That’s the Szeryng’s fingering, right? He used a lot of small slides like this to avoid moving same finger to another string on consecutive chords. Which I think is very practical.
@@DanielKurganov PLEASE HELP WHY DON'T NOTES ON THE E STRONG SOUND AS GOOD when I play as when I hear other ppl especially F SHARP , G and A and B...especially when I'm trying to learn bachs saraban from Suite no.6 from cello for violin..Hope to hear from you...
@@leif1075 there could be a lot of reasons for this. You'd need to be more specific for someone to give you the best help but here are some things to consider. 1 It could be the E string you have on your violin. My preference (on a modern violin) is a wound E string such as the Thomastic Dominant wound E - it matches well to the tone of the other wound strings, minimizes harshness, and doesn't easily make a "whistle" sound when quickly switching strings. I also usually use the little plastic tube that comes with a lot of (non gut) E strings; put it where it is held between the bridge and the actual string, so that at least half of the little tube is on the tailpiece side (between bridge and tailpiece). 2. It could be your playing technique. Make sure your bow is straight, not too close to bridge or fingerboard; become comfortable using the whole bow but most of the time the middle of the bow is preferred 3. It could be the violin. Try out a good quality violin that isn't the one you've been using...just to see if that's the problem?
@@julianbrelsforddomint e is notorious for whistling especially in fast passages, and the little tube on the string is uneeded if you have a parchment, it makes little to no difference in your sound
In flamenco guitar we have similar, there are guidelines but no set positioning for each finger based on note frequency. Each transition is a geometric puzzle based on what precedes and what follows (classical guitar has the same puzzles). There are guidelines for optimal position based but these can be compromised when necessary or simply chosen. I love the expression of your playing, I have only just started the violin at 50 years of age (10 weeks in), but I am loving the technical puzzles it presents. My main hurdle so far is intonation but I am trying to solve this with double stops or drone harmony strings. Using a bow feels completely overpowered in terms of projection of both errors and fortunate accuracy. It reminds me of the Archimedes quote ... “Give me a lever long enough and a fulcrum on which to place it, and I shall move the world. Thank you for uploading this video. It was wonderful.
Yes I love finding and messing about with those geometric puzzles… as a former guitarist myself I wish I had been more sensitive at that time to feel and appreciate the geometry.
Third phalangia vertical like hamer of piano on the strings. Shift with second finger vertical too. Quick precise vibrato. My professor call it in french « bien articuler chaque note, et garder le contrôle des doigts „ thanks professeur!!
Ottimo suggerimento, funziona perché per un attimo il violinista organizza enarmonicamente l'intonazione di una terza maggiore anziché di una quarta diminuita. Inoltre il primo dito è libero di concentrarsi sull'intonazione del mi bemolle. Ottimo!
I like this but it might be muscle memory since I tend to have better intonation using my 1st finger instead even though it is technically more challenging
I've {{had no right in playing violin for the past 51 years except out of sheer passion & desire to do so, because I have little to no [actual] 'real' talent for music in my 'soul'}} still found JS Bach, & especially, 'that' G-minor Sonata for violin solo to be "'the"' αβsolυtε most gloriously βεαυtifυl piece of music ενεr ωrittεη - fingering-?, ...after 3 T.I.A.s [mini stokes], I'm just happy to be able to 'pick uP' my violin: {8~)
![Violinist’s Complete Guide: Maintenance, Adjustment, Strings, etc [Beginner to Pro]](http://i.ytimg.com/vi/v7MIWngBpA8/mqdefault.jpg)
![Violinist’s Complete Guide: Maintenance, Adjustment, Strings, etc [Beginner to Pro]](/img/tr.png)
That’s the Szeryng’s fingering, right? He used a lot of small slides like this to avoid moving same finger to another string on consecutive chords. Which I think is very practical.
Exactly! I love Szeryng’s Bach edition. So many little tricks… and one can picture him just masterfully executing them…
@@DanielKurganov PLEASE HELP WHY DON'T NOTES ON THE E STRONG SOUND AS GOOD when I play as when I hear other ppl especially F SHARP , G and A and B...especially when I'm trying to learn bachs saraban from Suite no.6 from cello for violin..Hope to hear from you...
@@leif1075 there could be a lot of reasons for this. You'd need to be more specific for someone to give you the best help but here are some things to consider.
1
It could be the E string you have on your violin. My preference (on a modern violin) is a wound E string such as the Thomastic Dominant wound E - it matches well to the tone of the other wound strings, minimizes harshness, and doesn't easily make a "whistle" sound when quickly switching strings.
I also usually use the little plastic tube that comes with a lot of (non gut) E strings; put it where it is held between the bridge and the actual string, so that at least half of the little tube is on the tailpiece side (between bridge and tailpiece).
2.
It could be your playing technique. Make sure your bow is straight, not too close to bridge or fingerboard; become comfortable using the whole bow but most of the time the middle of the bow is preferred
3. It could be the violin. Try out a good quality violin that isn't the one you've been using...just to see if that's the problem?
@@julianbrelsford what do you mean by wound W string exactly since all strings are wound not sure...thanks for answering
@@julianbrelsforddomint e is notorious for whistling especially in fast passages, and the little tube on the string is uneeded if you have a parchment, it makes little to no difference in your sound
I'm totally stealing that next time I study the G minor Sonata. Right now I'm on the A minor.
Omg sameee
gorgeous
I just love the sound of multiple strings
your a wonderful instructor
My teacher, Leonid Kogan’s pupil, taught me to play like that…
Wow, must have been great to have had that teacher
Wise choice
In flamenco guitar we have similar, there are guidelines but no set positioning for each finger based on note frequency. Each transition is a geometric puzzle based on what precedes and what follows (classical guitar has the same puzzles). There are guidelines for optimal position based but these can be compromised when necessary or simply chosen.
I love the expression of your playing, I have only just started the violin at 50 years of age (10 weeks in), but I am loving the technical puzzles it presents.
My main hurdle so far is intonation but I am trying to solve this with double stops or drone harmony strings.
Using a bow feels completely overpowered in terms of projection of both errors and fortunate accuracy.
It reminds me of the Archimedes quote ...
“Give me a lever long enough and a fulcrum on which to place it, and I shall move the world.
Thank you for uploading this video. It was wonderful.
Yes I love finding and messing about with those geometric puzzles… as a former guitarist myself I wish I had been more sensitive at that time to feel and appreciate the geometry.
Third phalangia vertical like hamer of piano on the strings. Shift with second finger vertical too. Quick precise vibrato. My professor call it in french « bien articuler chaque note, et garder le contrôle des doigts „ thanks professeur!!
Oooh I will try this!! Better connection...
Dude that’s sacrilegious…
I know dude. I went there.
Beautiful performance my dear Daniel, thanks for sharing 💖
trying out new thinngs becuase of these short videos. this is a really cool format you are doing!
Ottimo suggerimento, funziona perché per un attimo il violinista organizza enarmonicamente l'intonazione di una terza maggiore anziché di una quarta diminuita. Inoltre il primo dito è libero di concentrarsi sull'intonazione del mi bemolle.
Ottimo!
Yep, that is good!
it's great!
I like this but it might be muscle memory since I tend to have better intonation using my 1st finger instead even though it is technically more challenging
For sure, that makes sense!
I've {{had no right in playing violin for the past 51 years except out of sheer passion & desire to do so, because I have little to no [actual] 'real' talent for music in my 'soul'}} still found JS Bach, & especially, 'that' G-minor Sonata for violin solo to be "'the"' αβsolυtε most gloriously βεαυtifυl piece of music ενεr ωrittεη - fingering-?, ...after 3 T.I.A.s [mini stokes], I'm just happy to be able to 'pick uP' my violin: {8~)
I've always used that tbh
Smart
Ayo what dat pinky doing 🧐
Sir how do you count 3 and 4 flag notes
Caracas que afinação 😮 ,tem como fazer umas aulas online,eu só não falo nada de inglês,terá que ser por libras ou só na base do dó rê mi fá....
❤🙏
Cool! Who is your violin maker? Modern? The tambre/color of the tone is amazing!
thanks! My violin is made by Andrew Ryan
@@DanielKurganov how long will it take to learn this if I'm just learning double stops?? thanks for sharing..
Es una multicuenta del xocas 😱
I don't get it - I've used those fingerings all my life.
Yes, I know some people have always done that. But virtually every student that comes through my door is using first finger on F sharp :-)
What's the name?
What’s this song?
What’s that piece called?
G minor Sonata by J. S. Bach, BWV 1001
@@toffifeewolf2069 thanks.
I don´t get it
Why is it so weird?? 🥺
I guess not weird to some :-) but to many it wouldn’t immediately be obvious to do 2-2 there!
If you slowed down a bit, you would almost be as good as one of my favourite soloists(hilary hahn)
Not weird to me.