are you making the timing sit so well?

    • @ViennaSymphonicLibrary
      @ViennaSymphonicLibrary  Před 6 měsíci

      Hi! Our Sample Editing team made sure that all articulations and notes start at the same time. This consistency allowed me to quantize all MIDI notes. Additionally, I used the Humanize delay to avoid all notes sounding exactly at the same time. This piece also uses a Tempo map to match slight timing changes to the original track. - Erik

    • @stigc56
      @stigc56 Před 6 měsíci

      Hi Thanks a lot for your answer. It's not usual that all articulations in a library has a uniform delay value.@@ViennaSymphonicLibrary

  • @AntonioCasoriaComposer
    @AntonioCasoriaComposer Před 7 měsíci

    🙂