BEETHOVEN String Quartet No. 5 in A major (Op. 18, No. 5) Score

"The String Quartet No. 5 in A major, Op. 18, No. 5, was written between 1798 and 1800 by Ludwig van Beethoven and published in 1801, and dedicated to Joseph Franz von Lobkowitz. Beethoven modeled this quartet directly on Mozart's quartet in the same key (K. 464)"
-Wikipedia 2019
Performed by the Emerson String Quartet (Eugene Drucker, violin; Philip Setzer, violin; Lawrence Dutton, viola; Paul Watkins, cello)
Allegro - 00:05
Menuetto - 06:21
Andante cantabile - 11:15
Allegro - 20:11

[@konstantinoskaramanis3342]

Kindly note that this is a recording dating from 1994, so the cellist at that time was David Finckel, not Paul Watkins who replaced him in 2013.

[@leffphield]

Aaaaah yessss, those strings!!!

[@leffphield]

Marvelous!!! I do declare!!

[@chenjunqian3283]

17:18
never better

[@thatsEforEveryone]

This sounds so pretty

[@thomaswalkerjefferson3370]

Very good recoording, very clear and legible score. Beautiful! Keep up the good work!

[@mateusmachado5642]

Genial.

[@mirrors1]

Meraviglioso e inarrivabile Beethoven!

[@emilyho5075]

trio at 8:48

[@Aristaeuss]

14:00 - 14:15 doesn't that sound like Death and the Maiden? Or rather, doesn't Death and the Maiden sound similar?

[@thatsEforEveryone]

I think I know what you mean

[@olivierdrouin2701]

Et le trio du scherzo,doit on le considérer en pensant à Schubert?

[@crazydogg0996]

Yeah I hear it too! Maybe Death and the Maiden was based on this Beethoven's String Quartet?

[@sillyoldlamb]

20:11

[@tractotus]

An early Beethoven masterpiece!!

[@stravinskyfan]

If you really think this is masterpiece I guarantee you would like Haydn more.

[@ultimateconstruction]

​@@stravinskyfanEvery single Beethoven piece is a Masterpiece.

[@stravinskyfan]

@@ultimateconstruction nah

[@ultimateconstruction]

@@stravinskyfan Ok, which ones aren't?

[@stravinskyfan]

@@ultimateconstruction lots

[@soup6847]

8:48

[@sylvainpenard9354]

2nd theme 20:44 (choral inspired by Mozart K464 4th mvt at 31.42)

[@olivierdrouin2701]

Pour la reprise du type de fascination propre au k 464 , il y a à aussi , peut être et peut être encore mieux !, la partie lente dans le final de l opus 9 n°1.

[@CFDavid847]

Do we have documented proof of that?

[@dzinypinydoroviny]

It's just a theme in whole notes, that's it. They have nothing more in common.

[@olivierdrouin2701]

Le menuet me fait penser au "cabinet de curiosites-chambre des horreurs" d un"aristocrate-serial killer" du XVIII qui s en serait servi comme Agatha Christie s est servi de comptines enfantines(ou Dario argento dans "les frissons de l angoisse")

[@olivierdrouin2701]

Quelle interprétation magistrale !
C est qui ?

[@crazydogg0996]

C'est le quartet d'Emerson.

[@otakuxgirl6]

First

[@DanielFahimi]

.

[@otakuxgirl6]

@@DanielFahimi what do you mean

[@DanielFahimi]

@@otakuxgirl6 I didn't say anything.

[@bradleyscarffpiano2921]

Seriously. no one cares.

[@DanielFahimi]

@@bradleyscarffpiano2921 Oh, great to see you. Hi!