YOU Should Do THIS With ALL Camera Gear
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- čas přidán 24. 03. 2024
- Calling all photographers and videographers! Wondering how the pros test out their new gear? In this video, we'll show you the step-by-step process for testing all new camera and lighting equipment. This is a must-watch for anyone looking to up their game and achieve professional quality results.
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Fantastic video! I'm sending this to my students as required viewing. You are a true master of your craft. Thank you.
would love to see a comparison between the sunlite and the p70 with black cinefoil technique you shared on a previous video you did
lessons in directional light, fascinating stuff!
There are also the pulso 8 heads (and packs) that use the same shape flash tubes that are in use mostly on the megalights
I had always wondered if there were other shapes of flash tubes! This is really cool
Ooooo really liking that boom Scott!
Very interesting test!
thank you!
What do you think about optical projection attachments for hard light look? They give crisp shadows with practically no spill
yeah it can look great. Not as keen on the quality though of the light. It feels too much like a mirror reflections light quality. Which is great for some things, but doesnt do what I want.
Please make a studio tour video as I'm making my studio and need some ideas ❤❤
Coming soon!
Those Cambo booms are so nice to use. Honestly, the way that every photo product gets copied, I'm surprised they haven't been cloned (if they have, I haven't see them).
Had the original one for years. Use it for its shadows also use it with the original para
Wait, you get the hardbox spinoff? :)
I see quite a lot of reflection from the inside of the barn doors, You'd probably get even better results closing them in (between the top and bottom) so less light spill.
The barn doors look a bit glossy and therefore reflective, despite being black, so would soften shadows when opened. Would you consider painting the barn doors with one of those special non reflective black paints (if those paints can take the heat)? Also do you ever consider painting the ceiling black and maybe the walls, in an effort to sharpen shadows even more, or do you think it won't help much, or prefer flags?
Ill add this to my next Q and A
Just wondering: Will you bring that light to your shoots in London or will you rent it for London shoots?
Its small enough that I can bring just this as a lot of rental houses do not have this (hence the spendy purchase)
If you are doing a hero shot on a single smaller item, how would your result differ from what you would get with a snoot?
I turn my strobe sideways and shoot barebulb when i need smaller light source
The smoke means that there are still likely organics/oils on or in close proximity to the tube, not ideal but they will burn off pretty quickly.
I wonder what benefit of this is over using a hard box, it seems like basically the same thing but with the upsell of an expensive new flash tube. Perhaps higher output?
Barndoors give more control. You can allow spill on certain sides if needed. The sunlite tube does have more power 3200 watts vs the 2400 profoto.
@@jaredwolfe8438That makes sense, I can see it giving more flexibility.
Placing one of these style tubes in a large 4ft b y 6ft softbox also gets you much better more even fill of light in a softbox that size. When compared to a regular tube I got about half a stop less fall off on the edges which was huge for a large family portrait I did with it.
Few benefits. One you cant move the hard box around as muuch at the pivot point on the stand which is awkward at times. Two 2400 watts Vs 3200 watts is a deal breaker and Three, I already own broncolor and the price difference between the two modifiers is only £200
@@TinHouseStudioUK Ah that makes sense, thanks! One other little thing i noticed was you needing to lower the boom to adjust the angle, does Cambo make something similar to the Manfrotto 025BS where there is tilt control on the weighted side?
How come you don't use Dedo lights? Wouldn't these be better for this or not?
I didn’t know they made flash to be honest. Sure most brands have an option like this. Just that I’m invested in broncolor and don’t want multiple brands in the studio as things get a bit messy then
@@TinHouseStudioUK Ah I got ya, not sure if they are flash, just I know you can shape the light and make very sharp shadows. But I agree, best to stick with the brands you trust and know.
Dumb question. Why not use a snoot to narrow the light?
Not a dumb question at all. It doesn't work. I can't tell you why because it feels like it should, but it doesn't. I believe its to do with point source light and stuff like that, but I didnt look ino the why once I found out that it wasnt an option. Which is a shame as a snoots like £20
any updates on the smoke? have you heard from the people yet?
Not yet, this was literally filmed yesterday!
@@TinHouseStudioUK oh, ok, let us know with it anyway
OHHH a hard box
I ordered this before Christmas and its only just arrived haha
“This is called a Sunlight…” “…look directly at it.”
Profoto has similar for much cheaper price 👍🏻
Yeah we use the hardbox a lot. Its very different and has a few drawbacks though which this fixes. But in reality both do the same job. Biggest downside is getting above 2400 watts through a profoto head
Yeah the hard box is not much cheaper by any means
The smoke is because of the new paint. It should be reducing gradually
On the subject of not buying new. I scored a deal and bought an R6 and 35 macro from a hobbyist who was interested in large prints and only did studio work with his cameras, his need for more megapixels lead him to buy an R5 for his hobby and I got a lightly used R6 camera and lens for a great price
What a total waste of money unless you can justify it for a job with a super high paying client and you can write off the purchasing of this light and stand!
Yeah I wouldn’t recommend buying it unless you have money to burn or big clients that need this look.
Not a waste at all! Great time saver especially for commercial photographers. You don’t always have high ceilings or large rooms to create hard light. If you shoot hard shadows a lot and need to do it in a small white space (like a clients studio) the only other ways to get light as hard as this are very clunky and eat up valuable time to set up.
You must be new here. He makes enough to justify the purchase
Had the original one for years. Use it for its shadows also use it with the original para