Amant Jaloux Gretry Acte 2 - Final - "Cruelle, de ma douleur mortelle"

Amant Jaloux Gretry
Direction musicale Jérémie Rhorer
Mise en scène et costumes Pierre-Emmanuel Rousseau
Leonore: Magali Léger
Alonze: Brad Cooper
Le Cercle de l'Harmonie
Opéra Royal de Versailles novembre 2009
Opéra-Comique mars 2010

[@MultiGargiulo]

Excellent diction! Je comprend presque tout, bien que mon française soit plutòt médiocre.

[@stefanstamenic3640]

Bellissima! "There is no creation "out of nothing". Music history is so simplified that it is actually incorrect. Lending in music is like a "good day", it is "food" without which there are no successful future music pieces. Only those who are able to successfully vary the "idea" they take produce significant works. Even before Bach, Handel, Vivaldi, Telemann there were composers ... Even the great Mozart took musical ideas from many (Hermann Friedrich Raupach, Johann Gottfried Eckard, Johann Schobert, Leontzi Honauer , Chevalier de Saint-Georges.... Listen, compare how Giuseppe Gacaniga's "Don Giovanni Tenorio" (February 5, 1787) evolved into Mozart's "Don Juan" (October 29, 1787)! Or André Grétry „L’Amant jaloux“, 1778., or how Paisel's "Barber of Seville" ("Il Barbiere di Siviglia" in 1782 by Giovanni Paisiello) evolved into Mozart's "Figar's Marriage" (1786) as well as Rosie's "The Barber of Seville". Similarly: Pasquale Anfossi "La finta giardiniera (Anfossi)" (December 26, 1773) becomes Mozart's "La finta giardiniera" (January 13, 1775).
"
Zoran Stokic vioti11.blogspot.com/2018/07/mocart-salijeri-evolucija-stvaralastva.html