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  • čas přidán 5. 08. 2024
  • Madhyamavati - Audava Ragam - ऑडवा रागम
    - Pentatonic Ragaas - Nookala Chinna Satyanarayana - Music Syndicate - KRV Music - Ramanathan - Music Is Divine
    MADHYAMAAVATI
    Madhyamaavati is the Janya of 22nd Melakarta Kharahara Priya. It is an Audava Raaga.
    Swarasthaanas:
    S . R . . . M . P . N . S
    Shadja; Chatsruti Rishabha; Suddha Madhyama; Panchama; Kaisika Nishaada.
    Aarohana : SRMPNS*
    Avarohana : S*NPMRS
    Ga & Dha are absent.
    It is an Upaanga Raaga.
    It is a Raaga Kaaraka - Raaga. Four Raagas can be derived by applying the process of Modal shift of Tonic.
    Madhyamaavati : S.R..M.P..N.S
    Hindola : N.S..G.M..D.N
    Suddha Saaveri : P.D..S.R..M.P
    Udaya RaviChandrika : M.P..N.S..G.M
    Mohana : R.G..P.D..S.R
    Madhyamaavati is an auspicious Raagam. As a sentiment, this is rendered at the end of a performance as it has the power to mitigate the sin of wrong renderings of other Raagas done in the performances. It is a sweet Raaga with a vast scope. It can be rendered at any time of the day or night.
    Moorchhana with Gamakam:
    Aarohana : SS,MRMR R,PM,PM P P, SNSN S
    S RMPNS
    Avarohana : S,N N.P P, MR,S
    S NPMRS
    It has got many Samvaadi pairs of Swaras in it.
    (Samvaadi pairs are those which have distance of eight or twelve Srutis between them or six and eight Swarasthaanas gap in between them.)
    {S . . . . . . P} S-P & S-M
    { S . . . . M} Relathonships are Samvaadi Swaras
    Samvaadi Swaras : S-M; S-P; R-P; M-N; P-S; M-S;
    All are Jeeva Swaras.
    Its Nishaada is a bit lower than the actual Kaisika Nishaadam in terms of Srutis. It can be called as Komala Kaisika Nishaadam, which comes in the Gamakam.
    SR,,RPMR,S/NSRMRSNP/
    RSR,,/PMR,S/MMMMMRSNP/NSRPMP/
    NNPMR,/RM RPMNP,/PNM,,/P.S.NS,,,/
    SNRSNP/NSR,SN,,/R,PMR,S/NSRMRSNP/
    MPNNPMR,/RM,MN,NR,MRSNP/P,RSRNS,NP/MPNSN,,P/
    P,MR RPMM,R,,S/
    NSRMRSNP/RNNSP/P,SNS,,,/
    Some Compositions:
    1. Taanavarmam Aadi
    2. Alakalallalaadaga gani Roopakam Tyaagaaraja
    3. Raama Kathaa Aadi Tyaagaraaja
    4. Paalinchu Kaamakshi “ Syama Sastry
    5. Nadupai Palikeru Jhampa Tyaagaraaja
    6. Venkatesa Ninu Aadi “
    7. Vinaayakuni “ “
    ‘Mahamahopadhyaya Nada Nidhi’
    Dr.Nookala Chinna Satyanarayana
    Asthana Vidwan: TTD-Tirupati, Sri Venkateshwara Devasthanam-Pittsburg-USA & Sri Kanchi Kamakoti Peetam. Top Class Artiste of A.I.R. & D.D. Son of Sri Annaji Rao and Smt. Yajna Chainamma and a Disciple of the legends Sri. Mangalampalli Pattabhiramayya, Sri Dwaram Narasingarao, Sri Dwaram Venkataswamy Naidu & Dr. Pinakapani.
    He was The Professor-Maharaja’s Music College, Vijayanagaram Telugu University. Principal, Govt. Music Colleges: Secunderabad-Hyderabad, Vijayawada & S.V.Music College-Trupati.
    Recipient of Sangeeth Nataka Akademy Award, “Emeritus Fellowship”, Dep’t of Culture, Govt. of India, “Hamsa Award” - Cultural Council, Govt. of A.P, & titles Nada Sudharnava, Telugu Velugu, Mahamahopadhyaya, Sangeetha Kala Acharya, Sangeetha Vidya Nidhi, Nadanidhi, Sangeetha Vidya Sagara, Sangeetha Sudhakara, Saptagiri Sangeetha Vidvanmani, Ganakala Gandharva, Lakshya Lakshna Marthanda, Sangeetha Ksheera Sagara, Sangeetha Sarvabhowma, Sangeetha Kala Sagara, Raga Hridayajanaha, Ganakala Nidhi etc.
    His innovated teaching skills has made the gurukula system easier, ie distance education (Non formal education) in Music through Audio & Video cassettes for direct teaching. He has undertaken several INTERNATIONAL CONCERT TEACHING & LECTURE, tours in countries like: U.S.A., CANADA, U.K., MALAYSIA, SINGAPORE, MAURITIUS, KUWAIT.
    He has authored many texts in English and Telugu for Carnatic Music.
    In these compact discs we have dealt elaborately the
    AUDAVA RAGAS in AUDIO and theory as DOWN LOADS
    The Ragas based on 5 Swaras are known as Audava Ragas and pentatonic scale Ragas. We have dealt with the most popular Audava Ragas.
    AUDAVA RAGAS
    MOHANAM, HINDOLAM, HAMSADHWANI , SUDDHASAVERI, UDAYARAVICHANDRIKA, NAAGASWARAAVALI, HAMSANAADAM, ABHOGI, SIVARANJANI, REVATHI, BHOOPALAM, SUNAADAVINODINI, AMRITHAVARSHINI, AANDOLIKA, GHAMBEERANAATAI, MADHYAMAVATHI.
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