The Evolution of AI Music Composition | Rachel Lyske
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- čas přidán 7. 07. 2024
- #ainews , #musiccomposition , #aimusicproduction
DAACI co-founder and CEO Rachel Lyske and Audiosocket's CEO, Jenn Anderson-Miller, delve into the transformative role of AI in music composition and production. This conversation highlights AI's significant contributions to enhancing creativity within the music industry, underscoring its utility in music composition and AI music production without diminishing the indispensable role of human creativity. They critically examine the ethical considerations of integrating AI in music creation, offering insights for both enthusiasts and professionals keen on the latest AI news and developments in music technology.
00:00 Introduction
05:14 Bottom-up approach to AI
07:25 Will generative AI replace humans?
10:59 Specific audience for DAACI
13:50 How to include and engage creators in the AI narrative
20:10 DAACI's role in educating future technologists and musicians
22:42 What new AI technologies are you excited about?
26:21 DAACI's one sentence mission
27:13 Will DAACI be available to everyone?
29:10 Copyright issues with output?
30:45 New sustainable revenue models
33:26 How does generative AI stand out with music composition?
35:34 Vocal vs. instrumental music - Hudba
Encouraging to hear that those "in the know" see AI as an opportunity for creativity, and not an existential threat (as has always been the case with new technologies in music!).
Super interesting angle - I love that composers created the technology for composers! Viewing it as an enhancement to our current processes makes A.I. easier to grasp :)
Loving this!
Great to see the balance between AI and human creativity being addressed.
The future of music is here, and it's exciting!
Perfect for anyone curious about AI in music.
Incredible insights into AI's role in music production.
Jenn and Rachel are a powerhouse duo!
I see the most confusion and fear when it comes to the actual 'creation' part and AI. I've been using "AI" for years now when it comes to my mixing and mastering tools. I can't run a massive mixing console, and I live in the digital world anyways. It's also a massive time suck to do things 'the old way'. I already spent 12 hours making something, so I appreciate the 'help' at the end.
So, yea, if there's another tool I can add to my arsenal that helps me make more high-quality music faster; then I'm in. Even now, I've got patches that take triads to play full orchestral arrangements. I simply adjust MIDI files. That's not terribly far from where we find ourselves today. It's just fun too.
It is the beginning of the end of human-produced music. First composers teach AI every trick they do, then AI will do it better, faster, and way more creative. Then AI will be so much better than humans that no one will ever want music from composers. And it will happen fast !!! Just wait for a year or a maximum of two. Composers who know how to work with AI quickly will claim that music is their own, or, they will never be able to make an income