Taj re abhiman jaan guniyan ko, gun ki seva na mano ab mano, kaun jane kab mite jaye, saans tan ki chin nahi bharose, tan se gun ko det jag maan, taj re abhimaan
Immortal combinations from divine artists performing with great ragas of Shastria sangeeth soul blossoming through our mortal ears ever lasting even after departing from the sthoola bodies Dhyaneshwar Choolaimedu Chennai
The guest artist should have got more opportunity to speak and explain about the rag. She was cut off as the film song had to be sung... Please increase the duration of the program if a film song has to be sung. After the first bandish there was no appreciation at all of her singing... And did not even allow her to explain a bit more
What a treat it is to listen to various raga from artists I had listened to in my youth. Beautiful rendition of Blaskhani Todi. Thanks for the service.
punha chautal, I always get caught by this taal. I always try 10, 12, 16 but never get it right. Bilaskhani can be enjoyed without paying attention to taal though. Nice once....
The tanpura while Anchoring is in a different scale, and the Singer is singing in a different scale of Tanpura ...It should not differ ..It's confusing ..
Taj re abhiman jaan guniyan ko, gun ki seva na mano ab mano, kaun jane kab mite jaye, saans tan ki chin nahi bharose, tan se gun ko det jag maan, taj re abhimaan
तन के गुन को
न देत जग मान
थोडा क्लीयर करे
गुन की सेवा न मान अवमान
मैने ये सुना है
आपने कुछ अलग लगा
Immortal combinations from divine artists performing with great ragas of Shastria sangeeth soul blossoming through our mortal ears ever lasting even after departing from the sthoola bodies Dhyaneshwar Choolaimedu Chennai
❤000c0⁰00⁰00⁰⁰⁰0⁰0⁰⁰⁰⁰⁰0⁰0⁰⁰⁰⁰⁰
Classical singing ne kbhi rulaya nhi pr aapki singing Sangeet dill ko shuu gya
Just love Arati Tai!🙏🙏😍😇😇
The guest artist should have got more opportunity to speak and explain about the rag. She was cut off as the film song had to be sung... Please increase the duration of the program if a film song has to be sung. After the first bandish there was no appreciation at all of her singing... And did not even allow her to explain a bit more
Agreed
Was that speech was important of Mr. Phansalkar? I agree Madam Aarti should have been given more time...
What a treat it is to listen to various raga from artists I had listened to in my youth. Beautiful rendition of Blaskhani Todi. Thanks for the service.
The voice of the singer is so melodious, it is taking me to a different world.
SREERAM JAYANTHI Her name aarti ankilikar tikekar
Excellent rendering of the touching Rag Bilaskhani Todi.Aarti Madam.Kya baat hai.
সুরের মূরছনায় মনটা ভরে যায়।
Khup sunder,ome of my favourite bandish,
Amazing wah bahut khub wah very nice singing Always explain raag and Bandishesh🙏
To me,a very tough raag to present in it's pure form.But the whole team has made it so simple.Hats off to all of them!
Awesome singing so soft,sweet voice Arti tai great performance 🙏❤
Great initiative to educate the masses
Simply mesmerizin.
Wah kya.bat hai, very nice
Mesmerising
Super Mind Blowing 👌
Really amazing series initiated by EMRC Pune. I feel thrilled each time while watching the series.
Is near to sarvatmaka sarveshwara?
Very nice performances 🙏🎶
Beautiful
Kya baat।,।kya baat!
Great amazing
excellent series
Awesome
Very nicly explained
Waaah keyabat Ji.
Many many thanks
Amaizing
Great madam
Lucknow comes it seems
I like the programe very much
Pls harmonium n tabla player ka parichay karvaiye
Aarti tai great performance
Thanks a lot 🙏🙏🙏
मेरे भाई मुकुंद जी ऐसे करें सभी राग के पुराने हिन्दी गानों की शखला चालु करो महेरबानी
Sach me ..Kuch zaroorat nhi hai actually Hindi filmy gano ko bich me laneki ...
Kya baat hai! Amazing series on Indian Classical Music.. but do mention main artist and accompanying artist's names in the description 🙂
The main artist is Padma Talwalkar. By listening, you can appreciate the hard work Padma has put in.
She is Aarti Anklikar Tikekar...
🙏🙏
Main Artist aur accompnist ka name kha hai
Mukund ji...... U sang so nicely...such a difficult song
Beautiful simply. 🙏🙏🙏👍
Mukund bhai thanks for telling story of vilaskhani raag.
Very nice
Nice
Mukund good to see you in action!
Why dont you mention thaat and which swaras are komal and tivra ??
Bhairavi thaat, re ga dha ni komal
Guru Ge ya komal nishat Kia hy pls explain me.
कोमल निषाद अर्थात कोमल नि स्वर
सब स्वर भैरवी की तरह कोमल है।
आरोह :सा रे ग प ध नि ध सां
अवरोह : रें नि ध म ग रे सा
Artist ka naam kya h koi btaega plzz🙏🙏
Aarti anklekar tikekar
@@larissaalmeida6861 thnku ji ❤️
punha chautal, I always get caught by this taal. I always try 10, 12, 16 but never get it right. Bilaskhani can be enjoyed without paying attention to taal though. Nice once....
This is addha taal( a slower version of teen taal) , 16 beats.
@@karanrajsrivastava7982 He is referring to second song in Ada Chautaal.
Bilaskhan ke bare mein or ek bakiya b hai..
Btao bhai
Han bataiye bhai
The tanpura while Anchoring is in a different scale, and the Singer is singing in a different scale of Tanpura ...It should not differ ..It's confusing ..
Ki Lol pop
Oooooooool oooool poo ki oo
I ordered oooooo o
Very nice. Btw, the song from Lekin is joothey naina not jhootey naina. जूठे, not झूठे or झूटे
Mrs Date should make the subject more interesting. Make the guest bring out special features of the raag. Rather than using ghisa pitaa format.
stage per itna bhafa expression mukh ki banawat
सुंदर प्रस्तुति 👌👌
beech me jo bahi sahib ji bethe hain bekar ka gyan banntne me bahut mahir hain...