GuitarCoop Interview Series - DAVID RUSSELL - Part II
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- čas přidán 28. 08. 2017
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Images/Audio: Eduardo Sardinha
Edition: Thiago Abdalla
Production: Lilah Kuhn
Translator: David Molina
Soundtrack: I. Albeniz - Granada (live at Tiny Desk Concert)
Location: Koblenz
Date: May 15th 2016 - Hudba
I like the way this man thinks, it resonates with me on many levels.
Superb David! Thank you Mr. Kayath!
"I would far sooner be moved than astonished..." François Couperin (1668-1733). Well done, David and Marcelo!
He is so percipient on every aspect of musical performance and almost as articulate without the guitar as he is when communicating through the instrument.
The most interesting place for him would been some place when he went with friends in Jakarta in the late 70s or early 80s!!
Sensacional, melhores entrevistas, completas, com muita informação!
Obrigado!
Maravilhoso e inspirador 👏👏👏
Very interesting and instructive interview, thank you.
GREAT!!!
interesting listening to him about playing a piece at home with no problem s and then playing it at a concert is whole new level , I shy away from public performance s cause I dont trust myself ,I cant get a piece to such a level ,it is so hard
In the last question, what is the name of the violinist for the Tchaikovsky violin concerto? I can't hear it well, sorry. I want to listen to it :)
Jascha Heifetz
@@TheJaoz3 Thanks, I never get the notification for this reply :) I just listen to him yesterday! And today I was rewatching this interview, I never related the two things. I start listen violin like 3 months ago like crazy and I discover great players. I only knew a couple before. Regards from Argentina :)
Is there a name to the system that is discussed at 8:20? I'm curious to learn more. Thank you,
Easy to buy and very clear concepts: The Musician's Way: A Guide to Practice, Performance, and Wellness www.amazon.com/dp/0195343131/ref=cm_sw_r_cp_api_coGRzb8EEECJC
Does anyone know the name of the piece at 11:57 ?? I’ve heard it once somewhere now can’t figure and it’s bothering me 🤯