Raag Jhinjhoti and Khambwati are very similar, the difference is that in the raga Khambwati there is no use of Rikhab (re) in the awroh. For example. Sa Ni Dha Pa Ma Ga Ma Sa. This is awroh taan of raga khambavati
@@Adnankhansitar Thank you very much Adnanji. My favorite Khambavati is an old recording by Sharif Khan Poonchwale. He was my ustad (for a short time) but I did not learn Khambavati. You are now my favorite sitar nawaaz.
A great Sitar player taught by Ustad Sayeed Khan his father... , my luck that i saw him growing in front of me as a little toddler. Wish him the best
🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽
3 Kamaal ke bade bhai log ek saath🙏🏽🙏🏽🤩🤩🤩
Beautifully Rendered 👌👌👍👍
Hi Adnan. You are recalling my Ustad. God bless you always.
Thank you so much
@@Adnankhansitar juú
🙏🙏
Bahut sundar
Lajawab ustaad ji
Shukriya janab
👌🏼👌🏼🙏🏼
Great music. Who cut off the video at the end? Ai!
Thank you so much for your comments, i cut the video becoz after jhinjhoti I started one more raag
Waah Kya Baat Hai
Amazing talent 🙂
Kamaj Raag 🙏🙏
Can anyone explain the difference between Jhinjhoti and Khambavati? I would be truly grateful.
Raag Jhinjhoti and Khambwati are very similar, the difference is that in the raga Khambwati there is no use of Rikhab (re) in the awroh. For example. Sa Ni Dha Pa Ma Ga Ma Sa. This is awroh taan of raga khambavati
@@Adnankhansitar Thank you very much Adnanji. My favorite Khambavati is an old recording by Sharif Khan Poonchwale. He was my ustad (for a short time) but I did not learn Khambavati. You are now my favorite sitar nawaaz.
Thank you so much for your love
@@Adnankhansitar 🙏
Why not accompanists equally tabla players names, not including? Plz do.
I have written the names of both the tabla players.
@@Adnankhansitar sorry for overlooking the names. God bless you, always.
Alfaz khtm