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SCORE STUDY EPISODE #27: CHORALE AND TOCCATA (STAMP)
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- čas přidán 15. 10. 2020
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composed by Jack Stamp (1992)
published by Neil A. Kjos Music Company
reduction and analysis by Anthony O'Toole
performed by the Keystone Wind Ensemble
conducted by Jack Stamp
okay mr. o'toole you legit made me tear up with the beginning. i love learning about your values within music and also about how you became the fantastic composer you are today. like holy crap dude, i wanna be like you when i grow up. that was inspiring. thanks :)
Values are important and it’s even more important to hold yourself to those values, not just say them. And also it doesn’t mean that you never change either, values evolve and hopefully improve over the with exposure to newer better information and through working with and hearing the perspective of others. Glad I could touch you in an emotional way and even happier to hear you appreciate Dr. Stamps music, he writes a lot of really terrific pieces and I try to limit the amount I feature as to not seem impartial as I’m a student of his. But there’s plenty other great pieces and I hope this and the Gavorkna video help introduce followers of this series to him
Those chords get me every time
and which chord may the ones that got you this and everytime happen to be? enlighten me :)
The ones at 7:56. Would they still be polychords since there's only one note added?
@@bassoonist4884 jazz people call them 'slash chord' basically regular chords but with different notes. Gives the regular triads a whole new flavor and feel. but yes they are worth repeating 4 or 5 times haha
They're so dissonant, but they're so god-like.
I really LOVED seeing Mr. Camphouse in this- I was a participant in the 2019 YCCMP and he has been nothing but influential to me in my life and I'm so grateful of the relationship I have with him.
ALSO the little shoutout to SUNY Potsdam- that's where I study now :)
Oh nice, that’s such a great program and I got to do it myself in 2016 which is one of my fondest musical memories. Mark Camphouse has been a terrific mentor for which I’m very grateful and consider myself quite fortunate to have him in my life. All the best to you in your studies at Potsdam and keep writing, and thanks for your comment
Gorgeous piece! I particularly like the AM7 + AbM7 pyramid at 9:49.
There are some truly stunning compositions for "lower leveled" ensembles that deserve recognition. There's a grade 2 piece called Troy by Michael Sweeney I remember performing in middle school that, despite being a grade 2 piece, has a chorale section with extraordinary harmonies that have stayed with me, even moreso than some grade 4 or 5 pieces I played in high school.
cool, I'll have to look that up and have a listen! thanks
@@AnthonyOTooleMusic Yes! And I just learned that one of my favorite compositions, Be Thou My Vision by David Gillingham is a Grade 4 piece, and yet it's profound beauty rivals that of any professional level composition. :D
@@looney1023 a great setting, but go listen to the Jack Stamp 'Be Thou my Vision'... it's magnificent and it's in fact the very first piece of his I ever heard and what made me want to study with him.
@@AnthonyOTooleMusic Chorale Prelude: Be thou my vision was my first Jack Stamp piece and I'll agree, it's a great intro to his work. I remember my high school didn't have an English Horn player, so we used a Soprano Sax instead. It's really hard to play that low on soprano but it sounds so much like an English Horn that it even fooled the honor band judges.
Wow such a sense piece of work
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Can you please do BLUE SHADES by Frank Ticheli
I'd love to Jayson but I just did Angels in the Architecture and imma chill on the Ticheli for a minute. Don't worry though I'll come back to it next year! thanks for the comment
Symphony no 3.- “slavyanskaya” by Kozhevnikov next plssssss