Improvising a canon #1: at the 5th above.mp4
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- čas přidán 12. 03. 2012
- Peter Schubert and Dawn Bailey show how to improvise a canon, Renaissance style. Produced by Tuscan Bean Soup, Montreal (George Massenburg, producer; Michelle Hugill, editor; Shelley Stein-Sacks, concept and strategy).
- Hudba
A must-see series for those who teach or study counterpoint!
Great way to teach music from renaissance!!
Amazing! Best video I've seen in months.
AMAZING. Thank you so much for this.
Great, great stuff!
So so cool!
Love it!!!!!!❤
Love it! Peter Schubert is a counterpoint monster! (in a good way)
Wonderful! Thanks so much.
Awesome!
I've never seen this subject being taught without the use of solmisation, something that would ideally help the imitating voice find its note. It is unfortunately very hard to hammer the syllables into people who didn't grow up with solmisation from early on and becomes more of an obstacle for people like me who didn't enjoy the fruits of solmisation as the first lesson of all musical education. I wonder if I'd find it easier to do this exercise without the syllables...
Amazing! Thank you so much!!
I found this video in an article on academia.edu by Julie Cumming. I saw all the videos here (those 4 "improvising a canon"). Fantastic job!
Indeed!
Amazing! PS - you ARE the canon-meister!
can someone explain how he worked out the bass line?
was that first example spem in alium?
please tell me the baroque book is being reprinted soon!
😃
You say that because you don't know mr. G. Pacchioni!
I have one question though.
The melodic intervals used here are prime (and octave), third, fifth, and descending second and fourth. But it seems to me a descending sixth would yield a usable consonant harmonic interval as well (third). However this is not mentioned in the video.
Is this because the descending sixth is considered a problematic melodic interval for vocal writing?
6ths are not a prominent melodic interval in renaissance style. If used, it is typically at an extreme moment in, say, a madrigal.
Nate Mitchell Thanks! Much appreciated. It matches a wonderfully elaborated answer I got at musescore: musescore.com/groups/canons/discuss/297616
i dont think it is enough just to use these intervals randomly. one will soon have a lot of unisons and octavs in the middle of improvisation and some bad progressions as well