120 BPM Drum Beat - Simple Straight

⬆️ Faster ⚡ • 130 BPM Simple Straigh...
⬇️ Slower 🐢 • 110 BPM Drum Beat - Si...
120 bpm drum beat 4/4
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120 BPM • 120 BPM Drum Beat - Si...
130 BPM • 130 BPM Simple Straigh...
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#120bpm #drum #beat
The best sounding drumming tracks & loops for playing, jamming, practicing or composing.
Use it like a cool metronome. Pop, Rock. It shows the measure number at the top left.
120 Beats per Minute 4/4
A backbeat, also simply known as the back beat, is a rhythmic accentuation found on the offbeat, particularly emphasized in beats 2 and 4 within a standard 4/4 rhythm. This syncopated element is pivotal in various music genres, notably in rhythm and blues (R&B), where it significantly contributes to the music's danceable quality. As highlighted in the Encyclopedia of Percussion, the backbeat's appeal in R&B is largely due to its ability to encourage physical movement and dance, adding a dynamic and compelling layer to the music.
The historical emergence of the backbeat can be traced back to the late 1930s and early 1940s with several notable examples. "Roll 'Em Pete" by Pete Johnson and Big Joe Turner, recorded in 1938, and "Back Beat Boogie" by Harry James And His Orchestra, recorded in 1939, are among the early instances where the backbeat was prominently featured. The concept evolved into a more pronounced form in the late 1940s with tracks like "Good Rockin' Tonight" by Wynonie Harris in 1948 and "The Fat Man" by Fats Domino in 1949. These tracks not only emphasized the backbeat but also helped in shaping the rhythmical structure of future rock and R&B hits.
Drummer Earl Palmer, who played on "The Fat Man," credits his use of the backbeat to influences from Dixieland jazz, particularly the energetic and climactic final choruses common in the style. This adoption and adaptation of the backbeat from jazz to more mainstream genres underscore its versatility and enduring appeal in American music.
The application of the backbeat is not confined to the United States. For instance, the 1949 recording of "Mangaratiba" by Brazilian artist Luiz Gonzaga showcases the backbeat in a context outside of U.S. popular music, indicating its global reach and influence. This rhythmical feature continues to be a foundational element in many forms of music, underpinning the rhythmic framework that listeners find instinctively appealing. It is this fundamental pulse, often aligned with the toe-tapping or counting rhythms of musicians and listeners alike, that defines the backbeat's integral role in music across diverse genres and eras, like this 120 bpm drum beat.

[@burgergamer09yt21]

This guy is a genius, I didn't see the video I always use to practice on bass and got deppressed but today is another day! Thanks for your effort man!

[@LumBeat]

Thanks for the kind words! Keep rocking!!! 🔥

[@burgergamer09yt21]

@@LumBeat Thank you for helping me since my begginings! Also, did that video disappear because of CZcams or did you take it down to remake it? just out of curiosity

[@user-tp3yx1ub6g]

Thanks🎉again

[@LumBeat]

🎉✨ Welcome! ✨🎉