Shiva Shambho (Solo Version by Swathi Jaisankar)
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- čas přidán 3. 03. 2019
- A solo version of "Shiva Shambho" performed by Swathi Jaisankar on October 7, 2018 for The Outlet Dance Project at The Grounds For Sculpture, Hamilton, NJ.
Choreography: Swathi Jaisankar, Sophia Salingaros & Isha Parupudi
Music: Parshwanath Upadhye
Credits:The Outlet Dance Project, Grounds For Sculpture
Videography by Martin Dominguez Ball
Installation: James Carl, oof, 2018, cardboard, Courtesy of the artist and TrepanierBaer Gallery
To feature in an IndianRaga production, apply to be an IndianRaga Fellow at indianraga.com/fellowship #indianraga - Hudba
It is very difficult to dance solo instead of three.But you have done it very nicely.Outstanding
Mind blowing!! You're my inspiration and I hope I can dance like you someday
Ananya, Thanks a lot & good luck with your dancing!!
No words can describe how I felt after seeing this ....Gave me goosebumps 😍
Wonderful performance with so much of perfection!!!! Love it
Wow!!! Great...She nailed it👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌👌...Happy shivratri frndzz
Gayathri Thank you! Happy Shivaratri!
Superb mam amazing
Indian raga 🥰🥰
Such a graceful dancer and has gain quite a mastery over it... Always love to watch Indian classical dance and music.. Thnks to organiser and publisher to provide us this masterpiece.. Please keep it up.. Best wishes.. And proud to be Marathi... Jai Bhavani 🙏🙏
SARANG ias passionnate Thank you so much!!
Divine 🤗
Wow wow wow superb.. Did anyone blink your eyes? I'm definitely not... 👏👏👏👏👏👏👏👏💜🙂🙂🙂🙂🙂
அருமை! அற்புதம்! சிலிர்க்கச்செயும் நேர்த்தியான நாட்டியம்!!! வாழ்த்துகள்
Harr harr mahadev om namahh sivaiy jai ho tridev tri shakti ki jai ho tridev tri shakti ki jai ho tridev tri shakti ki jai ho jai
I ❤Love indian raga
Your steps is wonderful. I all the steps
Outstanding ... beautiful ❤️
Incredible. Your jumps are pristine and gestures sharp.
Wow great job such gracefully she danced wow. 👌👌👌👌👌👌👌👌👌👌👌👏👏👏👏👏👏👏
Wow that was beautiful!💃🏾❤🤗
You are the most graceful Indian dancer I have ever seen. There is divinity to your movements. Well done!
Thank you, means a lot!!
How can a person click dislike after watching this..ultimate...
Lots of love from Tirupati.. One of the loved subscribers of Indianraga❤❤keep going.
Such a great performance God bless you sister. Ohm namah shivaya 🕉
Delight to watch your performance Swathi!!!
Very Beautiful!😍💫
Great job!!!!!
She is so graceful and perfect in this dance . It is a pleasure to watch her .
vijay singh Thank you!
I am speechless no words
brilliant choreography and stunning performance.....
Copied but the difference is in that video there were 3 and in this solo that's all even I performed on this
No words Swathy Mam.....Amazing performance..........💕💞Love u a lottttt💖keep going......💖
Parvathy B sandeep Thank you😊
I'm in Love 😍
graceful dance
Very good steps, very graceful, very energetic and good expressions. Well done. God Bless You
Mini C Thank you🙏🏼
Awesome Dance
Lovely performance.very graceful and lively.all poses so divine
venkat A Thank you🙏🏼
Beautiful performance Swathi!
Nice dance
I love to see all of your videos
Jst awesome
👍👍👍😄😄
Awesome
Lovely 🤩🤩🤩🤩🤩🤩
Great👏👏
Awesome, her dance is too good👍👍👌👌👌
SK Dance & Leisure Thank you!!
Mesmerizing! 😄 I wonder where the audio of this background score can be found?
So nice 😊😍
Wowww
Amazing
Perfection on Point!!🔥♥️
Nivedita, Thanks so much!!
Hey, this is very beautiful ♥️♥️ I'll learning this for my competition 🤗🤗
Hope you did well😀
Wow great
you were just amazing swathi.
Shivani Dere Thank you😊
@@SwathiJaisankar 🔥🔥🔥😘😘😘
So nice akka
Awesome. So beautiful and graceful.. Time stands still while watching
sheriff mohideen That means a lot thank you!
Wooooow Swathi you are an amazing dancer!!!😍😍😍😍
Thank you!!
Incarnation of goddess !
Konsi dance form hai please bta do @indianraga
wnderful
In one word it's 🤔
Awesome 🌸
Amazing ❤, you guys are keeping our culture alive in every possible way. No one can stand in front of Indian classical dance.
Love for all 💕💕
Rahul Jain That’s the goal, thank you!
Wonderful performance. Where can I download this song?
You are doing that shiva thandavam step
Super
Nice performance swathi
Very nice
Even my daughter is also a classical dancer
Noice👍
Very nice
Unable to find this song in youtube....Can anyone help?
AUM Namah Shiva Ya
Flawless!💯
❤️🙏❤️🙏❤️🙏❤️🙏❤️🙏
A very nice performance, i really enjoyed it. You should do this with 2 or 3 dancers, it should be really nice too.
Versada gavra this is the actual dance czcams.com/video/JWhA3ldZcyY/video.html
I am your big fan
Thanks so much!!
Nice
😊🙏✌
she is SOO talentful!! (and pretty)
I am a Dancer myself
I will practice this for ARENGHETREM
Tutorial pleaseee
Great dance. Now let us see the History of Bharata Natyam and carnatic music.
Bharatanatyam and carnatic music
Bharatanatyam and carnatic music have their roits in tamil SATHIR AATTAM AND TAMIL PAN. “It is a well - known fact that Tamizh language is one of the oldest languages in the world. Not only is it old but also it is very rich in literature.
But what makes Tamizh unique and special is that it has survived the ravages of time and is still spoken by millions of people across the globe.
Dance and music (or for that matter any form of fine arts) has always been part of Tamizh culture.
‘Tholkaappiyam‘, the authentic work on Tamizh Grammar that was written in 500BC by Tholkaapiyar-considered to be a student of the great sage ‘Agaththiyar’ mentions a lot about classical dance.
Starting from Tolkappiyam, many texts like Pancha Marabu, Kooththa Nool, Bharata Senapathiyam have defined the grammar of classical dance.
‘Pancha Marabu‘by Arivanaar-which was also written almost the same time as Tholkaapiyam - describes in detail about music and dance. It talks about various hand gestures,abhinaya,kooththu,,naatyam.It also describes the letters to be used for jathis-tha,thi,tho,ki,k.
Then there is ‘Kooththa nool‘ authored by Saaththanaar. This is the oldest available text on the grammar of classical dance.‘Kooththa Nool’ has two sections, ‘Suvai’ and ‘Thogai’ with 153 and 162 verses respectively and says that the sound, the letters and the music emanated from the Dance of the Lord.
It also says that ‘Om’ is the beginning and the end for everything.
The author seems like a good psychiatrist, philosopher and most importantly an intellectual.
The link between human life and the Nava Rasaas have been described in detail by the author.
Here is a verse form Koothanool. Tastes emerge from the feelings within and these are expressed as dance. Feeling is the soul, Taste is the Mind, and expression is the body’.
அகம்உயிர் ஆகச் சுவைஉளம் ஆக
இழைஉடல் ஆக இயல்வது கூத்து.
It is a cryptic verse with very deep meanings but what was written nearly 2500 years ago holds good even now. And this is applicable to any art form.
However, ‘Silappathigaaram‘-one of the five major epics in Tamizh-is considered to be a complete book on classical dance. ‘Silappathikaaram’ gives a perfect description about Classical Dance and Music..In the words of the Czech Professor Dr.Kamil Zvelebil,
‘‘The epical poem of Silapathikaaram which by its baroque splendour and by the charm and magic of its lyrical parts belongs to the epic masterpieces of the world and should be admired and beloved by all in the same was as Poems of Homer, the Dramas of Shakespeare, the Pictures of Rembrandt, the Cathedrals of France and Sculptures of Greece”.
Silapathiikaram Author, Ilango AdigaL has presented this simple but complex story, what attracts a connoisseur is the way he has structured the grammar of Music and Dance.
Though there are lot verses, I am giving below one sample verse that speaks volumes about the quality of the work.
It says ‘One must start learning classical dance at the age of five without any compromise on Musical, Dance and Aesthetic Elements, practise rigorously for seven years and perform at the age of twelve.’
ஆடலும் பாடலும் அழகும் என்று இக்
கூறிய மூன்றில் ஒன்று குறைவு படாமல்
ஏழு ஆண்டு இயற்றி ஓர் ஈர் ஆண்டில்
சூழ் கழல் மன்னற்குக் காட்டல் வேண்டி.
However, it is the description about Classical Dance in ‘Silappadhigaaram’ that calls for special mention and appreciation.
Ilango adigaL must have been a perfectionist. The author elaborates on the qualifications of a Dance Teacher, Percussionists,Vocalist,Flautist, and the person(s) playing the ancient instrument ‘Yaazh’.
He deals with each and every aspect of dance starting from the vocalist, the lyricist, the percussionist, the instrumentalists.
What amazes one is the way he has defined the structure of the stage. Not only has he given the dimensions of a stage but also that he has mentioned about the lighting, and the way the stage has to be decorated.
If the verse
எழுகோல் அகலத்து எண்கோல் நீளத்து
ஒருகோல் உயரத்து உறுப்பினது ஆகி
உத்தரப் பலகையொடு அரங்கின் பலகை
வைத்த இடை நிலம் நாற்கோல் ஆக
ஏற்ற வாயில் இரண்டும் பொலியத்
தோற்றிய அரங்கினில் தொழுதனர்
gives the desired dimensions of a stage,
தூண் நிழல் புறப்பட மாண் விளக்கு எடுத்து ஆங்கு
ஒருமுக எழினியும் பொருமுக எழினியும்
கரந்து வரல் எழினியும் புரிந்துடன் வகுத்து
talks about the lighting.
He then goes on to describe the ‘Pancha Sandhi’ Kavuththuvum-an item that is performed in the beginning to ward off evil forces-and then the 11 different dances called as ‘Pathinoru aadal’..
And that is the reason ILango AdigaL paid importance to music as well while talking about dance.
In just one verse, he gives the names of the seven swaras as per Tamizh PaN.
குரலே, துத்தம், கைக்கிளை, உழையே
இளியே, விளரி, தாரம் என்றிவை
எழுவகை இசைக்கும் எய்தும் பெயரே
சவ்வும் ரிவ்வும் கவ்வும் மவ்வும்
பவ்வும் தவ்வும் நிவ்வும் என்றிவை
ஏழும் அவற்றின் எழுத்தே ஆகும்
Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam.
In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale.
But more than all these, what leaves one wonder struck is his definition of Gruha Bedam-tonic shift. He calls this as ‘Kural Thiribu’.
He says ‘if the Thuththam(ri) of Mohanam is the base, it would give Madhyamavathi, if the KaikkiLai(ga)is the base it would give Hindolam, the ILi(pa) would give Sudhha Saveri and the ViLari(dha) Sudhha Dhanyasi’.
Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century?Bottom of Form
‘MaNimekalai’- considered to be an offshoot of ‘Silappathikaaram’ since MaNimekalai was the the daughter of Madhavi and Kovalan- also talks a lot about the dance.
Written by ‘Seeththalai Saaththanaar’, the text mentions about Tala Aruthi,the eleven different forms of dance-as already mentioned in detail in ‘Silappathikaaram’-the two forms of ‘Kooththu’ and the existence of a grammar book on ‘Bharatam’.
In another major text, ‘Seevaka ChintamaNi’, the chief protagonist, Seevakan himself is a dancer.
Sources: Mr. Rajendra Kumar who acknowledged the information provided by Prof.Raghuraman in the book titled ‘Tamizhar Natana Varalaaru’.
Here are a few websites that you may access for further reading
www.thinnai.info/downloads.php - for downloading Tamil Documents
tamil.net/projectmadurai/- Project
Which dance form is this
🙏💐🙏👏👏👌👌👍👍🙏💐🙏
wow even i learn bharatanatyam can you tell me some tips how to dance so fast
Sandip Sasmal It helps to do the moves with correct form multiple times at a slower speed and then at a medium speed before you try the faster speed!
My gawd... You're amazing💜
Mathu Mitha.B Thank you!
☺☺☺👌👌👌👌👌👌👌👌👌
She is so beautiful and graisefull 👏👏
mamatha ulall Thank you!!
Amazing performance 👌
Nicely did. Loved it. One question if u guys don't mind. As in this song sir parashwanath upadhaya performed nd in the description section also it is mentioned that the song is used . So did for using, u took permission or just giving in the description box is fine?
Annesha Dasgupta Thank you! We asked him for permission before using the song.
@@SwathiJaisankar oh ok thank you for the information.😊😊
the steps done approx..on 2.14 to 2.18..seems easy bt it is not .I tried so much bt i can't do that....how you do mam plz tell me
papa's princess That step is called "Theerumanam" in bharatanatyam. Search for a theerumanam tutorial on youtube ☺️☺️
shivani suresh ...oo thanku so much mam for rply..it means a lot
papa's princess That is not me in the video Didi 😂Im a dancer too so I simply said haha
Beautiful Performance.. But it would be even more beautiful if, the background and lighting were good..
Sup swathi sis
சார்பாக மிகவும் நேர்த்தியாக அபிநயம் பிடித்து பரதத்தை ரசிக்கும்படி . ஆடி நீர்கள் வாழ்த்துக்கள்.. இன்னும் சற்று முகபாவங்களை நன்கு வெளிப்படுத்தி ஆடினால் அழகு அழகு
2:34
nice but not full song
Why r u 2 hands sheks start steps this rang
Shiva shambo dance ok not shiva tadavam rang steps started
A W E S O M E
I am 12 years old girl and my name is shaiti
thank youuuuuuu but it's my father's name my name is shaiti and I am 12 years old
Best wishes for your dancing Shaiti!!
It was neas.🤔 But you kopi dance okay 💃🏻👈🤙🤙
The background is distracting. The facial expressions and mudras cannot be seen well.
Nahhh