Claude Debussy: Le Martyre de Saint Sébastien (Lucerne Festival Orchestra, Claudio Abbado)
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- čas přidán 27. 03. 2015
- Founding Concert of the Lucerne Festival Orchestra. Recorded live at Lucerne Festival, Summer 2003, at the Concert Hall of the Culture- and Convention Center Lucerne.
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Rachel Harnisch - soprano
Eteri Gvazava - soprano
Schweizer Kammerchor / Chorus Master - Fritz Näf
Lucerne Festival Orchestra
Claudio Abbado - conductor
Le Martyre de Saint Sébastien
Musique de scène sur le mystère en cinq actes de Gabriele D'Annunzio
The Martyrdom of Saint Sebastian
Incidental music to the msytery play in five acts by Gabriele d'Annunzio
Das Martyrium des heiligen Sebastian
Bühnenmusik zum Mysterienspiel in fünf Akten von Gabriele D'Annunzio
2:05 I. La Cour des Lys (11:49)
The Court of Lilies
Der Lilienhof
13:58 II. La Chambre magique (9:20)
The Magic Chamber
Der magische Raum
23:10 III. Le Concile des faux dieux (6:08)
The Council of the False Gods
Der Rat der falschen Götter
29:28 IV. Le Laurier bléssé (4:55)
The Wounded Laurel
Der verletzte Lorbeerbaum
34:21 V. Le Paradis (4:55)
Paradise
Das Paradies
The programme of the Lucerne Festival Orchestra's inaugural concert comprised works by Claude Debussy, with the focal point being the 1911 stage music to Gabriele D'Annunzio's Le Martyre de Saint Sébastien, based on stations from the life of Saint Sebastian, who was killed by archers because of his faith. This mystery play, with its elements of music, song, recitation, dance and sets, follows the idea of the total artwork. From Debussy's musical inserts for this five-hour staged work, Abbado put together a five-part suite comprising preludes, dances, soloistic sections and choruses. The speaking roles are completely dispensed with, and the orchestra, chorus and soloists are the protagonists of an expressive sound-picutre comprising some of the most mature and beautiful music Debussy ever wrote.
Claudio Abbado and the Lucerne Festival have enjoyed a close musical relationship spanning nearly four decades. Like many now world-famous conductors, Abbado, too, made his début in Lucerne at the rostrum of the Swiss Festival Orchestra, which from 1943 to 1993 made a decisive mark on the summer music festival. lt was in 1966 that he first conducted the ensemble, made up of Switzerland's best musicians. This was the time when the young conductor also presented himself to the Vienna and Berlin Philharmonic Orchestras. Since then Abbado has been a regular guest on the shore of Lake Lucerne. He came with the Vienna Philharmonic, the London Symphony Orchestra and the Philharmonia Orchestra, and was the first person to bring the music of Luigi Nono to Lucerne, the piece in question being II canto sospeso, which he performed in 1979 with the Orchestra del Teatro alla Scala Milano.
In 1989 Abbado was elected Chief Conductor of the Berlin Philharmonic, and with this orchestra, which had been associated with the festival for decades, he now came to Lucerne every year from the end of August to the beginning of September. Exactly five years ago Abbado and the Berlin Philharmonic had the honour of performing the opening concert in the new concert hall of the Lucerne Culture und Conference Centre, designed by Jean Nouvel and Russell Johnson.
Abbado did not, however, just come to Lucerne as the chief conductor of several major European orchestras. Ha has always been committed to promoting young talent, und has founded several youth orchestras, which he has introduced at the Lucerne Festival. He performed there in 1980 and 1985 with the European Community Youth Orchestra, in 1986 and 1988 with the Chamber Orchestra of Europe, and in 1996 with the Gustav Mahler Youth Orchestra.
The new Lucerne Festival Orchestra is an internationally unique orchestra formed for summer 2003, which right at the start of the festival ensured great musical moments and global headlines: "A conductor is back, an orchestra reborn", wrote The New York Times; "The marvel in Lucerne", acclaimed Berlin's Tagesspiegel. With this newly formed orchestra Abbado was continuing the long tradition of a resident festival orchestra, begun by Arturo Toscanini at the first Lucerne Summer Festival with a "Concert de Gala" when he conducted in front of Wagner's former residence in Tribschen in 1938.
lt has been in the new Lucerne Festival Orchestra that famous musicians have met and, exclusively in this grouping, given performances of works from the symphonic repertoire. The orchestra's principal desks have been occupied by soloists such as Kolja Blacher, Renaud und Gautier Capucon, Wolfram Christ, Stephan Dohr, Georg Faust, Natalia Gutman, Albrecht Mayer, Emmanuel Pahud, Diemut Poppen and Alois Posch, as well as by members of the Hagen Quartet and the Ensemble Sabine Meyer. The basis has been provided by the Mahler Chamber Orchestra - around 50 musicians with whom Abbado has collaborated for years. - Hudba
Words cannot describe. It fills the air with magic.
cette oeuvre au charme insolite et étrange, n'est-elle pas tout simplement le mystère sublime qui se dégage de la musique de cet auteur.
This is a hauntingly beautiful piece. Always loved it
Marvelous Claude Debussy ❤
MAGISTRAL !!!
Muchas Gracias por compartir esta obra maestra, patrimonio de la humanidad.
Great! Beautiful performance! And an underrated work which really deserves to be known.
Grande,magico,magistrale.
Meisterwerk umhüllt von mittelalterlicher Mystik ... Großes musikalisches Werk von Claude Debussy
Magnifique! Leaves me speechless!
-- Très belle œuvre de Debussy. --
Sublime...
This composite edition should be played more often outside France. This work represents Debussy better than anything else being played from his hand
너무 아름답습니다
제가 좋아하는 곡입니다 ❤️
a wonderful dream!!!
That's a new discovery in my Debussy's repertory! Marvelous!
Thank you so much!
thank's for history,very interesting, as Debussy always!
Absolutely perfect❤
very nice !
Bellísimo!
This great work of music truly represents the hermeneutic of continuity between the heathen past of our world and the Christian mind of the Catholic civilization of the West. 20:30
comment ne pas aimer ???
Esplêndido
20:20 then Edgard Varese got inspired.
Debussy bedeutet impressionistischer Schönklang ohne Struktur. Wie wenn man Details eines Bildes aus nächster Nähe betrachtet ohne das Bild zu kennen.
@@hans-dietrichsahr9813 - So, so.
Wenn Sie der deutschen Sprache mächtig wären, wüßten Sie was "so, so" heißt. :D
I was brought here by an Italian history book titled "Fiume", the Croatian city (now Rijeka) that had been promised to Italy in exchange for joining the Allied Forces in WWI, but the allies (especially Woodrow Wilson) reneged on that promise after the victory so Gabriele d'Annunzio, who wrote the lyrics of this piece, illegally occupied Fiume with irregular troops. Anyway, what's really funny is that the role of Saint Sebastian had been played by the Russian dancer Ida Rubinstein, in 1911. "Lei, donna ed ebrea, interpretava il santo dando scandalo, tanto che l’arcivescovo di Parigi, Léon-Adolphe Amette, chiese ai cattolici di non mettere più piede in quel teatro." [my translation: She, both a woman and a Jew, created such a scandal by playing the role of the male saint that the archbishop of Paris... asked Catholics to never set foot in that theater again".
Deben de aclarar en el titulo del video que es la suite
29:28
02:07 自分用
Cómo todas las obras de este genio muy interesante bella y preciosa Gracias por la presentación!!!!
DVD or Blu-ray available?
4:34
I internally die from this beauty every single time
Voilà qui ne va pas me réconcilier avec Debussy... Mais que lui trouve-t-on ? Terrifiant.
Dommage pour vous ! Mais ce n'est pas grave... Le génie n'est pas à la portée de tout le monde.
le martyre du saint est encore plus terrifiant.
There's supposed to be one soprano and one alto
I think they skipped a part...
Hence "Suite from". The entire piece takes at least an hour to perform.
Not the best recording.