Rethinking Liszt | Emmanuel Despax in Conversation with Petroc Trelawny

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  • čas přidán 29. 06. 2024
  • Coinciding with the release of his new Liszt album on ‪@SignumRecords‬, French pianist Emmanuel Despax engages in an in-depth conversation with British broadcaster Petroc Trelawny. Discover Despax’s profound connection to Liszt and his unique perspective on the composer’s works.
    Listen to the album:
    lnk.to/LisztPianoWorks
    Chapters:
    00:00 - Lineage
    02:18 - Proximity to the composer
    04:09 - Performance ethos
    05:18 - Placing works in context
    07:27 - Learning new repertoire
    08:25 - Approach to the score
    09:04 - Technique and risk-taking
    12:02 - Risk-taking in Liszt’s Sonata
    14:29 - Presenting Liszt’s Sonata
    17:04 - Motivic analysis in the Sonata
    20:57 - Rethinking Liszt and his influence
    23:11 - The hero theme
    25:46 - The autograph manuscript
    26:25 - The Sonata’s ending
    29:01 - Ruth Nye and passing the torch
    31:02 - Recording process
    35:19 - Mental health
    39:32 - Avoiding burnout
    Filming:
    ‪@KnightClassical‬
    Filmed at World Heart Beat, Embassy Gardens, London.
    Don’t forget to like, comment, and subscribe for more insights and performances.
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    - Facebook: / emmanueldespaxpianist
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    - Spotify:
    open.spotify.com/artist/52DLf...
    - Apple Music:
    / emmanuel-despax
    - Website:
    www.emmanueldespax.com/
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Komentáře • 4

  • @elsondeo
    @elsondeo Před 2 dny

    Thoroughly enjoyable! I loved your discussion of the risk inherent in distant leaps. Not all passages were meant to be "prettified."

  • @ulfwernernielsen6708
    @ulfwernernielsen6708 Před 18 dny

    Arrau went to play Bach on a modern grand piano after listening to his own recording of the Goldberg variations. The was in 1987 . His last recording was 4 Bach Partitas . That was in 1991 , 3 months before his death.

  • @brucehain
    @brucehain Před 15 dny

    I hear that Arrau called it the roadrunner in reference to the 1st two notes.