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Psytrance Basslines: 4 Simple Steps to Perfection

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  • čas přidán 15. 08. 2024
  • Hello internet, naturally after creating the perfect kick for your track you need to create the bassline that goes with it.
    This tutorial is designed to show you how in 4 simple steps using Bitwig's stock devices
    Ableton live equivalents :
    • Perfect psy bass with ...
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    #Psytrance #bassline #Olliepsy
    Timetable :
    00:00 Intro
    00:56 Checlist
    03:26 Step 01
    07:42 Step 02
    11:43 Step 03
    12:56 Step 04
    17:29 Final touches
    ===================================
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Komentáře • 38

  • @mathieudubois7374
    @mathieudubois7374 Před rokem +3

    Not only is this a super great on point tutorial. but it`s also really cool to see how confident and precise you have become as a content creator!

    • @olliepsy
      @olliepsy  Před 11 měsíci

      Thank you for your kind words and support Mathieu

  • @pirapsy
    @pirapsy Před rokem

    Keep in mind. If you put sandboxing by manufacture in more than 2 Psyscope instances in a project, psyscope tracks will automatically get routed with each other so you dont have to open multiple times the Psyscope plugin. An example in order to understand my poor English explanation would be. Put sanboxing by manufacture so that plugins from same manufacture communicating with each other. Put a Psyscope to bass channel, put a psyscope to kick channel. Now you have both channel signals appearing all in one plugin (psyscope) window. Same applies for other plugins as an example with multiple Fab. Pro Q 3 instances. Thank you for bringing us great content and inspiration.😊

  • @BorisBarroso
    @BorisBarroso Před 6 měsíci

    THANKS OLLIE for the tutorial, when I make my bassline I put another filter after the first filter to remove the clickiness, one thing that really worked well is using the multibandFX and add a transient split to the high end and control the attack. I use saturation on the high end and eq at the end. I'm quite happy with the result. Just sharing part of my process. I also use the multiband FX to give the bass that disperser sound.

  • @Projektor_music
    @Projektor_music Před rokem +14

    I wish I could explain this well in one take lol...

  • @danieldewindt3919
    @danieldewindt3919 Před rokem +2

    wau never new bitwig was so (modular). Time to give it a try
    grate to see how simpel psytrance is to make!
    thanks a lot

    • @olliepsy
      @olliepsy  Před rokem +1

      It is basically a modular DAW, you can modulate everything with everything ;)

    • @danieldewindt3919
      @danieldewindt3919 Před rokem +1

      @@olliepsy pff yet another daw to learn.
      Just started fiddling with vcv rack.

  • @pedroperobelli9542
    @pedroperobelli9542 Před rokem

    Wow bro you are amazing. Love your videos. You don't just say "do this cuz it sounds good" for just explaining the basic principles of the processes you already answared a lot of questions I had and couldn't find a more direct answer. Hope I can take your course in a near future.

  • @GereonBohlmann
    @GereonBohlmann Před 6 měsíci

    Your Videos are always Inspiring

  • @Artek604
    @Artek604 Před rokem

    The amount of control Bitwig gives over every aspect of the sound is incredible.
    Good luck recreating this in S1, Cubase or even Live :)

    • @olliepsy
      @olliepsy  Před rokem +2

      To be fair and square, in the case of this bassline, Ableton does give you the exact same control unless you start adding different effects to the different bands of Multiband FX3!
      However, the moment you start making things a bit more complexe, nothing can come as close as Bitwig ^^

    • @Artek604
      @Artek604 Před rokem

      @@olliepsy Right! What you're using as a frequency splitter in Live? EQ-8 or Autofilter in FX Rack? Or Multiband Compressor? Or EQ Three?

    • @olliepsy
      @olliepsy  Před rokem +1

      @@Artek604 I found multiband compressor to be the most straightforward, you just need to drag & drop, turn off the compressors and you're good to go !
      However, if you want to add saturation to seperate bands, then you need to go the EQ3 group methode (3 EQ3 in parallèle)

  • @greggsonic
    @greggsonic Před rokem

    Thanks for the in-depth on the ply-grid for bass! A little different to Vital/Serum! :)

  • @StefanSauer
    @StefanSauer Před rokem

    Love this tutorial! I feel Bitwig's spectrum analyzer is good enough (with the defaults changed for higher resolution). For the Oscilloscope it would be nice if it could be easily beat synced and would overdraw instead of erasing and drawing (which flickers).

  • @CollectiveIntelligenceMusic

    Great video Ollie!

  • @toobshmoob
    @toobshmoob Před 10 měsíci

    Total beginner here so a lot to learn, but I must be missing something along the way. On the SPAN the wave doesn't drop down in DB from 3.0hz to -72DB, instead it stays at -36 and only dips to -42 at the end.

  • @citadelo5ricks
    @citadelo5ricks Před 10 měsíci

    This+Kick videos are great! Thanks so much.
    Question I have, did you try (free) MPhaser to get the phase shift? It would be great to see your feedback on using MPhaser.

  • @PsychedelicUndergroundRecords

    nice tutorial

  • @ricardoporvilho5093
    @ricardoporvilho5093 Před rokem +1

    Dear Ollie, among this great add I would like to see some explanation on how to achieve groove and variations on a faster rolling full on bassline(i.e. 145bpm) like I can hear in your tracks but don't know how to achieve that. when and where to change notes, apply some swing and other creative editing to create such effect??? as a suggestion. please let us know. cheers mate!!!

    • @olliepsy
      @olliepsy  Před rokem

      That would be a great idea for a followup video, thanks for the suggestion :)
      PS : (I work with 148+ bpm :p)

    • @ricardoporvilho5093
      @ricardoporvilho5093 Před rokem

      @@olliepsy yeah something about 145 and 148 would be great to understand where and when to apply such variations keeping the rolling bassline fullon but not boring at same time. we have lots of slow tempo prog examples and it seems more easy to achieve but at higher bpms and shorten notes there is no clear explanation on that matter. appreciate man. thanks.

  • @vishvendrarathore8676
    @vishvendrarathore8676 Před 7 měsíci

    ❤ super 👍

  • @defipunk
    @defipunk Před 6 měsíci

    Any good recommendations for oscilloscopes for Linux?

  • @P4nikStudios
    @P4nikStudios Před 7 měsíci

    Strange to me that you dont render the bass and kick as one shots and then do your pattern/lengths.. You know, to ensure the lengths are perfect + Especially if you are working with any analog sounds to ensure uniformity.

  • @sergoz123
    @sergoz123 Před rokem

    Ollie I have one question:
    I understand this well enough and am confident I can reproduce this in live. But how am I going to go about further adding effects/eq etc on the bass, let's say when I'm mixing the track? Doesn't adding additional effects/devices screw with the phase of the kick, thus kinda ruining the alignment etc? Or do I do your tutorial when I mix the bass itself? Thanks!

    • @mathieudubois7374
      @mathieudubois7374 Před rokem

      To me alighnment is always the last part, when i have done the track and am fully satisfied with the overall tone of kick and bass, then i tweak the alignment

  • @aidennymes6335
    @aidennymes6335 Před rokem

    great video! but maybe - in the next video - you can sidechain your microphone to your master so we don't hear the room while you playback the project.

    • @olliepsy
      @olliepsy  Před rokem +1

      Oh no, I didn't realize it, usually there is a gate on the mic for that!
      Maybe an error occured while exporting :(

  • @AlexandreBique
    @AlexandreBique Před rokem +1

    You could have used the velo mult module.

    • @StefanSauer
      @StefanSauer Před rokem

      Just wanted to propose that too. Makes the patch simpler and gives direct control and visibility of the mod ammount.

  • @astraltravel6918
    @astraltravel6918 Před rokem

    ❤+